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Tertium Organum (P.D. Ouspensky) · 190 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Chapter XXII (part 18)

This is at the same time a religious sect and a philosophical school of high idealistic character, which struggled against materialism and against the narrow fanaticism and the literal understanding of the Koran. The Sufis interpreted the Koran mystically. Sufism—this is the philosophical free-thinking of Mohammedanism, united p. 295 with an entirely original symbolical and brightly sensuous poetry which has always a hidden mystical character. The blossoming of Sufism occurred in the early centuries of the second millennium of the Christian era. Sufism remained for a long time incomprehensible to European thought. From the point of view of Christian theology and Christian morality the mixing up of sensuousness and religious ecstacy is incomprehensible, but in the Orient the two coexisted with perfect harmony. In the Christian world "the flesh" has always been regarded as inimical to "the spirit." In the Moslem world the fleshly and sensuous was accepted as a symbol of spiritual things. The expression of philosophical and religious truths "in the language of love" was a widely disseminated custom throughout the Orient. These things are "Oriental flowers of eloquence." All allegories, all metaphors were taken from "love." "Mohammed fell in love with God," the Arabs say, desiring to convey the brightness of the religious ardor of Mohammed. " Select for thyself a new wife every spring of the new year, because last year's calendar is no good "—says the Persian poet and philosopher Sa’di . And in such curious form Sa’di expresses the thought that Ibsen puts in the mouth of Dr. Stockman: " Truths are not as many believe like long-living Methuselahs. Under normal conditions a truth may exist about seventeen or eighteen years, rarely longer ." The poetry of the Sufis will become clearer to us if we always keep in mind this general sensuous character of the literary language of the Orient, the heritage of profound antiquity. A classic example of this ancient literature is the Song of Songs . Many parts of the Bible and all ancient myths and stories are distinguished by a sensuousness of form strange to us. "The Persian mystical poetical Sufis wrote about the love of God in expressions applicable to their beautiful women," says the translator of Jami and other poets, Davis—"because, as they explained this, nobody can write in heavenly language and be understood." ( Persian Mystics .) "The idea of Sufism," Max Müller says, " is a loving union of the soul with God ." "The Sufi holds that there is nothing in human language that can express the love between the soul and God so well as the love between man and woman and that if he is to speak of the union between the two at all, he can only do so in the p. 296 symbolic language of earthly love." When we read some of the Sufi enraptured poetry, we must remember that the Sufi poets use a number of expressions which have a recognized meaning in their language. Their sleep means meditation; perfume —hope of divine favor; kisses and embraces —the raptures of piety; wine means spiritual knowledge, etc. The flowers which a lover of God had gathered in his rose-garden, and which he wished to give to his friends, so overpowered his mind by their fragrance that they fell out of his lap and withered, Sa’di says. A poet desires to express by this, that the glory of ecstatic visions pales and fades away when it has to be put into human language.—(Max Müller Theosophy .) Generally speaking, never and nowhere has poetry been so blended with mysticism as in Sufism.
Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

The text describes symbolic meanings for meditation practices, such as 'sleep means meditation', indicating the use of imagery in spiritual practice.

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

The passage notes that 'nothing in human language that can express the love between the soul and God' directly, highlighting the ineffability of the divine.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The text describes how earthly love serves as a symbol for divine love, reflecting a correspondence between levels of reality.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The text notes that Sufi poetry has a 'hidden mystical character' and truths are not expressible in heavenly language.

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Divine Intoxicationpraxis

Ecstatic, non-rational receptivity to the divine figured as drunkenness — Plato's symposium wine, Rumi's sukr, Eckhart's 'sober drunkenness'; the passive/receptive metaphor for divine encounter, distinct from divine_madness's active possessing rapture.

The text mentions that 'wine means spiritual knowledge' and describes Sufi poetry as 'enraptured', aligning with the metaphor of divine intoxication.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

References to 'brightness of the religious ardor' and 'glory of ecstatic visions' suggest an experience of divine illumination.

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Divine Madnesssoteriology

Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.

The text refers to 'religious ecstacy' and 'enraptured poetry' as central features of the Sufi experience.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The text describes a personal relationship where 'Mohammed fell in love with God' and the soul seeks union with a responsive divine entity.

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Meditationpraxis

Disciplined inward attention — sitting, focused, or open-awareness practice — as a stand-alone term that umbrellas active_contemplation, inner_silence, and dhyana-style sitting.

The text explicitly states that in Sufi symbolism, 'sleep means meditation'.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The passage highlights that the 'mixing up of sensuousness and religious ecstacy is incomprehensible' to Christian thought but harmonious in the Orient.

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Rejection Of Hypocrisyethics

Critique of outward religious observance that lacks inner transformation; form without substance.

The text states Sufism 'struggled against... the narrow fanaticism and the literal understanding of the Koran'.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The concept of union with God implies a return or reunification of the soul with its divine origin.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

The emphasis on the 'union of the soul with God' implies a theological claim toward non-duality or ultimate oneness.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage details how Sufi poets use expressions applicable to human love and women to describe the love of God, attributing human emotions to the divine.

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Divine Marriagesoteriology

The reunification of complementary divine principles (male-female, spirit-matter) as a symbol of wholeness and salvation.

[auto] The text explains that the union between soul and God is expressed symbolically through the language of earthly love between man and woman.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The text references 'spiritual knowledge' and 'ecstatic visions' as central to the Sufi experience, prioritizing direct experiential understanding over literal interpretation.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The text emphasizes that Sufi poetry has a 'hidden mystical character' and uses allegories and metaphors to convey truths that cannot be expressed in direct language.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The passage explicitly defines the idea of Sufism as a 'loving union of the soul with God' and discusses the merging of individual identity with the divine through ecstatic experience.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

[auto] The passage contrasts the Christian opposition of flesh and spirit with the Oriental Sufi view where they 'coexisted with perfect harmony', transcending the binary.

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Related passages · 3 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 3 (part 8)
Without it the form of the spirit would not be knowable; it is the corporeity of the spirit. To be sure, it is not a bodily, tangible substance, like the bodies of men, but has nevertheless substantial and visible qualities which the spiri…”
Both passages discuss the mystical interpretation of divine love and the use of sensuous language to express spiritual truths. They highlight the union of the soul with the divine and the limitations of human language in conveying divine experiences.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 9 (part 1)
p. 180 CHAPTER IX. GENERATION. "Let every Brahman, with fixed attention, consider all nature, both visible and invisible, as existing in the Divine Spirit. For when he contemplates the boundless universe in the Divine Spirit, he cannot…”
Both passages discuss the mystical union of the soul with the divine, using poetic and symbolic language. They highlight the use of sensory and emotional metaphors to express spiritual truths, though within different religious contexts (Sufism in Passage A and Christian mysticism in Passage B).
greek_mystery|Orphic Hymns|Hymn LXXV. THE MUSES (part 2)
207 fury arises from truth, and the amatorial from beauty; so the poetic proceeds from divine symmetry, by means of which it most intimately unites the poets with the Gods. Plato, in the Phædrus, speaking of this Fury, says that it is an o…”
Both passages discuss the mystical use of poetic language to express divine love and union with the divine. They highlight the use of sensuous and symbolic language in religious and philosophical traditions to convey spiritual truths.