Page 63 (part 3)

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The spirit is commanded to appear under a 'comely human form', attributing human characteristics to the summoned entity.

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The conjuration addresses 'the great living God, the Sovereign Creator of all things', emphasizing divine activity and presence.

The doctrine that human volition, cultivated by discipline and emancipated from passion and servitude, is the primary instrument of magical operation — will confirmed by persistent acts acquires causal power over self, others, and nature; distinct from faith and from mere desire.

The operator commands the spirit to appear and answer, asserting human volition over a spiritual entity through ritual means.

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text explicitly invokes the 'virtue of these Holy and Sacred Names' as a mechanism for the conjuration.

The grimoire-tradition practice of ceremonially commanding or binding a spirit through consecrated seals, circles, divine names, and prescribed instruments, compelling its appearance and obedience. Distinct from theurgy in the direction of the power relationship — theurgy is reverent engagement with the gods on the premise of the operator's own ascent, this is subordination of a lesser spirit to the operator's will — and from word_power_incantation and sacred_names, which name components (verbal force, name-power) this practice deploys rather than the ritual structure itself.

The passage is a direct instruction and formula for summoning a spirit ('I conjure thee... to appear'), commanding its form, obedience, and dismissal.

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The passage relies on the spoken or written word ('I conjure thee', 'characters should be burnt') to effect magical change and compel appearance.