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Select Works of Plotinus · 59 of 752 · tr. Thomas Taylor

Select Works, Section 66 (part 1)

Section 5 5. These Lovers, then, lovers of the beauty outside of sense, must be made to declare themselves. What do you feel in presence of the grace you discern in actions, in manners, in sound morality, in all the works and fruits of virtue, in the beauty of souls? When you see that you yourselves are beautiful within, what do you feel? What is this Dionysiac exultation that thrills through your being, this straining upwards of all your Soul, this longing to break away from the body and live sunken within the veritable self? These are no other than the emotions of Souls under the spell of love. But what is it that awakens all this passion? No shape, no colour, no grandeur of mass: all is for a Soul, something whose beauty rests upon no colour, for the moral wisdom the Soul enshrines and all the other hueless splendour of the virtues. It is that you find in yourself, or admire in another, loftiness of spirit; righteousness of life; disciplined purity; courage of the majestic face; gravity; modesty that goes fearless and tranquil and passionless; and, shining down upon all, the light of god-like Intellection. All these noble qualities are to be reverenced and loved, no doubt, but what entitles them to be called beautiful? They exist: they manifest themselves to us: anyone that sees them must admit that they have reality of Being; and is not Real-Being, really beautiful? But we have not yet shown by what property in them they have wrought the Soul to loveliness: what is this grace, this splendour as of Light, resting upon all the virtues? Let us take the contrary, the ugliness of the Soul, and set that against its beauty: to understand, at once, what this ugliness is and how it comes to appear in the Soul will certainly open our way before us. Let us then suppose an ugly Soul, dissolute, unrighteous: teeming with all the lusts; torn by internal discord; beset by the fears of its cowardice and the envies of its pettiness; thinking, in the little thought it has, only of the perish able and the base; perverse in all its the friend of unclean pleasures; living the life of abandonment to bodily sensation and delighting in its deformity. What must we think but that all this shame is something that has gathered about the Soul, some foreign bane outraging it, soiling it, so that, encumbered with all manner of turpitude, it has no longer a clean activity or a clean sensation, but commands only a life smouldering dully under the crust of evil; that, sunk in manifold death, it no longer sees what a Soul should see, may no longer rest in its own being, dragged ever as it is towards the outer, the lower, the dark? An unclean thing, I dare to say; flickering hither and thither at the call of objects of sense, deeply infected with the taint of body, occupied always in Matter, and absorbing Matter into itself; in its commerce with the Ignoble it has trafficked away for an alien nature its own essential Idea. If a man has been immersed in filth or daubed with mud his native comeliness disappears and all that is seen is the foul stuff besmearing him: his ugly condition is due to alien matter that has encrusted him, and if he is to win back his grace it must be his business to scour and purify himself and make himself what he was. So, we may justly say, a Soul becomes ugly- by something foisted upon it, by sinking itself into the alien, by a fall, a descent into body, into Matter.
Themes
Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The reference to 'earlier and loftier beauties' suggests a structured hierarchy of reality flowing from a higher source.

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Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

[auto] The passage describes seeing 'graceful forms' and the 'face of Justice', indicating a contemplative engagement with intelligible images.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

[auto] The passage instructs the soul to take 'no help from the organs' and leave sense to its 'low place', viewing the body as hindering higher vision.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] A clear opposition is drawn between the 'sense-bound life' and the 'loftier beauties', establishing a hierarchy of material versus spiritual realms.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Terms like 'splendour', 'vision', and 'Beauty' are used to describe the higher reality, consistent with the metaphor of divine illumination.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The passage emphasizes that truth and beauty are accessed through direct vision by the soul rather than sensory organs or external instruction.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

[auto] The capacity to see these beauties is attributed to the 'Soul's sight', indicating an internal luminous faculty independent of physical eyes.

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Kingdom Withinanthropology

The claim that the divine realm is present inside the individual, accessible without external mediation.

[auto] The text asserts that the soul sees these higher realities without help from external organs, locating the divine realm within the self.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The experience described involves moving in the 'realm of Truth' with emotions of awe and love, implying a union with the divine reality.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The instruction to 'mount' to 'earlier and loftier beauties' implies a return to the origin or higher state of being.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The text explicitly commands the reader to 'mount' to higher beauties and leave sense to its low place, describing an upward journey.

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Related passages · 12 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 3 (part 8)
Without it the form of the spirit would not be knowable; it is the corporeity of the spirit. To be sure, it is not a bodily, tangible substance, like the bodies of men, but has nevertheless substantial and visible qualities which the spiri…”
Both passages describe the ineffable beauty and splendor of divine wisdom or higher truths, emphasizing that these can only be truly perceived by the soul or spirit, and that earthly language is insufficient to capture their essence. They share a mystical perspective on the transcendence of divine beauty.
greek_mystery|Orphic Hymns|Hymn LXXVII. AURORA
LXXVII. TO AURORA. The FUMIGATION from MANNA. HEAR me, O Goddess! whose emerging ray Leads on the broad refulgence of the day; Blushing Aurora, whose celestial light Beams on the world with red'ning splendours bright: Angel of Titan, whom w…”
Both passages discuss the soul's ability to perceive higher truths and beauties beyond the physical world, emphasizing the need to transcend sensory experience and purify the soul to achieve this vision.
hermeticism|Corpus Hermeticum 10: The Sermon on the Mount|Section 1b
For It doth will to be, and It is both Itself and most of all by reason of Itself. Indeed, all other things beside are just bacause of It; for the distinctive feature of the Good is "that it should be known". Such is the Good, O Tat. Tat…”
Both passages discuss the concept of divine beauty and the soul's ability to perceive it. They emphasize the transformative and awe-inspiring nature of this vision, which elevates the soul beyond the physical realm.
platonism|Plato: Phaedrus|Section 1q
Thus far I have been speaking of the fourth and last kind of madness, which is imputed to him who, when he sees the beauty of earth, is transported with the recollection of the true beauty; he would like to fly away, but he cannot; he is li…”
Both passages discuss the concept of the soul's attraction to beauty and the transcendence of earthly forms. They describe the soul's longing to break away from the body and reunite with higher, divine beauty, reflecting a shared mystical insight across different traditions.
platonism|Plato: Symposium|Section 1{
"These are the lesser mysteries of love, into which even you, Socrates, may enter; to the greater and more hidden ones which are the crown of these, and to which, if you pursue them in a right spirit, they will lead, I know not whether you…”
Both passages explore the concept of beauty and its relationship to the soul and virtue. They discuss the ascent from physical beauty to higher, more abstract forms of beauty, emphasizing the purification of the soul and the recognition of absolute beauty.
platonism|Plato: Symposium|Section 1|
This, my dear Socrates," said the stranger of Mantineia, "is that life above all others which man should live, in the contemplation of beauty absolute; a beauty which if you once beheld, you would see not to be after the measure of gold, an…”
Both passages explore the concept of beauty and its effect on the soul, emphasizing the transcendence of physical beauty and the pursuit of higher, spiritual beauty. They share a mystical focus on the soul's longing for divine beauty and the transformation it brings.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguee
She dispatches the armed thoughts, which, solicited and urged by disagreement with the inferior nature, are sent to recall the heart. The soul instructs them how they should conduct themselves, so that, being allured and attracted by the o…”
Both passages discuss the nature of love and desire in relation to perception and the soul's higher understanding. They explore the idea that true love and beauty are perceived beyond the physical senses, through the soul's vision, and that this perception leads to a deeper, more profound experience.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguef
Hence it follows that not less do we desire to see things unknown and unseen than those known and seen. And from this it does not follow that the desire does not proceed from cognition, and that we desire something that is not known; but I…”
Both passages discuss the nature of desire and the soul's inclination towards the beautiful and the good. They emphasize the soul's ability to perceive universal truths beyond the immediate sensory experience, highlighting the deeper, intellectual appreciation of beauty and goodness.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|First Dialoguec
And I will say, because to me this pain Is dearer than all other pleasures are. Mar. In reference to this I told you that although one should be attached to corporeal and external beauty yet he may honourably and worthily be so attached;…”
Both passages explore the concept of beauty transcending the physical and the soul's longing for higher, spiritual beauty. They discuss the ugliness of the soul when it is entangled with material desires and the purification needed to appreciate true beauty.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|Fifth Dialogued
The fourth with the viola sang : And pierced anon with such a light as this; Blindness worth more than every other sight, Pains sweeter far than other pleasures are, For to the fairest light Thou art thyself a guide, Show to the soul all lo…”
Both passages explore the theme of transcendent beauty and the soul's journey towards higher truths. They emphasize the limitations of the physical world and the superior insights gained through spiritual or mystical experiences.
2 more
taoism|Tao Te Ching|Chapter 2
All in the world know the beauty of the beautiful, and in doing this they have (the idea of) what ugliness is; they all know the skill of the skilful, and in doing this they have (the idea of) what the want of skill is. So it is that existe…”
Both passages discuss the nature of beauty and the higher realms of perception and understanding. Passage A emphasizes the soul's vision of higher beauties beyond the material world, while Passage B discusses the interdependence of opposites and the sage's ability to manage affairs without action, both pointing towards a deeper, more profound understanding of reality.
taoism|Tao Te Ching|Chapter 39
The things which from of old have got the One (the Tao) are-- Heaven which by it is bright and pure; Earth rendered thereby firm and sure; Spirits with powers by it supplied; Valleys kept full throughout their void All creatures which throu…”
Both passages discuss the concept of higher beauty and virtue, emphasizing that true understanding and appreciation come from a higher, spiritual perspective rather than mere physical observation. They both highlight the transformative and awe-inspiring nature of this higher realm.