← Home
The Egyptian Book of the Dead (Papyrus of Ani) · 226 of 357 · tr. E.A. Wallis Budge

Chapter 38 (part 6)

Vignette: The goddess Neith. Text: (11) The fore-arms of Osiris Ani, triumphant, are the fore-arms of the lady of Sais. Vignette: The god Sut. Text: (12) The backbone of Osiris Ani, triumphant, is the backbone of Sut. Vignette: A god. Text: (13) The chest of Osiris Ani, triumphant, is the chest of the lords of Kher-aba. Vignette: A god. Text: (14) The flesh of Osiris Ani, triumphant, is the flesh of the Mighty One of terror. Vignette: The goddess Sekhet, lion-headed, wearing a disk. Text: (15) The reins and back of Osiris Ani, triumphant, are the reins and back of Sekhet. Vignette: An utchat upon a pylon. Text: (16) The buttocks of Osiris Ani, triumphant, are the buttocks of the Eye of Horus. Vignette: Osiris, wearing the atef crown and holding the flail and crook. Text: (17) The privy member of Osiris Ani, triumphant, is the privy member of Osiris. Vignette: The goddess Nut. Text: (18) The legs of Osiris Ani, triumphant, are the legs of Nut. Vignette: The god Ptah. Text: (19) The feet of Osiris Ani, triumphant, are the feet of Ptah. Vignette: The star Orion. Text: (20) The fingers of Osiris Ani, triumphant, are the fingers of Saah (Orion). Vignette: Three Uræi. Text: (21) The leg-bones of Osiris Ani, triumphant, are the leg-bones of the living uræi. Appendix: The complete version of the XLIInd Chapter of the Book of the Dead, referring to the identification of the body of Osiris with those of the gods, reads as follows[1]:-- (1) [CHAPTER XLII.] THE CHAPTER OF DRIVING BACK SLAUGHTER IN SUTENHENEN. Saith Osiris: "O land of the sceptre! (2) O white crown of the divine Form! O holy resting place! I am the Child. I am the Child. I am the Child. I am the Child. Hail, thou goddess Aburt! Thou sayest daily, 'The slaughter block is (3) made ready as thou knowest, and thou who wert mighty hast been brought to decay.' I establish those who praise me. I am the holy knot within the tamarisk tree, more beautiful (4) in brightness than yesterday." To be said four times. I am Ra who establish those who praise him. I am the knot within the tamarisk tree, more beautiful in brightness than the disk of yesterday. . . . . . . (5) going forth on this. day. My hair is the hair of Nu. My face is the face of Ra. Mine eyes are the eyes of Hathor. Mine ears are the ears of Ap-uat. (6) My nose is the nose of Khent-sheps.[2] My lips are the lips of Anpu. My teeth are the teeth of Khepera. My neck is the neck of Isis, the divine lady. (7) My hands are the hands of Khnemu, the lord of Tattu. My fore-arms are the fore-arms of Neith, the lady of Saïs. My backbone is the backbone of Sut. My privy member is the privy member of Osiris.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The deities are described with human or animal forms (hawk-headed, jackal-headed) and human actions like speaking and guarding.

All passages →
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The structure of the human body is shown to correspond directly with the structure of the divine pantheon and cosmic forces.

All passages →
Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The text emphasizes purity and truth ('I am pure from all evil') as prerequisites for navigating the ordered afterlife.

All passages →
Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The deceased achieves a state of identity with the gods, merging his personal attributes with divine ones.

All passages →
Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The deceased must declare himself pure from evil to pass the tests and enter the hall.

All passages →
Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The recitation of names acts as a ritual practice engaging the gods directly to effect passage and transformation.

All passages →
Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] This passage is from the Book of the Dead and explicitly details the deceased navigating gates and halls in the afterlife.

All passages →
Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] Salvation or safe passage is achieved through specific secret knowledge (names) rather than moral works alone.

All passages →
Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The names required for passage are esoteric secrets that must be revealed to the initiated traveler.

All passages →
Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

[auto] The vignettes explicitly map the deceased's body parts to cosmic deities (e.g., hair of Nu, face of Ra), presenting the human as a reflection of the divine cosmos.

All passages →
Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Thoth acts as a guide inviting the deceased forward for a test, facilitating passage through the afterlife realms.

All passages →
Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] Passage through every gate is contingent upon knowing and speaking the secret names of the guardians.

All passages →
Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The deceased moves sequentially through doors and halls, implying a staged progression through heavenly realms.

All passages →
Theosis Deificationsoteriology

The doctrine — central to Eastern Orthodox and Maximian theology — that the human person is progressively transformed into a partaker of the divine nature by grace, not merely justified or united in passing ecstasy.

[auto] The deceased is transformed into Osiris and his physical attributes are identified with major gods, indicating a participation in the divine nature.

All passages →
Related passages · 5 parallels
greek_mystery|Orphic Hymns|Hymn IX. NATURE (part 1)
IX. TO NATURE. * The FUMIGATION from AROMATICS. NATURE, all parent, ancient, and divine, O Much-mechanic mother, art is thine; p. 127 Heav'nly, abundant, venerable queen, In ev'ry part of thy dominions seen. p. 128 Untam'd, all-taming…”
Both passages emphasize the identification of the individual with divine or cosmic entities. Passage A from the Egyptian Book of the Dead identifies the body parts of Osiris Ani with various deities, while Passage B from the Hymn to Nature identifies Nature as the source and sustainer of all things, including divine attributes.
greek_mystery|Orphic Hymns|Hymn XIII. RHEA (part 1)
XIII. TO RHEA * . The FUMIGATION from AROMATICS. DAUGHTER of great Protogonus, divine, 1 Illustrious Rhea, to my pray'r incline, p. 138 Who driv'st thy holy car with speed along, Drawn by fierce lions, terrible and strong. 4 Mother of…”
Both passages emphasize the identification of the individual with divine attributes and entities. Passage A from the Egyptian Book of the Dead identifies the body parts of Osiris Ani with various deities, while Passage B from the Orphic Hymns describes Rhea as a divine figure with multiple attributes and roles, linking her to various aspects of the universe and divinity.
greek_mystery|Orphic Hymns|Hymn XXVIII. PROSERPINE (part 1)
XXVIII. TO PROSERPINE. A HYMN DAUGHTER of Jove, almighty and divine, Come, blessed queen, and to these rites incline: Only-begotten, Pluto's honor'd wife, 3 O venerable Goddess, source of life: 'Tis thine in earth's profundities to dwell,…”
Both passages emphasize the identification of the individual with divine entities and the integration of the human body with divine attributes. The Egyptian Book of the Dead identifies parts of the body with various deities, while the Hymn to Proserpine describes the goddess as embodying various divine roles and attributes.
jewish_mysticism|The Greater Holy Assembly (Idra Rabba Qadisha)|Idra Rabba, Chapter 1 (part 2)
1 12. "For it is written, Deut. xxxiii. 29: 'Blessed art thou, O Israel: who is like unto thee?' Also it is written, Exod. xv. 11: 'Who is like unto thee among the gods, O Tetragrammaton?'" 2 13. He called Rabbi Eleazer, his son, and…”
Both passages deal with the concept of divine knowledge and the importance of names and secrets in accessing higher realms or understanding divine mysteries. They share a theme of esoteric knowledge and the need for purity or faithfulness to attain spiritual insights.
mandaean|Gnostic John the Baptizer — Some Typical Extracts|Section 12
Life is exalted and is victorious, and victorious is the Man who has come hither. The next piece I have selected, treats of the source of all glory and enlightenment, called the Treasury of Life, that in which all spiritual powers and bles…”
Both passages emphasize the identification of the individual with divine or cosmic entities. The Egyptian Book of the Dead identifies the body parts of Osiris Ani with various deities, while the Mandæan text identifies the 'Treasury of Life' with divine attributes and roles. Both texts use a form of divine identification to elevate the status of the individual or entity being described.