Select Works, Section 517 (part 2)

Doubtless the truth is that every quality performs its own function independently of a standard; for in no case could it produce an effect outside of its power. Even beauty would seem to have a power of its own. Does this apply to triangularity? Perhaps, after all, it is not a power we must consider, but a disposition. Thus, qualities will be determined by the forms and characteristics of the object qualified: their common element, then, will be Form and ideal type, imposed upon Substance and posterior to it. But then, how do we account for the powers? We may doubtless remark that even the natural boxer is so by being constituted in a particular way; similarly, with the man unable to box: to generalize, the quality is a characteristic non-essential. Whatever is seen to apply alike to Being and to non-Being, as do heat and whiteness and colours generally, is either different from Being- is, for example, an Act of Being- or else is some secondary of Being, derived from it, contained in it, its image and likeness. But if Quality is determined by formation and characteristic and Reason-Principle, how explain the various cases of powerlessness and deformity? Doubtless we must think of Principles imperfectly present, as in the case of deformity. And disease- how does that imply a Reason-Principle? Here, no doubt, we must think of a principle disturbed, the Principle of health. But it is not necessary that all qualities involve a Reason-Principle; it suffices that over and above the various kinds of disposition there exist a common element distinct from Substance, and it is what comes after the substance that constitutes Quality in an object. But triangularity is a quality of that in which it is present; it is however no longer triangularity as such, but the triangularity present in that definite object and modified in proportion to its success in shaping that object.