The Egyptian Book of the Dead (Papyrus of Ani) · 226 of 357 · tr. E.A. Wallis Budge
Chapter 38 (part 6)
Vignette: The goddess Neith.
Text: (11) The fore-arms of Osiris Ani, triumphant, are the fore-arms of the lady of Sais.
Vignette: The god Sut.
Text: (12) The backbone of Osiris Ani, triumphant, is the backbone of Sut.
Vignette: A god.
Text: (13) The chest of Osiris Ani, triumphant, is the chest of the lords of Kher-aba.
Vignette: A god.
Text: (14) The flesh of Osiris Ani, triumphant, is the flesh of the Mighty One of terror.
Vignette: The goddess Sekhet, lion-headed, wearing a disk.
Text: (15) The reins and back of Osiris Ani, triumphant, are the reins and back of Sekhet.
Vignette: An utchat upon a pylon.
Text: (16) The buttocks of Osiris Ani, triumphant, are the buttocks of the Eye of Horus.
Vignette: Osiris, wearing the atef crown and holding the flail and crook.
Text: (17) The privy member of Osiris Ani, triumphant, is the privy member of Osiris.
Vignette: The goddess Nut.
Text: (18) The legs of Osiris Ani, triumphant, are the legs of Nut.
Vignette: The god Ptah.
Text: (19) The feet of Osiris Ani, triumphant, are the feet of Ptah.
Vignette: The star Orion.
Text: (20) The fingers of Osiris Ani, triumphant, are the fingers of Saah (Orion).
Vignette: Three Uræi.
Text: (21) The leg-bones of Osiris Ani, triumphant, are the leg-bones of the living uræi.
Appendix: The complete version of the XLIInd Chapter of the Book of the Dead, referring to the identification of the body of Osiris with those of the gods, reads as follows[1]:-- (1) [CHAPTER XLII.] THE CHAPTER OF DRIVING BACK SLAUGHTER IN SUTENHENEN.
Saith Osiris: "O land of the sceptre!
(2) O white crown of the divine Form!
O holy resting place!
I am the Child.
I am the Child.
I am the Child.
I am the Child.
Hail, thou goddess Aburt!
Thou sayest daily, 'The slaughter block is (3) made ready as thou knowest, and thou who wert mighty hast been brought to decay.' I establish those who praise me.
I am the holy knot within the tamarisk tree, more beautiful (4) in brightness than yesterday." To be said four times.
I am Ra who establish those who praise him.
I am the knot within the tamarisk tree, more beautiful in brightness than the disk of yesterday.
.
.
.
.
.
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(5) going forth on this.
day.
My hair is the hair of Nu.
My face is the face of Ra.
Mine eyes are the eyes of Hathor.
Mine ears are the ears of Ap-uat.
(6) My nose is the nose of Khent-sheps.[2] My lips are the lips of Anpu.
My teeth are the teeth of Khepera.
My neck is the neck of Isis, the divine lady.
(7) My hands are the hands of Khnemu, the lord of Tattu.
My fore-arms are the fore-arms of Neith, the lady of Saïs.
My backbone is the backbone of Sut.
My privy member is the privy member of Osiris.
Themes
◆Anthropomorphismtheology
Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.
The deities are described with human or animal forms (hawk-headed, jackal-headed) and human actions like speaking and guarding.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The structure of the human body is shown to correspond directly with the structure of the divine pantheon and cosmic forces.
The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.
The text emphasizes purity and truth ('I am pure from all evil') as prerequisites for navigating the ordered afterlife.
Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.
The recitation of names acts as a ritual practice engaging the gods directly to effect passage and transformation.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
[auto] The vignettes explicitly map the deceased's body parts to cosmic deities (e.g., hair of Nu, face of Ra), presenting the human as a reflection of the divine cosmos.
The doctrine — central to Eastern Orthodox and Maximian theology — that the human person is progressively transformed into a partaker of the divine nature by grace, not merely justified or united in passing ecstasy.
[auto] The deceased is transformed into Osiris and his physical attributes are identified with major gods, indicating a participation in the divine nature.