← Home
The Egyptian Book of the Dead (Papyrus of Ani) · 324 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 85)

From a natural point of view the sun was synonymous with movement, and hence typified the life of man; and the setting of the one typified the death of the other. Usually Ra is depicted in human form, sometimes with the head of a hawk, and sometimes without[3], As early as the time of the pyramid texts we find Ra united with Tmu to form the chief god of Annu, and at the same period a female counterpart Rat was assigned to him.[4] Shu , the second member of the company of the gods of Annu, was the firstborn son of Ra, Ra-Tmu, or Tum, by the goddess Hathor, the sky, and was the twin brother of Tefnut. He typified the light, he lifted up the sky, Nut, from the earth, Seb, and placed it upon the steps which were in Khemennu. [1. See Lanzone, op. cit. , tav. 398. 2. Ibid. , p. 1255- 3. Ibid. , tav. 78. 4. Pyramid of Unas, l. 253.] {p. cxii} He is usually depicted in the form of a man, who wears upon his head a feather or feathers and holds in his hand the sceptre. At other times he appears in the form of a man with upraised arms; on his head he has the emblem ###, and he is often accompanied by the four pillars of heaven, i.e. , the cardinal points.[1] Among the many faïence amulets which are found in tombs are two which have reference to Shu: the little models of steps typify the steps upon which Shu rested the sky in Khemennu; and the crouching figure of a god supporting the sun's disk symbolizes his act of raising the sun's disk into the space between sky and earth at the time when he separated Nut from Seb. Tefnut , the third member of the company of the gods of Annu, was the daughter of Ra, Ra-Tmu, or Tmu, and twin-sister of Shu; she represented in one form moisture, and in another aspect she seems to personify the power of sunlight. She is depicted in the form of a woman, usually with the head of a lioness surmounted by a disk or uræus , or both;[2] in faïence , however, the twin brother and sister have each a lion's head. In the pyramid texts they play a curious part, Shu being supposed to carry away hunger from the deceased, and Tefnut his thirst.[3] Seb or Qeb , the fourth member of the company of the gods of Annu, was the son of Shu, husband of Nut, and by her father of Osiris, Isis, Set, and Nephthys. Originally he was the god of the earth, and is called both the father of the gods, and the " erpa ( i.e. , the tribal, hereditary head) of the gods." He is depicted in human form, sometimes with a crown upon his head and sceptre I in his right hand; and sometimes he has upon his head a goose,[4] which bird was sacred to him. In many places he is called the "great cackler" and he was supposed to have laid the egg from which the world sprang. Already in the pyramid texts he has become a god of the dead by virtue of representing the earth wherein the deceased was laid. [1. See Lanzone, op. cit. , tav. 385. 2. See Lanzone, op. cit. , tav. 395. 3. Recueil de Travaux , t. v., p. 10 (l. 61). 4 See Lanzone op. cit.
Themes
Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The passage describes the moral conception of the sun representing the 'victory of right over wrong and of truth over falsehood'.

All passages →
Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The passage mentions that 'every dead man prayed' and that Ra is 'entreated' to give the soul a place.

All passages →
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are described with human-like agency and animal forms, such as flying like a bird or alighting like a beetle.

All passages →
Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] As an excerpt from the Book of the Dead, the text explains the theological framework (sun boat) guiding the deceased through the afterlife.

All passages →
Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The gods are portrayed as active creators and dynamic agents, described as 'maker of the gods' and 'creator of men'.

All passages →
Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The passage describes the king's movement in the sun boat and flying like a bird, illustrating the guided passage of the soul.

All passages →
Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The passage explicitly discusses the ontological flexibility and power of divine names like Khepera, used as noun, adjective, verb, and proper name.

All passages →
Related passages · 7 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 6)
Not that he contains their essences, but their life arose from his centre in the beginning." ( Threefold Life , iv. 27.) "The sun is the heart of all the powers in this world, and is configurated from the powers of all the stars, while, on…”
Both passages explore the symbolic and cosmological significance of the sun and other celestial bodies in their respective mythologies. They describe the sun as a central, life-giving force and detail the relationships between various deities or cosmic principles, showing a conceptual parallel in their mystical traditions.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 7)
That which Sol (the sun) is spiritually becomes corporeal in Luna (the moon)." ( Signature , ix. 24.) After the world of stars had begun to exist, the sidereal life appeared by the power of the former—that is to say, that living organisms…”
Both passages explore the relationship between divine entities and the creation of life, emphasizing the role of celestial bodies and divine figures in the formation and sustenance of the world and its inhabitants. They share a common theme of divine creation and the interplay between spiritual and physical realms.
mesopotamian|Enuma Elish: The Epic of Creation|1i
He opened great gates on both sides, He made strong the bolt on the left and on the right. In the midst thereof he fixed the zenith; The Moon-god he caused to shine forth, the night he entrusted to him. He appointed him, a being of the ni…”
Both passages describe the creation and role of deities in their respective mythologies, emphasizing their control over natural phenomena and their significance in the cosmic order. They share themes of divine creation and the establishment of order, though within different cultural contexts.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a supreme deity associated with creation, renewal, and the ordering of the cosmos. They highlight the deity's role in establishing order, creating life, and maintaining the natural and divine world, reflecting a common theme of divine creation and sustenance in different mythological traditions.
mesopotamian|Enuma Elish: The Epic of Creation|1k
May he hold the Beginning and the Future, may they pay homage unto him, Saying, "He who forced his way through the midst of Tiamat without resting, Let his name be Nibiru, 'the Seizer of the Midst'! For the stars of heaven he upheld the pa…”
Both passages describe a divine being who plays a central role in creation and cosmic order. They highlight the attributes and actions of these deities, emphasizing their power and significance in their respective mythologies.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialogueb
There is a sun whose rays extend to the back of the earth, and there is a legend which says: "Idem semper ubique totum." Cic . I perceive that the interpretation of it will be difficult. Tans . The more excellent the meaning the less obv…”
Both passages explore the symbolic significance of the sun and its relationship to life and the natural world. Passage A discusses the sun as a symbol of life and movement in Egyptian mythology, while Passage B uses the sun to illustrate the cyclical nature of seasons and human emotions, showing a conceptual parallel in their mystical interpretations.
western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|4. The Tetragramb
The Great Magical Agent is the fourth emanation of the life-principle, of which the sun is the third form - see the initiates of the school of Alexandria and the dogma of Hermes Trismegistus. In this way the eye of the world, as the ancien…”
Both passages explore the concept of divine forces and their interaction with the world, particularly focusing on the sun as a central element. Passage A discusses the Egyptian gods and their roles in maintaining cosmic order, while Passage B delves into the Hermetic tradition's view of the sun as a life-principle and its magical properties. Both texts emphasize the interconnectedness of divine and natural forces.