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Select Works of Plotinus · 56 of 752 · tr. Thomas Taylor

Select Works, Section 63

Section 2 2. Let us, then, go back to the source, and indicate at once the Principle that bestows beauty on material things. Undoubtedly this Principle exists; it is something that is perceived at the first glance, something which the soul names as from an ancient knowledge and, recognising, welcomes it, enters into unison with it. But let the soul fall in with the Ugly and at once it shrinks within itself, denies the thing, turns away from it, not accordant, resenting it. Our interpretation is that the soul- by the very truth of its nature, by its affiliation to the noblest Existents in the hierarchy of Being- when it sees anything of that kin, or any trace of that kinship, thrills with an immediate delight, takes its own to itself, and thus stirs anew to the sense of its nature and of all its affinity. But, is there any such likeness between the loveliness of this world and the splendours in the Supreme? Such a likeness in the particulars would make the two orders alike: but what is there in common between beauty here and beauty There? We hold that all the loveliness of this world comes by communion in Ideal-Form. All shapelessness whose kind admits of pattern and form, as long as it remains outside of Reason and Idea, is ugly by that very isolation from the Divine-Thought. And this is the Absolute Ugly: an ugly thing is something that has not been entirely mastered by pattern, that is by Reason, the Matter not yielding at all points and in all respects to Ideal-Form. But where the Ideal-Form has entered, it has grouped and coordinated what from a diversity of parts was to become a unity: it has rallied confusion into co-operation: it has made the sum one harmonious coherence: for the Idea is a unity and what it moulds must come to unity as far as multiplicity may. And on what has thus been compacted to unity, Beauty enthrones itself, giving itself to the parts as to the sum: when it lights on some natural unity, a thing of like parts, then it gives itself to that whole. Thus, for an illustration, there is the beauty, conferred by craftsmanship, of all a house with all its parts, and the beauty which some natural quality may give to a single stone. This, then, is how the material thing becomes beautiful- by communicating in the thought that flows from the Divine.
Themes
Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

The passage describes the Intellectual-Principle as 'essentially the solitary,' which implies an undivided and simple nature consistent with divine simplicity.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The term 'Intellectual-Principle' refers to a specific level within the Neoplatonic chain of being.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The inquiry into beauty within the divine realm aligns with Plotinus's metaphysics of beauty which grounds the spiritual ascent.

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Related passages · 2 parallels
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 2, Section 1f
Yea, ‘tis a common and undifferenced activity of the whole Godhead that It is wholly and entirely communicated unto each of them that share It and unto none merely in part; 197 197 D. here touches on the fundamental difference between spir…”
Both passages discuss the concept of divine communication and the manifestation of divine qualities in the material world. Passage A from Plotinus explores the idea of beauty as a reflection of divine form, while Passage B from the Christian mystical tradition discusses the communication of the divine nature to participants. Both emphasize the unity and wholeness of the divine in its interaction with the material world.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter XIV — Of the Spirit of the World, What It Is, and How by Way of Medium It Unites Occult Virtues to Their Subjects|Chapter XIV, Section 1a
CHAPTER XIV. Of the Spirit of the World, What It Is, and How by Way of Medium It Unites Occult Virtues to Their Subjects . Democritus and Orpheus, and many Pythagoreans, having most diligently searched into the virtues of celestial things…”
Both passages discuss the concept of a divine principle that infuses beauty and virtue into the material world. Plotinus describes the soul's recognition of beauty through communion with Ideal-Form, while the second passage discusses the Spirit of the World that unites occult virtues to their subjects, highlighting a similar underlying theme of divine influence on the material realm.