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Myths of the Cherokee · 64 of 220

Myth 40

HOW THE PARTRIDGE GOT HIS WHISTLE In the old days the Terrapin had a fine whistle, but the Partridge had none. The Terrapin was constantly going about whistling and showing his whistle to the other animals until the Partridge became jealous, so one day when they met the Partridge asked leave to try it. The Terrapin was afraid to risk it at first, suspecting some trick, but the Partridge said, “I’ll give it back right away, and if you are afraid you can stay with me while I practice.” So the Terrapin let him have the whistle and the Partridge walked around blowing on it in fine fashion. “How does it sound with me?” asked the Partridge. “O, you do very well,” said the Terrapin, walking alongside. “Now, how do you like it,” said the Partridge, running ahead and whistling a little faster. “That’s fine,” answered the Terrapin, hurrying to keep up, “but don’t run so fast.” “And now, how do you like this?” called the Partridge, and with that he spread his wings, gave one long whistle, and flew to the top of a tree, leaving the poor Terrapin to look after him from the ground. The Terrapin never recovered his whistle, and from that, and the loss of his scalp, which the Turkey stole from him, he grew ashamed to be seen, and ever since he shuts himself up in his box when anyone comes near him.
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting animals (Partridge, Terrapin, Turkey) as possessing human-like personalities, emotions (jealousy, shame), and agency within a cosmos populated by such embodied spirits.

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