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Gnostic John the Baptizer — Some Typical Extracts · 7 of 24 · tr. G.R.S. Mead

Section 7

When the Fisher heard this, he stamped on the bows of the ship. The Fisher stamped on the ships of the fishers; the fishers lie in the shallows close crowded together, tied up together like bundles of wheat, and cannot rise up. The reeds swish ..., 3 and the fish of the sea lie over the fishers. They snarl in the marsh and the water rings them round in its circle (?). Then shrilling he spake with his voice. He discoursed with his voice sublime and spake to the catchers of fish: "Off from me, p. 78 ye foul-smelling fishers, ye fishers who mix poison. Begone, begone, catch fish, who [eat?] your own filth. Down with you to your ... and go to the end of the crossing. I am no Fisher who catches fish, and my fish are tested. They are not caught by the hook with bad dates, a mess which [my?] fish do not eat. They fall not into the nets that are coloured 1 and turn not to the lamps of the Lie. They sink not down through the mud of the water, and go not after the ... of Deception. They (? the nets) divide not the water * * * * * *, that shall fall on the good. If the fishers cast o'er them the cast-net, they tear asunder the net and set themselves free. There will be no day in this world on which the fishers catch [my?] fish. There will be no day in this world on which the dove loves the ravens. Accursèd be ye, ye foul-smelling birds, and accursèd your nest, so that it may not be filled. Woe to your father Sirmā, 2 whose bed is in the reeds. Woe to thee, hungry Safnā, whose wings do not dry in this world. 3 Woe to thee, foul-smelling Sagiā, thou who seest the fish and sighest [for them]. He shrieks and cries bitterly, when he strikes for the fish and misses them. Woe to thee, Arbānā ..., thou who haulest the fish out of the deeps. Well for him who frees himself from the talons of those who catch fish. Well for him who frees himself from the men who are watchers of this world. Begone, begone with you, ye Planets, be of your own houses a portion. Water does not mix with pitch, and the Light is not reckoned as Darkness. The perfect ones' partner cannot be called your partner. The good (sing.) cannot belong to the wicked (pl.) nor the bad to the good. Your ship cannot be tied up with mine, nor your ring (?) be laid on my ring. There, is the head of all of you; count yourselves unto his realm! This your crass father stays stuck in the black water. Your mother, who nets nets and heavy double machines, have I beaten with the staff of (living) water and smashed a hole in her head. I lead on my friends, raise them on high in my ship and guide them past all the tax-gatherers. 4 I guide them through the passage of outrage, p. 79 the region where the fishes are taken. I make them escape the filth-eaters. But ye will come to an end in your dwellings. I and my friends of the Truth will find a place in Life's shekīnah. Into the height will I bear them on thrones surrounded with standards of glory.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The divine speaker is depicted as a human figure who stamps on ships, speaks to fishers, and leads friends on a ship.

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Archonscosmology

Malevolent planetary rulers or demiurgic powers that govern the material world and obstruct the soul's ascent.

The text explicitly names and condemns malevolent planetary rulers (Planets) and fishers who obstruct the truth.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The passage establishes a stark opposition between truth/Good and lie/Deception through repeated binaries like Light vs. Darkness and Good vs. Wicked.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Light is contrasted with Darkness and Deception as a positive divine quality that cannot be reckoned with evil.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The passage includes specific curses on the wicked and a promise of finding a place in Life's shekīnah for the faithful.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The divine speaker is portrayed as an active agent who speaks, stamps on ships, and guides friends through the world.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The speaker guides friends to a place in Life's shekīnah, implying a journey back to the divine realm.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The text emphasizes the distinction between foul-smelling fishers and clean fish that are tested and not caught by bad dates or poison.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The speaker guides friends through the passage of outrage and leads them on high in his ship.

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Related passages · 5 parallels
finnic|The Kalevala|Rune XVIIIb
Sail then farther on thy journey, Point thy prow to other waters." It was not her father's vessel, Not a sail-boat from the distance, 'Twas the ship of Wainamoinen, Bark of the eternal singer; Sails within a hailing distance, Swims still ne…”
Both passages use the metaphor of fishing to represent spiritual or mystical pursuits. They contrast the righteous (or enlightened) with the deceitful or unenlightened, emphasizing the struggle against falsehood and the protection of the spiritually pure.
finnic|The Kalevala|Rune XLIIc
Give me of thine oars, O Ahto, Lend thine aid, O King of sea-waves, Guide as with thy helm in safety, Lay thy hand upon the rudder, And direct our war-ship homeward; Let the hooks of metal rattle O'er the surging of the billows, On the whit…”
Both passages use maritime imagery to convey spiritual or mystical themes. They describe a journey or struggle against forces of deception and darkness, with the protagonists guiding their followers to safety and enlightenment.
finnic|The Kalevala|Rune XLVIId
"Time had gone but little distance, When the gray-pike grew affrighted, Fear befel the lake-trout-eater; Burning pain and writhing torment Seized the reckless trout-devourer; Swam the pike in all directions, Called, and moaned, and swam, an…”
Both passages use the metaphor of fishing to represent spiritual struggle and the avoidance of deception. They describe a conflict between those who seek truth (the 'good fish') and those who are deceptive or corrupt (the 'fishers' or 'fire-fish').
finnic|The Kalevala|Rune XLVIIIb
Then the master, Wainamoinen, Made additions to its borders, Made it many fathoms wider, And a hundred fathoms longer, Then these words the hero uttered "Famous blacksmith, Ilmarinen, Let us go again a-fishing, Row again the magic fish-net,…”
Both passages use the metaphor of fishing to represent spiritual or mystical pursuits. They describe a struggle against forces that seek to capture or mislead, and the ultimate goal of liberation or enlightenment.
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Fishes, Insects, Animals, Reptiles and Birdsc
He told His disciples that they should became "fishers of men." The sign of the fish was also the first monogram of the Christians. The mysterious Greek name of Jesus, ΙΧΘΥΣ, means "a fish." The fish was accepted as a symbol of the Christ…”
Both passages use the metaphor of fishing and fishers to represent spiritual or mystical concepts. Passage A discusses the symbolism of fish and fishing in Christian mysticism, while Passage B uses similar imagery in a different mystical context, suggesting a shared conceptual parallel.