Select Works of Plotinus · 161 of 752 · tr. Thomas Taylor
Select Works, Section 168 (part 1)
Section 12 12.
And how does this image set to its task immediately after it comes into being?
By memory of what it has seen?
But it was utterly non-existent, it could have no vision, either it or the Mother they bestow upon it.
Another difficulty: These people come upon earth not as Soul-Images but as veritable Souls; yet, by great stress and strain, one or two of them are able to stir beyond the limits of the world, and when they do attain Reminiscence barely carry with them some slight recollection of the Sphere they once knew: on the other hand, this Image, a new-comer into being, is able, they tell us- as also is its Mother- to form at least some dim representation of the celestial world.
It is an Image, stamped in Matter, yet it not merely has the conception of the Supreme and adopts from that world the plan of this, but knows what elements serve the purpose.
How, for instance, did it come to make fire before anything else?
What made it judge fire a better first than some other object?
Again, if it created the fire of the Universe by thinking of fire, why did it not make the Universe at a stroke by thinking of the Universe?
It must have conceived the product complete from the first; the constituent elements would be embraced in that general conception.
The creation must have been in all respects more according to the way of Nature than to that of the arts- for the arts are of later origin than Nature and the Universe, and even at the present stage the partial things brought into being by the natural Kinds do not follow any such order- first fire, then the several other elements, then the various blends of these- on the contrary the living organism entire is encompassed and rounded off within the uterine germ.
Why should not the material of the Universe be similarly embraced in a Kosmic Type in which earth, fire and the rest would be included?
We can only suppose that these people themselves, acting by their more authentic Soul, would have produced the world by such a process, but that the Creator had not wit to do so.
And yet to conceive the vast span of the Heavens- to be great in that degree- to devise the obliquity of the Zodiac and the circling path of all the celestial bodies beneath it, and this earth of ours- and all in such a way that reason can be given for the plan- this could never be the work of an Image; it tells of that Power [the All-Soul] next to the very Highest Beings.
Against their will, they themselves admit this: their "outshining upon the darkness," if the doctrine is sifted, makes it impossible to deny the true origins of the Kosmos.
Why should this down-shining take place unless such a process belonged to a universal law?
Either the process is in the order of Nature or against that order.
If it is in the nature of things, it must have taken place from eternity; if it is against the nature of things, then the breach of natural right exists in the Supreme also; evil antedates this world; the cause of evil is not the world; on the contrary the Supreme is the evil to us; instead of the Soul's harm coming from this sphere, we have this Sphere harmed by the Soul.
In fine, the theory amounts to making the world one of the Primals, and with it the Matter from which it emerges.
The Soul that declined, they tell us, saw and illuminated the already existent Darkness.
Now whence came that Darkness?
If they tell us that the Soul created the Darkness by its Decline, then, obviously, there was nowhere for the Soul to decline to; the cause of the decline was not the Darkness but the very nature of the Soul.
Themes
◆Aeonscosmology
Divine archetypal beings or eternal attributes dwelling within the Pleroma, often arranged in male-female syzygies.
References to 'members of Sophia' suggest the Gnostic concept of divine emanations or aeons.
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
The passage describes a descending chain from Soul/Sophia to images, the Demiurge, and finally the material Kosmos.
The felt condition of exile from one's divine origin — Rumi's reed flute torn from its bed, Plotinus's 'we have forgotten,' the Gnostic forgetfulness; the affective wound that complements return_to_source and gives the return its motive.
The narrative focuses on the descent of Soul and Sophia away from their origin into the lower sphere.
The Gnostic myth of Wisdom's prolapse from the Pleroma — her unilateral desire or error producing the Demiurge and the entrapment of divine sparks in matter.
[auto] The text details the specific myth where Wisdom (Sophia) declines and enters the lower sphere, initiating the descent of souls.