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Transcendental Magic II: The Ritual (Éliphas Lévi) · 85 of 123 · tr. A.E. Waite

17. The Writing Of The Starsb

It was included in the work of Montfaucon on the religions and superstitions of the world, and also in the treatise upon Magic published by the mystic Eckartshausen. Scholars, moreover, are not agreed upon the configuration of the letters of the primitive alphabet. The Italian Tarot, of which the lost Gothic originals are much to be regretted, connects by the disposition of its figures with the Hebrew alphabet in use after the captivity, and known as the Assyrian alphabet; but there are fragments of anterior Tarots where the disposition is different. There should be no conjecture in matters of research, and hence we suspend our judgement in the expectation of fresh and more conclusive discoveries. As to the alphabet of the stars, we believe it to be instinctive, like the configuration of clouds, which seem to assume any form that imagination lends them. Star-groups are like points in geomancy or the figures of cartomancy. They are a pretext for auto-magnetism, an instrument to fix and determine native intuition. Thus, a Kabalist, familiar with mystic hieroglyphics, will perceive signs in the stars which will not be discerned by a simple shepherd, but the shepherd, on his part, will observe combinations that will escape the Kabalist. Country people substitute a rake for the belt and sword of Orion, while a Kabalist recognizes in the same sign - considered as a whole - all the mysteries of Ezekiel, the Ten SEPHIROTH arranged in a triadic manner, a central triangle formed of four stars, then a line of three stars making the JOD, the two figures taken together expressing the mysteries of BERESHITH, and finally, four stars constituting the wheels of MERCAVAH, and completing the divine chariot. Looked at after another manner, and postulating other ideal lines, he will notice a well-formed GHIMEL placed above JOD, in a large DALETH, a symbol typifying the strife between good and evil, with the final triumph of good. As a fact, the GHIMEL superposed on the JOD is the triad produced by unity, the manifestation of the Divine Word, whilst the reversed DALETH is the triad composed of the evil duad multiplied by itself. Thus regarded, the figure of Orion would be identical with that of the angel Michael doing battle with the dragon, and the appearance of this sign, so understood, would be, for the Kabalist, a portent of victory and happiness. A long contemplation of the sky exalts imagination, and then the stars respond to our thoughts. The lines drawn mentally from one to another by primitive observers have given man his first notions of geometry. Accordingly as our soul is troubled or at rest, the stars seem burning with menace or sparkling with hope. The sky is thus the mirror of the human soul, and when we think that we are reading in the stars it is in ourselves we read. Gaffarel, applying the presages of celestial writing to the destinies of empires, says that not in vain did the ancients place all signs of evil augury in the northern region of the sky; calamities have been in all ages regarded as coming from the north to spread themselves over the earth by the invasion of the south. “For this reason,” he tells us, “the ancients represented in the northern parts of the heaven a serpent or dragon near two bears, since these animals are the true hieroglyphs of tyranny, pillage and all oppression. As a fact, glance at history, and you will see that all great devastations proceed from the north.
Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

The text describes 'A long contemplation of the sky' that 'exalts imagination,' using star imagery as a meditative tool.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The passage states 'the sky is thus the mirror of the human soul,' embodying the principle that celestial structures reflect internal human states.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text describes a 'strife between good and evil' and contrasts the 'evil duad' with the triad of unity.

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Emotional Epistemologysoteriology

The doctrine that emotions constitute a valid and necessary mode of knowing reality, complementing or surpassing intellectual cognition.

It states that 'Accordingly as our soul is troubled or at rest, the stars seem burning with menace or sparkling with hope,' linking emotion to perception.

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Letter Meditationpraxis

Contemplative practice focused on Hebrew letters as cosmic symbols or gates of divine power.

The 'alphabet of the stars' and Hebrew letters are used as focal points for contemplative insight.

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Letters Of Creationcosmology

The twenty-two Hebrew letters as the building blocks through which God creates and sustains all existence.

Hebrew letters (JOD, GHIMEL, DALETH) are treated as fundamental symbols containing cosmic mysteries and divine meaning.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

The passage mentions the 'manifestation of the Divine Word' in relation to the triad produced by unity.

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Meditationpraxis

Disciplined inward attention — sitting, focused, or open-awareness practice — as a stand-alone term that umbrellas active_contemplation, inner_silence, and dhyana-style sitting.

The practice of 'long contemplation of the sky' is presented as a method to exalt imagination and fix intuition.

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Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

The text asserts that 'when we think that we are reading in the stars it is in ourselves we read,' linking the cosmos to the human interior.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

Numerical structures are central, such as the 'triadic manner,' 'four stars,' and 'line of three stars' forming symbols.

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Sefirot Treecosmology

The diagrammatic arrangement of the ten Sephirot as a structured 'Tree of Life' mapping divine and cosmic forces.

The arrangement of Sephiroth in a triadic manner and the reference to Kabbalistic mysteries imply the structured Tree of Life.

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Sephirotcosmology

The ten attributes or emanations through which the Ein Sof (Infinite) reveals itself and creates the universe in Kabbalistic theology.

The text explicitly references the 'Ten SEPHIROTH arranged in a triadic manner' as part of the Kabbalistic interpretation of Orion.

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Related passages · 5 parallels · 1 contrast
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 77)
The reader has now before him the main points of the evidence concerning the Egyptians' notions about God, and the cosmic powers and their phases, and the anthropomorphic creations with which they peopled the other world, all of which have…”
Both passages explore the interpretation of celestial phenomena through mystical and symbolic lenses, highlighting how different cultures attribute meaning to the stars and heavens. They share a conceptual parallel in the idea that celestial bodies are a mirror of human thought and cultural symbolism.
neoplatonism|Select Works of Plotinus|Select Works, Section 182
Section 6 6. But in fact everything follows its own Kind; the birth is a horse because it comes from the Horse Kind, a man by springing from the Human Kind; offspring answers to species. Allow the kosmic circuit its part, a very powerful in…”
Both passages discuss the influence of celestial bodies on human life and the interpretation of celestial patterns. Passage A focuses on the stars' influence on character and vocation, while Passage B delves into the symbolic and mystical interpretations of star configurations. Both explore the idea of celestial bodies as bearers of meaning and influence, albeit from different cultural and philosophical perspectives.
platonism|Plato: Republic|Section 1k
True, he replied. The spangled heavens should be used as a pattern and with a view to that higher knowledge; their beauty is like the beauty of figures or pictures excellently wrought by the hand of Daedalus, or some other great artist, wh…”
Both passages explore the idea that the heavens and celestial bodies are not just physical phenomena but also bear deeper, symbolic meanings. They both suggest that the study of the heavens should lead to higher knowledge and understanding, though they approach this from different cultural and philosophical perspectives.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter LXXIV — Of the Proportion, Correspondency, and Reduction of Letters to the Celestial Signs and Planets, According to Various Tongues, and a Table Thereof|Chapter LXXIV, Section 1b
He, therefore, that will find them out, must by each joining together of the letters so long examine them, until the voice of God is manifest, and the framing of the most sacred letters be opened and discovered; for hence voices and words h…”
Both passages discuss the mystical significance of letters and their correspondence to celestial bodies and divine mysteries. They share a conceptual parallel in the idea that letters and their arrangements hold deep, esoteric meanings connected to the cosmos and divine revelation.
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1a
THE AURORA OF THE PHILOSOPHERS. BY THEOPHRASTUS PARACELSUS. WHICH HE OTHERWISE CALLS HIS MONARCHIA. CHAPTER I. CONCERNING THE ORIGIN OF THE PHILOSOPHERS’ STONE. ADAM was the first inventor of arts, because he had knowledge of all thing…”
Both passages explore the mystical interpretation of celestial phenomena and ancient wisdom. Passage A discusses the Kabalistic interpretation of star configurations and their connection to divine mysteries, while Passage B describes the ancient practice of engraving natural arts in hieroglyphical characters and the mystical arts practiced by ancient figures. Both emphasize the deep, intuitive understanding of the cosmos and its connection to divine knowledge.
neoplatonism|Iamblichus: On the Mysteries|Chapter XVCONTRASTS
Let us, therefore, pass on to the mode of divination which is effected through human art, and which possesses much of conjecture and opinion. But concerning this you say as follows: “ Some also establish the art of the investigation of futu…”
Both passages discuss the interpretation of divine signs through natural phenomena (stars in Passage B and various methods in Passage A). They share the concept of divine communication through symbolic means, though expressed in different traditions and contexts.