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The Egyptian Heaven and Hell · 44 of 96 · tr. E.A. Wallis Budge

Chapter 8 (part 2)

This DIVISION, or antechamber, or vestibule, of the Tuat is, according to the BOOK AM-TUAT, called NET-RA, and before the Sun-god can come to the dweller in the Tuat he must pass over a space which is said to be 120, or 220, atru , or leagues, in length. The river URNES, on which the boat moves, is 300 atru in extent, and is divided into two portions. On looking into the BOAT OF THE SUN-GOD we see that this deity has transformed himself, and that he no longer appears as a fiery disk, but as a ram-headed man, p. 106 who stands within a shrine; in other words, Ra has taken the form of Osiris, in order that he may pass successfully through the kingdom of the dead, whose lord and god is Osiris. The name given to this form is AF, or AFU, which means literally "flesh" and "a dead body;" it was as a dead body that Osiris first entered the Tuat, and those who wished to become what he became subsequently had to enter the Tuat as dead bodies and with the attributes wherewith he entered it. The boat then contains the body of the dead Sun-god, or AFU-RA; he has with him a crew of seven gods and one goddess; one of these acts as guide (AP-UAT), another as steersman, another as the "look out," and the goddess, or "lady of the boat," is there as representative of the Division through which they are about to pass. Besides these we have KA-SHU, i.e., the "double of Shu," the god of the atmosphere of this world, who is present in the boat in order to supply the god with air; HERU-HEKENU, who recites magical formulae; and SA and HU, who represent the knowledge and intelligence necessary for the due performance of the journey. We may note that the boat moves by itself, and that the gods who form a procession in front of it do not tow it. As we have already described these in vol. i. (see pp. 4-8), it is needless to say here more than that they are all forms of the Sun-god, or deified aspects of him, and that they accompany their lord, who has transformed himself. Side by side with the boat of p. 107 [paragraph continues] AFU-RA is a smaller boat, in which the coming into being of Osiris is depicted, and the beetle is there to typify the presence of Osiris, and to lead AFU-RA on his way through the DIVISION (vol. i., p. 7). As AFU-RA is preceded by a number of forms of the Sun-god, so the "form of Osiris," KHEPER-EN-ASAR, is preceded by a number of Osirian deities, three snakes and three goddesses, among them being NEITH of the NORTH, NEITH of the SOUTH, and the rare goddess ARTET (Vol. i., p. 7). The direction in which AFU-RA is moving is northwards, and we may glance at the beings who are on the banks of the river of the Tuat. On the right hand are nine apes, "which sing to Ra as he entereth the Tuat," nine gods and twelve goddesses, who sing praises unto Ra, and twelve serpents, which belch forth the fire that gives light to lighten the god on his way (vol. i., pp. 12-15). On the left hand are nine apes, "which open the gates to the Great Soul" (i.e.
Themes
Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The passage contrasts the life-giving light of the Sun-god with the darkness that causes spirits to sink into inertness.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The Sun-god's light is described as revivifying the dead spirits in the Tuat, contrasting with the inertness of darkness.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The text references the Judgment Hall of Osiris where spirits must present themselves to avoid failure.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The mention of the Judgment Hall and legally appointed offerings implies the underlying Egyptian principle of truth and order.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The text notes that relatives and friends said all the prayers proper for the occasion to aid the deceased.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

The text details the spirit's awaited passage on the Boat of the Sun-God through the various divisions of the afterlife realm.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The text emphasizes that every funeral rite must be duly and adequately performed to secure the soul's passage to the blessed abode.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage mentions amulets inscribed with magical names and formulae that carry power to secure safe passage for the soul.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The spirit undertakes a staged journey through the divisions of the Tuat toward the House of Osiris or the Boat of Ra.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The use of amulets, magical names, and prayers to secure a passage in the Boat of Ra represents ritual engagement with divine power.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly describes the Book of Am-Tuat and Book of Gates as texts guiding a disembodied spirit through the divisions of the Tuat after death.

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Related passages · 4 parallels
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter XXII (part 1)
XXII. Sheol, or the Underworld . CHAPTER XXII. 1. And thence I went to another place, and he showed me in the west ⌈ another ⌉ great and high mountain [ and ] of hard rock. E 2 And there was in it †four† hollow places, deep and wide an…”
Both passages describe a journey through the underworld or afterlife, featuring a deity or divine figure navigating through different regions or divisions. They share the theme of a structured afterlife with specific areas designated for different types of souls or spirits.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXII (part 1)
THE BOOK OF THE COURSES OF THE HEAVENLY LUMINARIES (LXXII-LXXXII.) LXXII. The Sun . CHAPTER LXXII. 1. The book of the courses of the luminaries of the heaven, the relations of each, according to their classes, their dominion and their s…”
Both passages describe the journey of a divine being (the Sun-god Ra in Passage A and the Sun in Passage B) through a celestial realm, highlighting the structured and symbolic nature of their travels. They share themes of transformation, divine guidance, and the passage of time, reflecting the mystical traditions of ancient Egypt.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXVI
LXXVI. The Twelve Windows and their Portals . CHAPTER LXXVI. 1 And at the ends of the earth I saw twelve portals open to all the quarters (of the heaven), from which the winds go forth and blow over the earth. 2. Three of them are open on t…”
Both passages describe mystical journeys through a divided afterlife or cosmic realm, involving divine beings and specific directions. They share themes of transformation, divine guidance, and the structured nature of the otherworldly journey.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a divine being journeying through the underworld or a realm of the dead, accompanied by other deities and performing rituals or incantations. They share themes of transformation, divine guidance, and the role of the deity in the afterlife.