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Myths of the Cherokee · 85 of 220

Myth 57

THE SNAKE MAN Two hunters, both for some reason under a tabu against the meat of a squirrel or turkey, had gone into the woods together. When evening came they found a good camping place and lighted a fire to prepare their supper. One of them had killed several squirrels during the day, and now got ready to broil them over the fire. His companion warned him that if he broke the tabu and ate squirrel meat he would become a snake, but the other laughed and said that was only a conjurer’s story. He went on with his preparation, and when the squirrels were roasted made his supper of them and then lay down beside the fire to sleep. Late that night his companion was aroused by groaning, and on looking around he found the other lying on the ground rolling and twisting in agony, and with the lower part of his body already changed to the body and tail of a large water snake. The man was still able to speak and called loudly for help, but his companion could do nothing, but only sit by and try to comfort him while he watched the arms sink into the body and the skin take on a scaly change that mounted gradually toward the neck, until at last even the head was a serpent’s head and the great snake crawled away from the fire and down the bank into the river.
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Themes
Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The central narrative event is the detailed, agonizing metamorphosis of a human hunter into a water snake as a direct consequence of breaking a taboo.

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