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Myths of the Cherokee · 19 of 220

Myth 7

THE JOURNEY TO THE SUNRISE A long time ago several young men made up their minds to find the place where the Sun lives and see what the Sun is like. They got ready their bows and arrows, their parched corn and extra moccasins, and started out toward the east. At first they met tribes they knew, then they came to tribes they had only heard about, and at last to others of which they had never heard. There was a tribe of root eaters and another of acorn eaters, with great piles of acorn shells near their houses. In one tribe they found a sick man dying, and were told it was the custom there when a man died to bury his wife in the same grave with him. They waited until he was dead, when they saw his friends lower the body into a great pit, so deep and dark that from the top they could not see the bottom. Then a rope was tied around the woman’s body, together with a bundle of pine knots, a lighted pine knot was put into her hand, and she was lowered into the pit to die there in the darkness after the last pine knot was burned. The young men traveled on until they came at last to the sunrise place where the sky reaches down to the ground. They found that the sky was an arch or vault of solid rock hung above the earth and was always swinging up and down, so that when it went up there was an open place like a door between the sky and ground, and when it swung back the door was shut. The Sun came out of this door from the east and climbed along on the inside of the arch. It had a human figure, but was too bright for them to see clearly and too hot to come very near. They waited until the Sun had come out and then tried to get through while the door was still open, but just as the first one was in the doorway the rock came down and crushed him. The other six were afraid to try it, and as they were now at the end of the world they turned around and started back again, but they had traveled so far that they were old men when they reached home.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The Sun is explicitly described as having a 'human figure,' attributing human form to a celestial deity.

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Shamanic Journeypraxis

The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. The practitioner returns with knowledge, songs, lost-words, or a recovered soul. Distinct from psychopomp_journey (which guides the *dead* soul through afterlife realms) and from spiritual_ascent (which is the soul's *upward* return to source); shamanic_journey is the *living* practitioner crossing into ordinarily-inaccessible domains as a worked technique.

The narrative follows living young men who deliberately travel to the edge of the world and the realm of the Sun to gain knowledge about its nature, fitting the definition of a living practitioner's journey into inaccessible domains.

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Related passages · 7 parallels
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Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)
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Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)
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“THE NINTH TABLET. GILGAMISH IN TERROR OF DEATH SEEKS ETERNAL LIFE. . Gilgamish bitterly wept for his comrade, (for) Enkidu, ranging Over the desert: "I, too—shall I not die like Enkidu also? 5. Sorrow hath enter’d my heart; I fear death as…”
Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)