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Transcendental Magic I: The Doctrine (Éliphas Lévi) · 87 of 96 · tr. A.E. Waite

19. The Stone Of The Philosophers – Elagabalusa

VOCATIO SOL AURUM THE ANCIENTS adored the Sun under the figure of a black stone, which they named Elagabalus, or Heliogabalus. What did this stone signify, and how came it to be the image of the most brilliant of luminaries? The disciples of Hermes, before promising their adepts the elixir of long life or the powder of projection, counselled them to seek for the Philosophical Stone. What is this Stone, and why is it so called? The Great Initiator of the Christians invites His believers to build on the stone or rock, if they do not wish their structures to be demolished. He terms Himself the cornerstone, and says to the most faithful of His Apostles, “Thou art Peter (petrus), and upon this rock (petram) I will build My church.” This Stone, say the masters in Alchemy, is the true Salt of the Philosophers, which is the third ingredient in the composition of AzOTH. Now, we know already that AzOTH is the name of the great Hermetic and true Philosophical Agent; furthermore, their Salt is represented under the figure of a cubic stone, as may be seen in the TWELVE KEYS of Basil Valentine, or in the allegories of Trevisan. Once more, what is this Stone actually? It is the foundation of absolute philosophy, it is supreme and immovable reason. Before even dreaming of the metallic work, we must be fixed for ever upon the absolute principles of wisdom; we must possess that reason which is the touchstone of truth. Never will a man of prejudices become the king of Nature and the master of transmutations. The Philosophical Stone is hence before all things necessary; but how is it to be found? Hermes informs us in his “Emerald Table”. We must separate the subtle from the fixed with great care and assiduous attention. Thus, we must separate our certitudes from our beliefs, and distinguish sharply the respective domains of science and faith, realizing that we do not know things which we believe, and that we cease immediately to believe anything which we come actually to know. It follows that the essence of the things of faith is the unknown and the indefinite, while it is quite the reverse with the things of science. It must be inferred from this that science rests on reason and experience, whilst the basis of faith is sentiment and reason. In other words, the Philosophical Stone is the true certitude which human prudence assures to conscientious researches and modest doubt, whilst religious enthusiasm ascribes it exclusively to faith. Now, it belongs neither to reason without aspirations nor to aspirations without reason; true certitude is the reciprocal acquiescence of the reason which knows in the sentiment which believes and of the sentiment which believes in the reason which knows. The permanent alliance of reason and faith will result not from their absolute distinction and separation, but from their mutual control arid their fraternal concurrence. Such is the significance of the two Pillars of Solomon's Porch, one named JAKIN and the other BOAZ, one white and the other black. They are distinct and separate, they are even contrary in appearance, but if blind force sought to join them by bringing them close to one another, the roof of the temple would collapse. Separately, their power is one; joined, they are two powers which destroy one another. For precisely the same reason the spiritual power is weakened whensoever it attempts to usurp the temporal, while the temporal power becomes the victim of its encroachments on the spiritual. Gregory VII ruined the Papacy; the schismatic kings have lost and will lose the monarchy. Human equilibrium requires two feet; the worlds gravitate by means of two forces; generation needs two sexes.
Themes
Alchemical Workpraxis

The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.

The passage centers on the Philosophical Stone, AzOTH, and the necessity of transmutation as both a metallic work and a spiritual foundation.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The Pillars of Solomon (Jakin/Boaz) and the distinction between temporal and spiritual powers present a fundamental dualistic structure requiring balance.

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Emotional Epistemologysoteriology

The doctrine that emotions constitute a valid and necessary mode of knowing reality, complementing or surpassing intellectual cognition.

The text argues that true certitude requires the 'reciprocal acquiescence' of reason and sentiment, validating emotion as a mode of knowing.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

The text explicitly identifies the Philosophical Stone as 'supreme and immovable reason,' equating it with the divine ordering principle.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The adoration of the Sun under the figure of a 'black stone' (Elagabalus) uses apparent contradiction to convey esoteric truth.

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Related passages · 5 parallels
christian_mysticism|Pseudo-Dionysius: The Mystical Theology|Chapter IIa
How it is necessary to be united with and render praise to Him Who is the cause of all and above all. Unto this Darkness which is beyond Light we pray that we may come, and may attain unto vision through the loss of sight and knowledge, an…”
Both passages discuss the concept of a higher truth or reality that transcends ordinary understanding and the need for a balance between different aspects of human experience. Passage A emphasizes the balance between reason and faith, while Passage B discusses the balance between positive and negative methods of understanding the divine.
greek_mystery|Orphic Hymns|Hymn XIII. RHEA (part 2)
Rhea, in the Orphic theology, is among the mundane divinities, the earth. Hence, according to Varro, she is represented with a drum; because that instrument is a symbol of the earth. August. dc Civitat. lib. vii. 139:12 XIII Ver. 12.…”
Both passages discuss the symbolic significance of a stone in their respective traditions. In the Orphic Hymns, the stone represents the earth and the foundation of the world, while in the Elagabalusa text, the Philosophical Stone symbolizes the foundation of absolute philosophy and the balance between reason and faith. Both texts use the stone as a metaphor for fundamental principles in their cosmologies.
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1g
Hence they predicted that, in the last times, there should come a most pure man upon the earth, by whom the redemption of the world should be brought about; and that this man should send forth bloody drops of a red colour, by means of which…”
Both passages discuss the Philosophical Stone, describing it as a transformative agent with a tripartite nature (body, spirit, and soul or reason and faith). They also emphasize the importance of the Stone in achieving redemption or perfection, though in different contexts (alchemical and philosophical).
renaissance_hermeticism|Paracelsus: Coelum Philosophorum, or Book of Vexations|Section 1j
Note, that Sol and Luna can be made easily from Mercury, Saturn, and Jupiter, but from Mars and Venus with difficulty. It is possible to make them, however, but with the addition of Sol and Luna. Out of Magnesium and Saturn comes Luna, an…”
Both passages discuss the Philosophical Stone and its significance in alchemy, emphasizing the transformation of metals and the importance of understanding celestial and terrestrial elements. They share a conceptual focus on the alchemical process and the symbolic meaning of stones.
renaissance_hermeticism|Paracelsus: Coelum Philosophorum, or Book of Vexations|Section 1n
When the occult dispenser of Nature in the prime principles that is to say, the potency called Ares, has produced the gross and rough genera of stones, and no further grossness remains, a diaphanous and subtle substance remains, out of whic…”
Both passages discuss the philosophical and alchemical significance of stones and gems, emphasizing their origins and properties. They share a conceptual framework that views these stones as fundamental to understanding nature and the universe, though they use different terminology and cultural references.