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The Egyptian Book of the Dead (Papyrus of Ani) · 238 of 357 · tr. E.A. Wallis Budge

Chapter 41 (part 2)

(6) May Osiris Ani, triumphant, be born upon your thighs; may he be like unto one (7) Of you for ever and for ever; and may he become a glorious being (8) in the beautiful Amenta." [ Address to the Rudders ]: "(1) Hail, thou beautiful Power, thou beautiful it rudder of the northern heaven." "(2) Hail, thou who goest round about heaven, thou pilot of the world, thou beautiful rudder of the western heaven." "(3) Hail, thou shining one, who livest in the temple wherein are the gods in visible forms, thou beautiful rudder of the eastern heaven." "(4) Hail, thou who dwellest in the temple of the bright-faced ones, thou it beautiful rudder of the southern heaven." [ Address to the four Triads]: "(5) Hail, ye gods who are above the earth, ye pilots of the underworld." "(6) Hail, ye mother-gods who are above the earth, who are in the underworld, and who are in the House of Osiris." "(7) Hail, ye gods, ye pilots of Tasert, ye who are above the earth, ye pilots of the underworld." "(8) Hail, ye followers of Ra, who are in the train of Osiris." Vignette: Ani standing before a table of offerings, with both hands raised in adoration. Behind him is his wife, wearing a lotus-flower and a cone upon her head, and holding a sistrum. and lotus-flower in her left hand. Text: [CHAPTER CLXXXV. (?)] (I) A HYMN OF PRAISE TO OSIRIS THE DWELLER IN AMENTET, UN-NEFER WITHIN ABTU, Osiris Ani, triumphant, saith: Hail, O my lord, who dost traverse (2) eternity, and whose existence endureth for ever. Hail, Lord of Lords, King of Kings, Prince, the God of gods who (3) live with Thee, I have come unto Thee Make thou for me a seat with those who are in the underworld, and who adore (4) the images of thy ka (5) and who are among those who [endure] for (6) millions of millions of years [1. Variant ka-f nefer "his beautiful ka ." 2. Reading xenti her ab . 3. Reading her abu het teser . 4. In the Turin and the older papyri each rudder is accompanied by an utchat . 5. In the Turin papyrus the four children of Horus take the place of these triads.] . . . . . . . . (10) May no delay arise for me in Ta-mera. Grant thou (11) that they all may come unto me, great (12) as well as small. Mayest thou grant unto the ka of Osiris Ani [the power] to go into and to come forth (13) from the underworld; and suffer him not to be driven back at the gates of the Tuat."
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Deities are depicted with physical forms (hawk-headed Ra) and engage in human-like activities such as receiving offerings at tables.

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Asha Cosmic Ordercosmology

Truth as the fundamental structure of reality.

[auto] The text invokes Ra as the 'lord of right and truth,' aligning with the concept of truth as the fundamental structure of reality.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Ra is invoked as the sun god and the text references 'shining ones,' emphasizing the luminous quality of the divine.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is from the Book of the Dead and explicitly describes Ani's ritual offerings and journey to be with the gods in the afterlife.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Ra is addressed directly as an active lord who receives offerings and responds to the supplicant's plea.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

[auto] Ani addresses Ra as 'lord of right and truth,' which directly invokes the Egyptian principle of Maat.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The goal expressed is for the soul to be 'with' the shining ones and Osiris in Amenta.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

[auto] The text consists of direct address and homage to Ra and Osiris ('Homage to thee... I have come unto thee').

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Ani describes his arrival before Ra and requests passage to be with the shining ones, indicating a guided passage through afterlife realms.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The supplicant asks for his soul to be with the shining ones, seeking reunion with the divine realm.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text relies on the invocation of divine names like Ra and Osiris Ani to establish connection and authority.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

Ani states 'I have come unto thee,' indicating a movement upward or toward the divine presence.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The text involves ritual offerings (meat, libations) and recitation to engage divine power for the soul's benefit.

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Related passages · 6 parallels
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Shared concept: Theurgy — Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone. (derived)
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Shared concept: Maat Cosmic Order — The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike. (derived)
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Thus everything has an impetus towards its beginning retrogressively, and progressively towards its end and perfection, as Empedocles well said, and from which sentence I think may be inferred that which the Nolan said in this octave: The s…”
Shared concept: Spiritual Ascent — A staged journey of the soul upward through heavenly realms or levels of being toward the divine source. (derived)
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Shared concept: Prayer — Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward. (derived)