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The Egyptian Heaven and Hell · 47 of 96 · tr. E.A. Wallis Budge

Chapter 9 (part 1)

p. 111 CHAPTER VI. SECOND DIVISION OF THE TUAT. I. THE KINGDOM OF KHENTI-AMENTI-OSIRIS ACCORDING TO THE BOOK AM-TUAT. THE god AFU-Ra now enters the region URNES which derives its name from that of the river flowing through it; it is 309, or 480 atru or leagues in length, and 120 wide. URNES is a portion of the dominions of OSIRIS-KHENTI-AMENTI, the great god of Abydos, and it, no doubt, formed a section of the SEKHET-HETEPET according to the old theology of Egypt. The Boat Of AFU-Ra is now under the direction of the goddess of the second hour of the night, SHESAT-MAKET-NEB-S, and the uraei of Isis and Nephthys have been added to its crew. Immediately in front of it are four boats, which move by themselves; the first contains the full moon, of which Osiris was a form, the second the emblem of a deity of harvest, the third the symbols of another agricultural deity, and the fourth the Grain-god personified. All four boats contain either forms or symbols of Osiris, in his different aspects, as the god of ploughing, sowing, and reaping, and of the p. 112 grain from the time when it germinates to the season of harvest. When AFU-RA has come into URNES, he addresses the gods of the region, who are called "BAIU-TUATIU," and tells them to open their doors so that they may receive air, and fresh food, and fresh water, in return for the deeds of valour which they have done on behalf of AFU-RA. It seems that at one portion of this Division the followers of Osiris and RA had to do battle against Apep and his friends, and that in return for their services the god gave them places here in which to dwell, with an abundance of wheat and barley, etc. The gods in reply welcome AFU-RA, and beg him to dissipate the darkness in Amenti, and to slay the serpents HAU and NEHA-HRA (vol. i., p. 40); they promise that those who guide his boat shall destroy APEP, that Osiris shall come to meet him and shall avenge him, and that he shall rest in Ament, and shall appear in the East the following morning under the form of KHEPERA. After this speech they lead AFU-RA into a state of peace in SEKHET-EN-PERTIU, the "Field of the Gods of grain," wherein are the boats of the Grain-gods already described. In this fair haven AM-RA rests, and every follower of Osiris hoped to follow his example. If we consider for a moment the group of divine beings which stands on each bank of the river URNES it becomes evident that each god or goddess belongs to p. 113 the company of Osiris. To the right of the boat stand six gods, who either hold or wear an ear of corn and are connected with the growth of the grain (vol. i., p. 31), gods armed with knives, and connected with the harvest, gods of the seasons, each holding a notched palm-stick, the god of the year, the gods of SOTHIS and ORION (vol. i., p. 32) Osiris-Unnefer, Akhabit, Anubis, the "Eater of the Ass," 1 etc. To the left of the Boat are six deities, each with a phallus in the form of a knife, the double god HORUS-SET (Vol. i., p.
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

Twelve gods are mapped to the Twelve Hours of Day and Night, reflecting cosmic structure.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The concept of the 'Mountain of the Hidden Land' (Amentet) is explicitly mentioned.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The gods of the Mountain are described as offspring of Ra who emerged from his eye.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The text references the Kingdom of Khenti-Amenti-Osiris and divisions of the Tuat, realms associated with post-mortem judgment.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

Access is granted based on possessing the specific knowledge of how to utter the word of power.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The 'word of power' implies esoteric knowledge reserved for those who know how to use it.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

A sceptre is described as uttering words on behalf of the god AFU-RA.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are described with human or animal actions such as singing, pouring fire from mouths, and opening doors.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Light is a central motif, with the god asking for it and goddesses pouring fire to 'lighten the darkness'.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly describes the journey through underworld divisions (ARRIT, SECOND DIVISION) and mentions the dead left behind, central to Egyptian afterlife texts.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The gods are depicted as active, responsive entities who bid the traveler enter and adjudge punishments.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

[auto] Specific numbers of deities (twelve goddesses, nine gods) are cited as part of the divine structure.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The passage details a guided passage through afterlife realms with gods opening gates and guiding the traveler.

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Ritual Firepraxis

Fire as medium of divine presence.

[auto] Fire is used by serpent goddesses as a medium to lighten darkness and facilitate the god's passage.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The text emphasizes the 'word of power' and the knowledge to utter it as having ontological effect on gods and gates.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The narrative describes a staged journey moving through specific divisions of the underworld or heaven.

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Related passages · 7 parallels
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXVII
p. 87 LXVII. God's Promise to Noah: Places of Punishment of the Angels and of the Kings . CHAPTER LXVII. 1. And in those days the word of God came unto me, and He said unto me: 'Noah, thy lot has come up before Me, a lot without blame, a lo…”
Both passages describe a divine journey through a realm associated with judgment and punishment, involving deities or divine beings who oversee these processes. They also share themes of renewal and the promise of a better state after the judgment.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXVI
LXXVI. The Twelve Windows and their Portals . CHAPTER LXXVI. 1 And at the ends of the earth I saw twelve portals open to all the quarters (of the heaven), from which the winds go forth and blow over the earth. 2. Three of them are open on t…”
Both passages describe mystical realms with specific divisions and portals or regions that have distinct characteristics and functions. They both involve divine beings and elements that bring about different effects, such as blessings or destruction, reflecting a structured cosmology.
mesopotamian|The Descent of the Goddess Ishtar into the Lower World|Section 1b
"Why, O gatekeeper, dost thou remove the girdle of my body, studded with birth-stones?" "Enter, O lady, for such are the decrees of Ereshkigal." The sixth gate, he bade her enter, opened it wide, and removed the spangles off her hands and f…”
Both passages describe a descent into the underworld and involve a deity navigating through gates or divisions, encountering challenges, and interacting with other divine beings. The themes of transformation, divine decrees, and the journey through a netherworld are shared.
mesopotamian|Enuma Elish: The Epic of Creation|1a
THE FIRST TABLET When in the height heaven was not named, And the earth beneath did not yet bear a name, And the primeval Apsu, who begat them, And chaos, Tiamut, the mother of them both Their waters were mingled together, And no field was…”
Both passages describe a journey through a divine realm with a focus on the interaction between deities and the structure of the afterlife or primordial world. They share themes of divine hierarchy, the role of gods in guiding the journey, and the presence of cosmic order.
mesopotamian|Enuma Elish: The Epic of Creation|1b
let us wage war!" ... the gods in the midst of... ... for the gods did she create. They banded themselves together and at the side of Tiamat they advanced; They were furious; they devised mischief without resting night and day. They pr…”
Both passages describe a cosmic battle involving divine beings and mythical creatures. They share themes of creation, conflict, and the establishment of order, reflecting the mystical traditions' explanations of the universe's structure and divine governance.
mesopotamian|Enuma Elish: The Epic of Creation|1h
She recited an incantation, she pronounced her spell, And the gods of the battle cried out for their weapons. Then advanced Tiamat and Marduk, the counselor of the gods; To the fight they came on, to the battle they drew nigh. The lord sp…”
Both passages describe a divine figure (AFU-RA in Passage A and Marduk in Passage B) who overcomes chaos or adversity, establishes order, and interacts with divine beings and cosmic elements. They share themes of divine journey, conquest, and cosmic organization.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a divine figure journeying through an underworld or afterlife, encountering various deities and performing acts of judgment and creation. They share themes of divine power, guidance, and the ordering of the cosmos.