Myths of the Cherokee · 86 of 220

Myth 58

THE RATTLESNAKE’S VENGEANCE One day in the old times when we could still talk with other creatures, while some children were playing about the house, their mother inside heard them scream. Running out she found that a rattlesnake had crawled from the grass, and taking up a stick she killed it. The father was out hunting in the mountains, and that evening when coming home after dark through the gap he heard a strange wailing sound. Looking about he found that he had come into the midst of a whole company of rattlesnakes, which all had their mouths open and seemed to be crying. He asked them the reason of their trouble, and they told him that his own wife had that day killed their chief, the Yellow Rattlesnake, and they were just now about to send the Black Rattlesnake to take revenge. The hunter said he was very sorry, but they told him that if he spoke the truth he must be ready to make satisfaction and give his wife as a sacrifice for the life of their chief. Not knowing what might happen otherwise, he consented. They then told him that the Black Rattlesnake would go home with him and coil up just outside the door in the dark. He must go inside, where he would find his wife awaiting him, and ask her to get him a drink of fresh water from the spring. That was all. He went home and knew that the Black Rattlesnake was following. It was night when he arrived and very dark, but he found his wife waiting with his supper ready. He sat down and asked for a drink of water. She handed him a gourd full from the jar, but he said he wanted it fresh from the spring, so she took a bowl and went out of the door. The next moment he heard a cry, and going out he found that the Black Rattlesnake had bitten her and that she was already dying. He stayed with her until she was dead, when the Black Rattlesnake came out from the grass again and said his tribe was now satisfied. He then taught the hunter a prayer song, and said, “When you meet any of us hereafter sing this song and we will not hurt you; but if by accident one of us should bite one of your people then sing this song over him and he will recover.” And the Cherokee have kept the song to this day.

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Themes

◆Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting a world where humans can communicate with animals, snakes possess social structures and emotions, and natural entities act as divine agents with the power to demand sacrifice.

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◆Covenanttheology

A binding agreement or relationship between the divine and a people or individual, establishing mutual obligations.

The interaction establishes a binding agreement where the hunter's compliance with the sacrifice and subsequent use of the song secures peace between humans and the snake tribe.

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◆Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The hunter receives a specific song to be sung as a form of prayer or incantation to ensure safety and healing from the snake tribe.

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◆Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The narrative culminates in the transmission of a specific prayer song that possesses magical efficacy to prevent snake bites and cure those who are bitten, demonstrating the doctrine that spoken words carry causal power over reality.

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Related passages · 1 parallel

◆finnic|The Kalevala|Rune XIXb

“In the field were countless vipers, Serpents there of every species, Crawling, writhing, hissing, stinging, Harmless all against the hero, Thus he stills the snakes of Lempo: "Vipers, ye by God created, Neither best nor worst of creatures,…”

Both passages involve a hero interacting with snakes or serpents in a significant way. In Passage A, the hunter interacts with rattlesnakes and receives a protective song, while in Passage B, Ilmarinen plows a field of serpents and uses magic to control them. Both stories involve a form of pact or understanding with the serpents, demonstrating a conceptual parallel in the interaction between humans and these creatures.