Transcendental Magic II: The Ritual (Éliphas Lévi) · 37 of 123 · tr. A.E. Waite
7. The Septenary Of Talismansb
We have observed previously that in this sense the planets are only signs; they have the influence which universal faith attributes because they are more truly the stars of the human mind than the orbs of heaven.
The sun, which Antique Magic always regarded as fixed, could be only a planet for the vulgar; hence it represents that day of rest in the week which we term Sunday without knowing why, the day of the sun among the ancients.
The seven magical planets correspond to the seven colours of the spectrum and the seven notes of the musical octave; they represent also the seven virtues and by contrast the seven vices of Christian ethics.
The seven sacraments correspond equally to this great universal septenary.
Baptism, which consecrates the element of water, is in analogy with the Moon; ascetic Penance is under the auspices of Samael, the angel of Mars; Confirmation, which imparts the spirit of understanding and communicates to the true believer the gift of tongues, is under the auspices of Raphael, the angel of Mercury; the Eucharist substitutes sacramental realization of God made man for the empire of Jupiter; Marriage is consecrated by the angel Anael, the purifying genius of Venus; Extreme Unction is the safe-guard of the sick about to fall under the scythe of Saturn; and Orders, consecrating the priesthood of light, is marked more especially by the characters of the Sun.
Almost all these analogies were observed by the learned Dupuis, who thence concluded that all religions were false, instead of recognizing the sanctity and perpetuity of a single dogma, ever reproduced in the universal symbolism of successive religious forms.
He failed to understand the permanent revelation transmitted to human genius by the harmonies of Nature, and beheld only a catalogue of errors in this chain of speaking images and eternal truths.
Magical works are also seven in number: (i) works of light and riches, under the auspices of the Sun; (2) works of divination and mystery, under the invocation of the Moon; (3) works of skill, science and eloquence, under the protection of Mercury; (4) works of wrath and chastisement, consecrated to Mars; (5) works of love, favoured by Venus; (6) works of ambition and intrigue, under the influence of Jupiter; (7) works of malediction and death, under the patronage of Saturn.
In theological symbolism, the Sun represents the Word of Truth; the Moon, religion itself; Mercury, the interpretation and science of mysteries; Mars, justice; Venus, mercy and love; Jupiter, the risen and glorious Saviour; Saturn, God the Father, or the Jehovah of Moses.
In the human body, the Sun is analogous to the heart, the Moon to the brain, Jupiter to the right hand, Saturn to the left, Mars to the left foot, Venus to the right, Mercury to the generative organs, whence an androgyne figure is sometimes attributed to this planet.
In the human face, the Sun governs the forehead, Jupiter the right and Saturn the left eye; the Moon rules between both at the root of the nose, the two alae of which are governed by Mars and Venus; finally, the influence of Mercury is exercised over mouth and chin.
Among the ancients these notions constituted the occult science of physiognomy, afterwards recovered imperfectly by Lavater.
The Magus who intends undertaking the works of light must operate on a Sunday, from midnight to eight in the morning, or from three in the afternoon to ten in the evening.
He should wear a purple vestment, with tiara and bracelets of gold.
Themes
◆Correspondencecosmology
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The passage extensively details analogies between planets, colors, notes, virtues, sacraments, and body parts, embodying the 'as above, so below' principle.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
The text explicitly maps planetary influences to specific parts of the human body and face, presenting the human as a reflection of the cosmos.
Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.
The text provides specific ritual instructions for magical works, including timing, vestments, and invocations to engage divine power.