Transcendental Magic II: The Ritual (Éliphas Lévi) · 19 of 123 · tr. A.E. Waite
3. The Triangle Of Pantaclesa
THE Abbot Trithemius, who in Magic was the master of Cornelius Agrippa, explains, in his Steganography, the secret of Conjurations and Evocations after a very natural and philosophical manner, though possibly, for that very reason, too simply and too easily.
He tells us that to evoke a spirit is to enter into the dominant thought of that spirit, and if we raise ourselves morally higher along the same line, we shall draw the spirit away with us, and it will serve us.
To conjure is to oppose the resistance of a current and a chain to an isolated spirit-cum-jurare, to swear together, that is, to make a common act of faith.
The greater the strength and enthusiasm of this faith, the more efficacious is the conjuration.
This is why new-born Christianity silenced the oracles; it alone possessed inspiration, it only force.
Later on, when St.
Peter grew old, that is, when the world believed that it had a legal case against the Papacy, the spirit of prophecy came to replace the oracles.
Savonarola, Joachim of Flores, John Huss and so many others influenced by turns the minds of men and interpreted, by lamentations and menaces, the secret anxieties and protestations of all hearts.
We may act individually when evoking a spirit, but to conjure we must speak in the name of a circle or an association: this is the significance of the hieroglyphical circle inscribed about the Magus who is operating, and out of which he must not pass unless he wishes at the same moment to be stripped of all his power.
Let us deal at this point with the vital and palmary question, whether the real evocation and real conjuration of spirits are things possible, and whether such possibility can be demonstrated scientifically.
To the first part of the question it may be replied out of hand that everything which is not an evident impossibility can and must be admitted provisionally.
As to the second part, we affirm that in virtue of the Great Magical Dogma of the hierarchy and of universal analogy, the kabalistic possibility of real evocations can be demonstrated; concerning the phenomenal reality consequent upon magical operations accomplished with sincerity, this is a matter of experience.
As already narrated, we have established it in our own persons, and by means of this “Ritual” we shall place our readers in a position to renew and confirm our experiences.
Nothing perishes in Nature; whatsoever has lived goes on living, always under new forms; but even the anterior forms are not destroyed, since they remain in our memory.
Do we not still see in imagination the child whom we once knew, though now he is an old man?
The very traces which we believe to be effaced from our memory are not in reality blotted out, for a fortuitous circumstance may evoke and recall them.
But after what manner do we see them?
As we have already said, it is in the Astral Light, which transmits them to our brain by the mechanism of the nervous system.
On the other hand, all forms are proportional and analogical to the idea which has determined them; they are the natural character, the signature of that idea, as the Magi term it, and so soon as the idea is evoked actively the form is realized and bodied forth.
Schroepffer, the famous illumine of Leipzig, terrified all Germany with his evocations, and his audacity in magical experiments was so great that his reputation became an insupportable burden.
He allowed himself to be carried away by the immense current of hallucinations which he had produced; the visions of the other world disgusted him with this, and he killed himself.
His story should be a warning to those who are fascinated by Ceremonial Magic.
Themes
◆Active Contemplationpraxis
A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.
Evoking a spirit is defined as entering into the 'dominant thought' of that spirit through active mental engagement.
The universal fluid or medium of occult philosophy — Lévi's Great Magical Agent — that transmits will, thought, and magical influence between minds and matter, and preserves the impress of all forms and actions as a book of consciences; cognate with akasha and the anima mundi. Distinct from cosmic_sympathy (a doctrine of hidden affinity) in being a substantival medium that can be charged, directed, and abused.
The 'Astral Light' is described as the medium transmitting forms to the brain, a central concept in Lévi's magic. [Converted from divine_light reject to astral_light accept per operator decision 2026-07-15: chunk substantively expresses the Astral Light doctrine.]
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The text explicitly references 'universal analogy' and states that forms are proportional and analogical to ideas.
Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.
The text details 'Magical operations' and a 'Ritual' involving circles and evocations to engage spirits.
The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.
Conjuration and evocation are described as acts of speaking in the name of a circle or swearing together to alter reality.