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Select Works of Plotinus · 56 of 752 · tr. Thomas Taylor

Select Works, Section 63

Section 2 2. Let us, then, go back to the source, and indicate at once the Principle that bestows beauty on material things. Undoubtedly this Principle exists; it is something that is perceived at the first glance, something which the soul names as from an ancient knowledge and, recognising, welcomes it, enters into unison with it. But let the soul fall in with the Ugly and at once it shrinks within itself, denies the thing, turns away from it, not accordant, resenting it. Our interpretation is that the soul- by the very truth of its nature, by its affiliation to the noblest Existents in the hierarchy of Being- when it sees anything of that kin, or any trace of that kinship, thrills with an immediate delight, takes its own to itself, and thus stirs anew to the sense of its nature and of all its affinity. But, is there any such likeness between the loveliness of this world and the splendours in the Supreme? Such a likeness in the particulars would make the two orders alike: but what is there in common between beauty here and beauty There? We hold that all the loveliness of this world comes by communion in Ideal-Form. All shapelessness whose kind admits of pattern and form, as long as it remains outside of Reason and Idea, is ugly by that very isolation from the Divine-Thought. And this is the Absolute Ugly: an ugly thing is something that has not been entirely mastered by pattern, that is by Reason, the Matter not yielding at all points and in all respects to Ideal-Form. But where the Ideal-Form has entered, it has grouped and coordinated what from a diversity of parts was to become a unity: it has rallied confusion into co-operation: it has made the sum one harmonious coherence: for the Idea is a unity and what it moulds must come to unity as far as multiplicity may. And on what has thus been compacted to unity, Beauty enthrones itself, giving itself to the parts as to the sum: when it lights on some natural unity, a thing of like parts, then it gives itself to that whole. Thus, for an illustration, there is the beauty, conferred by craftsmanship, of all a house with all its parts, and the beauty which some natural quality may give to a single stone. This, then, is how the material thing becomes beautiful- by communicating in the thought that flows from the Divine.
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Themes
Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

The passage describes the Intellectual-Principle as 'essentially the solitary,' which implies an undivided and simple nature consistent with divine simplicity.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The term 'Intellectual-Principle' refers to a specific level within the Neoplatonic chain of being.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The inquiry into beauty within the divine realm aligns with Plotinus's metaphysics of beauty which grounds the spiritual ascent.

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Related passages · 6 parallels
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 2, Section 1a
65 CHAPTER II Concerning the Undifferencing and the Differentiation in Divinity, and the Nature of Divine Unification and Differentiation. 166 166 περὶ ἡνωμένης καὶ διακεκριμένης θεολογίας καὶ τίς ἡ θεία ἕνωσις καὶ διάκρισις. I. ’ Tis th…”
Shared concept: Divine Simplicity — The doctrine that God has no parts, divisions, or composite attributes; pure undivided being. (derived)
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 2, Section 1l
166 περὶ ἡνωμένης καὶ διακεκριμένης θεολογίας καὶ τίς ἡ θεία ἕνωσις καὶ διάκρισις. 167 The point of this section is that God’s Nature is not a sum total of separate Attributes. Therefore when we say that the Scriptural titles of God are o…”
Shared concept: Divine Simplicity — The doctrine that God has no parts, divisions, or composite attributes; pure undivided being. (derived)
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|INTRODUCTION-j
The body is in the soul, the soul is in the mind, the mind is in God. The life of the soul is the true life of the man. Of all his various faculties, that which rules all, that which exalts our nature, is Thought. By means of it we rise…”
Shared concept: Ladder Of Love — Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force. (derived)
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XIX (part 7)
In the reduction of your soul to its simplest self, its divine essence, you realize this union—this identity. But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limi…”
Shared concept: Ladder Of Love — Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force. (derived)
western_esoteric|The Tarot of the Bohemians (Papus)|Chapter XIV (part 8)
This is the God adored by materialist science, and we see that unconsciously its homage is offered to the Divinity itself under its most material form, even whilst it foolishly boasts of Atheism. DEATH, CORPOREAL LIFE, and the DESTINY whic…”
Shared concept: Emanation Hierarchy — A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above. (derived)
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Third Dialogue-h
In which generation finding themselves once more through the changes which permutably succeed, they return again to the superior forms. Cic . So that they mean, that souls are impelled by the necessity of fate, and have no proper counsel…”
Shared concept: Ladder Of Love — Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force. (derived)