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The Egyptian Book of the Dead (Papyrus of Ani) · 138 of 357 · tr. E.A. Wallis Budge

Chapter 17 (part 1)

PLATE IV. Vignette: Ani, found just, is led into the presence of Osiris. On the left the hawk-headed god Horus, the son of Isis, wearing the double crown of the North and the South, takes Ani by the hand and leads him forward towards "Osiris, the lord of eternity" Ausar neb t'etta , who is enthroned on the right within a shrine in the form of a funereal chest. The god wears the atef crown with plumes; a menat (see p. 245, note 2) hangs from the back of his neck; and he holds in his hands the crook, sceptre, and flail, emblems of sovereignty and dominion. He is wrapped in bandages ornamented with scale work. The side of his throne is painted to resemble the doors of the tomb. Behind him stand Nephthys on his right hand and Isis on his left. Facing him, and standing on a lotus flower, are the four "children of Horus ( or Osiris)," or gods of the cardinal points. The first, Mestha, has the head of a man; the second, Hapi, the head of an ape; the third, Tuamautef, the head of a jackal; and the fourth, Qebhsennuf, the head of a hawk. Suspended near the lotus is an object which is usually called a panther's skin, but is more probably a bullock's hide. The roof of the shrine is supported on pillars with lotus capitals, and is surmounted by a figure of Horus-Sept or Horus-Seker and rows of uræi. In the centre Ani kneels before the god upon a reed mat, raising his right hand in adoration, and holding in his left hand the kherp sceptre. He wears a whitened wig surmounted by a "cone," the signification of which is unknown. Round his neck is a deep collar of precious stones. Near him stands a table of offerings of meat, fruit, flowers, etc., and in the compartments above are a number of vessels for wine, beer, oil, wax, etc., together with bread, cakes, ducks, a wreath, and single flowers. [1. On the bullock's hide, in which the deceased, or the person who represented him, was supposed to wrap himself, see Virey, Tombeau de Rekhmara , p. 50, and plate 26, lower register.] Appendix: The shrine is in some instances represented in the shape of a pylon, the cornice of which is ornamented either with uræi, or with the disk of the sun and feathers, emblematic of Maat. It usually rests upon a base made in the shape of a cubit, The throne upon which Osiris sits is placed upon reed mats (British Museum papyrus No. 10,471), or upon the cubit-shaped base, or in a pool of water, from which springs a lotus flower with buds and having the four gods of the cardinal points (see British Museum papyrus No. 9901) standing upon it. In some of the oldest papyri the body of Osiris is painted white, and he stands upright. Isis is described as "great lady, divine mother," and Nephthys as "the mistress of the underworld." In British Museum papyrus No. 10471 the scene of the presentation of the deceased to Osiris is unusual and of interest. On the right the scribe Nekht and his wife Thuau stand with both hands raised in adoration of Osiris.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Deities are described with human-like regalia (crowns, sceptres, thrones) and actions, despite some having animal heads.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The text states Ani is 'found just' upon presentation to Osiris, indicating a verdict or judgment process central to the afterlife narrative.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is from the Book of the Dead and explicitly describes the deceased Ani being led through the afterlife to the presence of Osiris.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Osiris and Horus are portrayed as active, personal deities who interact directly with the deceased and hold positions of sovereignty.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The appendix explicitly references Maat as emblematic of truth and order, and Ani is described as 'found just,' implying adherence to this cosmic principle.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The four children of Horus are associated with the cardinal points, linking specific numbers to cosmic structure.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Horus is depicted taking Ani by the hand and leading him forward towards Osiris, acting as a guide for the soul.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

Ani is described as 'found just,' indicating a state of moral or spiritual purity required for the afterlife encounter.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The scene depicts ritual actions such as adoration and offerings intended to engage the divine presence and secure the deceased's standing.

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