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The Egyptian Book of the Dead (Papyrus of Ani) · 232 of 357 · tr. E.A. Wallis Budge

Chapter 40 (part 1)

PLATES XXXIII AND XXXIV. Vignette: The mummy-chamber, arranged as a plan, representing the floor and walls laid flat, in fifteen compartments. In the centre, under a canopy, is place d the bier bearing the mummy of Ani, beside which stands the god Anubis,[1] [1. In the Nebseni papyrus the text referring to Anubis reads: "Anubis, who dwelleth in the region of the embalmed, the chief of the holy house, layeth his hands upon the lord of life ( i.e. , the mummy), It and provideth him with all that belongeth unto him, and saith: 'Flail to thee, thou beautiful one, the lord! Thou hast been gazed upon by the Sun's eye, thou hast been bound up by Ptah-Seker, thou hast been made whole by Anubis; breath hath been given unto thee by Shu, and thou hast been raised up by the fair one, the prince of eternity. Thou hast thine eyes. Thy right eye is in the sektet boat, and thy left eye is in the sektet boat. Thine eye-brows appear fair before the company of the gods. Thy brow is in the charge of Anubis. The back of thy head is in good case in tile presence of the sacred hawk. Thy fingers are stablished by written decree in the presence of the lord of Khemennu, and Thoth giveth unto thee the speech of the sacred books. Thy hair is in good case in the presence of Ptah-Seker. Osiris is in bliss, and reverence is done unto him before the company of the great gods. He looketh upon the great god, he is led on fair paths, he is made strong with meals of the tomb, and his enemies are cast down beneath him in presence of the company of the great gods who are in the great house of the aged one in Annu.'"] with hands outstretched over the body. At the foot of the bier kneels the goddess Isis, and at the head the goddess Nephthys, each being accompanied by a flame of fire, which is placed in the compartment immediately behind her. The Tet occupies the compartment immediately above the bier, and the jackal--emblematic of Anubis or Ap-uat--couchant on the tomb, with a sceptre having pendent menats --occupies the compartment below. The four children of Horus, or gods of the cardinal points--Mestha, Hapi, Tuamautef, and Qebhsennuf--stand in the corners of the four adjoining compartments. In each of the two upper and outer compartments is the human-headed bird emblematic of the soul, standing on a pylon, the one on the right being turned to the west or setting sun, the other on the left facing the east or rising sun. In the right lower compartment stands the figure of the Perfected Soul; in the corresponding compartment on the left is a Ushabti figure. Text [CHAPTER CLI.] [Isis saith:] "I have come to be a protector unto thee. I waft (2) unto thee air for thy nostrils, and the north wind, which cometh forth from the god Tmu, unto thy nose (3)- 1 have made whole thy lungs. I have made thee (4) to be like unto a god. Thine enemies have fallen beneath thy feet.
Themes
Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The invocation of Osiris and Ptah implies the Egyptian principle of truth and order underlying the afterlife rewards.

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Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

Ani declares his divine identity ('I am the Bennu') as a means of establishing his status in the afterlife.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Gods are described performing human-like actions such as reaping wheat and overthrowing enemies.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly details the opening of underworld gates, protection of the dead body, and guidance through the afterlife realms.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Deities are depicted as active agents who overthrow foes and grant homesteads in the afterlife.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] Ani identifies himself directly with divine entities, stating 'I am the Bennu, the soul of Ra'.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text describes Ani as a guide into the underworld and mentions the opening of gates for passage.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The efficacy of the text relies on proclaiming names and titles such as 'Osiris Ani' and invoking deities like Ptah and Ra.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The deceased is described as becoming triumphant and joining the gods in the Sekhet-Aaru.

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Related passages · 5 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 12 (part 5)
He now sat in the chair of David, and was the true priest in the order of Melchisedec." ( Three Principles , xxii. 3.) But the victory which the Redeemer had gained over Satan at the time of the temptation could not be sufficient for the p…”
Both passages discuss the transformation and redemption of the individual through divine intervention. Passage A describes the deceased's journey to the afterlife and their transformation into a divine being, while Passage B discusses the redemption of mankind through the death and resurrection of Christ.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 14 (part 7)
This light moderates the action of the fiery will still active in them, the blessings of their good deeds surround them, the hope for still greater glorification is their life, and from the trouble and persecution which they have suffered t…”
Both passages describe the afterlife journey of the soul, emphasizing the rewards and blessings for the righteous. They share themes of divine light, joy, and the continuation of the soul's existence in a higher realm, though they come from different mystical traditions.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter XXII (part 1)
XXII. Sheol, or the Underworld . CHAPTER XXII. 1. And thence I went to another place, and he showed me in the west ⌈ another ⌉ great and high mountain [ and ] of hard rock. E 2 And there was in it †four† hollow places, deep and wide an…”
Both passages describe the afterlife and the treatment of souls in the underworld, highlighting the role of divine figures in guiding and judging the deceased. They share a common theme of the soul's journey and the separation of the righteous and the sinners.
mesopotamian|Enuma Elish: The Epic of Creation|1d
rejoice and be glad; The neck of Tiamat shalt thou swiftly trample under foot. ... rejoice and be glad; The neck of Tiamat shalt thou swiftly trample under foot. 0 my son, who knoweth all wisdom, Pacify Tiamat with thy pure incantation.…”
Both passages deal with themes of the afterlife, divine triumph over chaos, and the role of the individual (Ani and Marduk) in cosmic order. They share a mystical focus on the journey through the underworld and the triumph of the divine will.
mesopotamian|Enuma Elish: The Epic of Creation|1k
May he hold the Beginning and the Future, may they pay homage unto him, Saying, "He who forced his way through the midst of Tiamat without resting, Let his name be Nibiru, 'the Seizer of the Midst'! For the stars of heaven he upheld the pa…”
Both passages describe a divine figure who has triumphed over chaos and is celebrated by other deities. They also emphasize the eternal nature of the divine figure's deeds and the establishment of order.