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Select Works of Plotinus · 318 of 752 · tr. Thomas Taylor

Select Works, Section 304

Section 17 17. Various considerations explain why the Souls going forth from the Intellectual proceed first to the heavenly regions. The heavens, as the noblest portion of sensible space, would border with the least exalted of the Intellectual, and will, therefore, be first ensouled first to participate as most apt; while what is of earth is at the very extremity of progression, least endowed towards participation, remotest from the unembodied. All the souls, then, shine down upon the heavens and spend there the main of themselves and the best; only their lower phases illuminate the lower realms; and those souls which descend deepest show their light furthest down- not themselves the better for the depth to which they have penetrated. There is, we may put it, something that is centre; about it, a circle of light shed from it; round centre and first circle alike, another circle, light from light; outside that again, not another circle of light but one which, lacking light of its own, must borrow. The last we may figure to ourselves as a revolving circle, or rather a sphere, of a nature to receive light from that third realm, its next higher, in proportion to the light which that itself receives. Thus all begins with the great light, shining self-centred; in accordance with the reigning plan [that of emanation] this gives forth its brilliance; the later [divine] existents [souls] add their radiation- some of them remaining above, while there are some that are drawn further downward, attracted by the splendour of the object they illuminate. These last find that their charges need more and more care: the steersman of a storm-tossed ship is so intent on saving it that he forgets his own interest and never thinks that he is recurrently in peril of being dragged down with the vessel; similarly the souls are intent upon contriving for their charges and finally come to be pulled down by them; they are fettered in bonds of sorcery, gripped and held by their concern for the realm of Nature. If every living being were of the character of the All-perfect, self-sufficing, in peril from no outside influence the soul now spoken of as indwelling would not occupy the body; it would infuse life while clinging, entire, within the Supreme.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

Mythological gods like Hephaistos and Aphrodite are used to represent divine functions.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The myth is interpreted as an account that 'harmonizes with our explanation of the universal system', reflecting cosmic structure.

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Demiurgecosmology

A secondary creator deity—often ignorant or malevolent—responsible for fashioning the material world, distinct from the supreme transcendent God.

Prometheus is depicted as moulding woman, acting as a secondary creator figure distinct from the Supreme.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The text refers to the secret of the myth concealed within the story.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

Intellectual-Principles and fore-thinking power function as ordering principles mediating creation.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

References to the Supreme imply a singular transcendent source above the gods.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

[auto] Prometheus is fettered by his own creation, implying material formation binds the higher power.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] A distinction is drawn between the Intellectual realm and the fettering nature of creation.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The text describes the kosmos as lit with many lights and gleaming in its souls.

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Divine Sparkscosmology

Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.

[auto] The cosmos is described as lit with lights gleaming in its souls, indicating divine fragments within.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

[auto] The text describes gifts flowing from Supreme gods and Intellectual-Principles down to the kosmos.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The passage explicitly interprets the myth as holding a secret meaning regarding spiritual states.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

[auto] Souls are described as gleaming, suggesting an internal divine luminosity.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The release from bonds signifies the power to remain in or return to the Intellectual realm.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] Hercules' release symbolizes the power to ascend from bonds back to the Intellectual power.

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Related passages · 5 parallels
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 4, Section 1o
And herein the Divine Yearning showeth especially its beginningless and endless nature, revolving in a perpetual circle for the Good, from the Good, in the Good, and to the Good, with unerring revolution, never varying its centre or directi…”
Both passages discuss the concept of emanation and the hierarchical structure of existence, with souls or yearnings moving from higher to lower realms, and the idea of a divine or intellectual light that permeates and influences the lower realms.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 3)
It was she in whom the voice of God promised again to introduce the living, holy substance from heaven, and to generate anew and in divine power the faded image of God that was contained therein." 1 ( Grace , vii. 18.) This, however, did n…”
Both passages discuss the concept of divine gifts or graces bestowed upon humanity or the cosmos, and the role of a divine or semi-divine figure in this process. Passage A describes the kosmos receiving gifts from various gods, while Passage B discusses the divine love and voice being introduced into humanity through Eve.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 108)
O Unas, the Eye of Horus hath been given to thee that it may embrace thee.[6] O Unas, the Eye of Horus which strove with Set hath been, given unto thee, in order that the opening of thy mouth may be caused thereby.[7] O Unas, that which flo…”
Both passages describe the bestowal of gifts or blessings upon a recipient, whether it be the kosmos in Plotinus' work or Osiris Unas in the Egyptian text. They share a theme of divine beneficence and the conferring of divine attributes or powers.
platonism|Plato: Phaedrus|Section 1o
Zeus, the mighty lord, holding the reins of a winged chariot, leads the way in heaven, ordering all and taking care of all; and there follows him the array of gods and demigods, marshalled in eleven bands; Hestia alone abides at home in the…”
Both passages describe the descent of souls from a higher, intellectual or divine realm into the material world, and the challenges they face in doing so. They also discuss the hierarchy and the different levels of participation in the divine light or truth.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|First Dialoguem
Thus everything has an impetus towards its beginning retrogressively, and progressively towards its end and perfection, as Empedocles well said, and from which sentence I think may be inferred that which the Nolan said in this octave: The s…”
Both passages discuss the soul's journey and its connection to higher realms. Plotinus describes the soul's emanation and its descent into the material world, while Dante's dialogue explores the soul's impetus towards its divine source and its struggle between material and spiritual realms.