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The Secret Teachings of All Ages (Manly P. Hall) · 372 of 530

Alchemy and Its Exponentsa

IS the transmutation of base metals into gold possible? Is the idea one at which the learned of the modern world can afford to scoff? Alchemy was more than a speculative art: it was also an operative art. Since the time of the immortal Hermes, alchemists have asserted (and not without substantiating evidence) that they could manufacture gold from tin, silver, lead, and mercury. That the galaxy of brilliant philosophic and scientific minds who, over a period of two thousand years, affirmed the actuality of metallic transmutation and multiplication, could be completely sane and rational on all other problems of philosophy and science, yet hopelessly mistaken on this one point, is untenable. Nor is it reasonable that the hundreds declaring to have seen and performed transmutations of metals could all have been dupes, imbeciles, or liars. Those assuming that all alchemists were of unsound mentality would be forced to put in this category nearly all the philosophers and scientists of the ancient and medieval worlds. Emperors, princes, priests, and common townsfolk have witnessed the apparent miracle of metallic metamorphosis. In the face of existing testimony, anyone is privileged to remain unconvinced, but the scoffer elects to ignore evidence worthy of respectful consideration. Many great alchemists and Hermetic philosophers occupy an honored niche in the Hall of Fame, while their multitudinous critics remain obscure. To list all these sincere seekers after Nature's great arcanum is impossible, but a few will suffice to acquaint the reader with the superior types of intellect who interested themselves in this abstruse subject. Among the more prominent names are those of Thomas Norton, Isaac of Holland, Basil Valentine (the supposed discoverer of antimony), Jean de Meung, Roger Bacon, Albertus Magnus, Quercetanus Gerber (the Arabian who brought the knowledge of alchemy to Europe through his writings), Paracelsus, Nicholas Flarnmel, John Frederick Helvetius, Raymond Lully, Alexander Sethon, Michael Sendivogius, Count Bernard of Treviso, Sir George Ripley, Picus de Mirandola, John Dee, Henry Khunrath, Michael Maier, Thomas Vaughan, J. B. von Helmont, John Heydon, Lascaris, Thomas Charnock, Synesius (Bishop of Ptolemais), Morieu, the Comte di Cagliostro, and the Comte de St.-Germain. There are legends to the effect that King Solomon and Pythagoras were alchemists and that the former manufactured by alchemical means the gold used in his temple. Albert Pike takes sides with the alchemical philosophers by declaring that the gold of the Hermetists was a reality. He says: "The Hermetic science, like all the real sciences, is mathematically demonstrable. Its results, even material, are as rigorous as that of a correct equation. The Hermetic Gold is not only a true dogma, a light without Shadow, a Truth without alloy of falsehood; it is also a material gold, real, pure, the most precious that can be found in the mines of the earth." So much for the Masonic angle. William and Mary jointly ascended the throne of England in 1689, at which time alchemists must have abounded in the kingdom, for during the first year of their reign they repealed an Act made by King Henry IV in which that sovereign declared the multiplying of metals to be a crime against the crown. In Dr. Sigismund Bacstrom's Collection of Alchemical Manuscripts is a handwritten copy of the Act passed by William and Mary, copied from Chapter 30 of Statutes at Large for the first year of their reign.
Themes
Alchemical Workpraxis

The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.

The passage explicitly defines alchemy as both a speculative and operative art focused on the transmutation of metals into gold.

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Related passages · 4 parallels
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1m
In this way you will have the supreme mystery and arcanum of Nature, to which scarcely any equal can be assigned in the nature of things. Let these two oils in combination be shut up together in a phial after the manner described, hung on…”
Both passages discuss the concept of alchemical transmutation, specifically the transformation of base metals into gold. They share the same insight into the operative art of alchemy and the belief in the possibility of metallic transmutation, though they come from different traditions and use different vocabulary.
renaissance_hermeticism|Paracelsus: Coelum Philosophorum, or Book of Vexations|Section 1e
And this is the transposition of the metals from one death to another, that is to say, from a lesser degree into one greater and higher, namely, into Luna; and from a better into the best and most most perfect, that is, into Sol, the brilli…”
Both passages discuss the concept of metallic transmutation in alchemy, asserting its possibility and describing the process. They share the same insight into the transformative nature of alchemical practices, though they come from different traditions and use different terminology.
renaissance_hermeticism|Paracelsus: Coelum Philosophorum, or Book of Vexations|Section 1h
These and the like, whereof there are some very far-fetched in Alchemy, are mere incumbrances of work; since even if Sol and Luna could be made by them they rather hinder and delay than further one’s purpose. But it is not from these – to…”
Both passages discuss the concept of alchemy and the transmutation of metals, specifically the transformation of base metals into gold. They share a conceptual parallel in their exploration of the philosophical and scientific aspects of alchemy, though they come from different traditions and use different terminology.
renaissance_hermeticism|Paracelsus: Coelum Philosophorum, or Book of Vexations|Section 1j
Note, that Sol and Luna can be made easily from Mercury, Saturn, and Jupiter, but from Mars and Venus with difficulty. It is possible to make them, however, but with the addition of Sol and Luna. Out of Magnesium and Saturn comes Luna, an…”
Both passages discuss the concept of alchemical transmutation, specifically the transformation of base metals into gold. They share the insight that alchemy is not merely speculative but also an operative art, supported by historical evidence and notable figures.