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Epic of Gilgamesh: Tablet IV — The Arrival at the Gate of the Forest · 1 of 2 · tr. R. Campbell Thompson

Tablet IV, Section 1a

THE FOURTH TABLET. THE ARRIVAL AT THE GATE OF THE FOREST. . . 36. Enkidu lifted [his eyes] . . . and spake with the Gate as [’t were human(?)]: "O thou Gate of the Forest without understanding(? . . . Sentience which thou hast not, . . . . 40. I for (full) forty leagues have admired thy [wonderful] timber, (Aye), till I sighted the towering Cedar . . . . (O but) thy wood hath no peer (in the country) . . . Six gar thy height, and two gar thy breadth . . . 45. (Sooth, but) thy stanchion (?), thy socket (?), thy pivot (?), thy lock (?), and thy shutter (?), [(All of them) must have been fashion’d for thee] in the City of Nippur! O, if I had but known, O Gate, that this was [thy grandeur], This, too, the grace [of thy structure], then either an axe had I lifted 50. Or I had . . . or bound together . . . ." : 6. ". . . [O, haste] thee, withstand him, he will not [pursue(?) thee], [We will] go on down into the wood not daunted, together (?)]. . . . Thou shall put on seven garments .. . . . putting on, and six . . . (?) . . . " 10. He like a mighty wild bull . . . Flung he the Portal afar, and [his] mouth was fill’d (with his challenge), Cried to the Guard of the Forest: "Up (?) . . . ! [’Tis I will challenge] Humbaba like to a . . ." "Trouble (?) [I foresee(?)] wherever I go . . . . 5. O my friend, I have [seen] a dream which un- . . . ." The day of the dream he had seen fulfilled . . . . . Enkidu lay for a day, [yea, a second]—for Enkidu [lying] 10. (Prone) on his couch, was a third and a fourth day . . ., a fifth, sixth and seventh, Eighth, ninth, [and tenth]. While Enkidu [lay in his] sickness . . ., th’ eleventh, (Aye, till) the twelfth . . . on [his] couch was Enkidu [lying]. 15. Call’d he to Gilgamish, . . . . . . . . . "(O but), my comrade, . . . hateth me . . because within Erech I was afraid of the combat, and . . . My friend, who in battle . . ." : 26. [Enkidu open’d] his [mouth] and spake [unto Gilgamish, saying]: ("Nay, but), [my friend, let us no wise] go down [to the depths of the Forest], (For) ’tis my hands [have grown weak], and [my arms] are stricken with palsy." ________________________________ Gilgamish open’d his mouth and spake [unto Enkidu], saying: 30. "Shall we, O friend, [play] the coward? . . . . . . . . . . thou shalt surpass them all(?) . . . . [Thou, O] my friend, art cunning in warfare, art [shrewd(?)] in the battle, (So) shalt thou touch the . . . and of [death] have no terror, . [So that] the palsy (now striking) thine arms [may] depart, and the weakness Pass [from thy hands]!
Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

Enkidu addresses the Gate of the Forest as an entity capable of understanding, treating a natural structure as a personified agent within the landscape.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

Humbaba is presented as an active 'Guard of the Forest' who challenges the heroes, implying a dynamic divine presence in the natural world.

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