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The Egyptian Heaven and Hell · 41 of 96 · tr. E.A. Wallis Budge

Chapter 7 (part 9)

The copy of the work in the tomb of Amen-hetep III., written in hieratic, was well preserved in Champollion's time, but is now illegible; see Champollion, Lettres , 13 e Lettre; and Champollion, Monuments , iii. 232-234. The text of the Third Hour was published by Lepsius, Denkmäler , iii. 78 and 79. See also Description de l'Égypte , Antiq. tom. iii. 193, tom. x., 218, and plates, tom. ii., 80, 81; and Lefébure in Mémoires Mission Arch. Française , tom. iii., p. 172. 82:1 See Mémoires publiés par les membres de la Miss. Arch. Française , tom. ii., Paris, 1886. 82:2 See Études de Mythologie et d'Archéologie Egyptiennes , in Bibliothèque Égyptologique , tom. ii., p. 1 ff., Paris, 1893. 82:3 See Lefébure, op. cit. , tom. iii., fasc. 1, p. 48 ff. 82:4 See E. de Rougé, Notice Sommaire des Monuments Égyptiens exposés dans les Galeries du Musée du Louvre , Paris, 1876, p. 51. 83:1 See E. de Rougé, Notice Sommaire , p. 52. It contains the figures of the eleven divisions, with very few inscriptions; see Jéquier, Le Livre de ce qu'il y a dans l'Hades , p. 25. 83:2 See E. de Rougé, Notice Sommaire , p. 52. This sarcophagus is made of basalt, is beautifully cut, and was brought to France by Champollion. See also Sharpe, Egyptian Inscriptions , vol. ii., plates 1-24. 83:3 See Schäfer in Jéquier, op. cit. , p. 26, notes 3 and 4. 83:4 See Catalogue des Manuscrits Égyptiens , Paris, 1881, p. 15. 83:5 See Pierret, Études Égyptologiques , tom. ii., p. 103-148. 83:6 See Lanzone, Le Domicile des Esprits , Paris, 1879, folio. 83:7 See Catalogue du Musée Égyptien de Leyde , pp. 253-255. 83:8 See Jéquier, op. cit. , p. 27. 84:1 Papyrus Funéraire Hiéroglyphique, Sha-am-Tua (T. 71). Publié dans la 32ième Livraison des Monuments Égyptiens du Musée , Leyden, 1894. 84:2 See Devéria, Catalogue, Sect. ii., Le Livre de L'Hémisphère Inférieur . 85:1 See The Alabaster Sarcophagus of Oimenepthah I., King of Egypt, now in Sir John Soane's Museum, Lincoln's Inn Fields, drawn p. 86 by Joseph Bonomi, and described by Samuel Sharpe , London, 1864. A description of the pictures and texts was given by M. Pierret in the Revue Archéologique for 1870; small portions of the text were discussed by Goodwin and Renouf in Aeg. Zeit. , 1873, p. 138, and 1874, p. 101; and an English rendering of the whole text was given by E. Lefébure, in the Records of the Past , vol.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The text explicitly justifies the god's mode of transport by comparing it to human kings and nobles traveling by water.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage details the cosmological mechanics (river, boat) required for travel through the Tuat, the Egyptian underworld.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Ra is depicted as an active deity who sails, emerges from the Tuat, and possesses consuming fire.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The underworld is structured into twelve numbered divisions, indicating a numerical organization of the afterlife realm.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

It describes the divisions, gates, and guardians of the Tuat that constitute the soul's path through the afterlife realms.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text extensively lists the names of hour-goddesses, gates, and serpents which are crucial identifiers in this cosmology.

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