The Tetraktis reflecting upon its own essence, the first unit, productrix of all things, and on its own beginning, saith thus: Once one, twice two, immediately ariseth a tetrad, having on its top the highest unit, and becomes a Pyramis, whose base is a plain tetrad, answerable to a superficies, upon which the radiant light of the divine unity produceth the form of incorporeal fire, by reason of the descent of Juno (matter) to inferior things.
Hence ariseth essential light, not burning but illuminating.
This is the creation of the middle world, which the Hebrews call the Supreme, the world of the ( their ) deity.
It is termed Olympus, entirely light, and replete with separate forms, where is the seat of the immortal gods, ' deum domus alta, ' whose top is UNITY, its wall trinity, and its superficies quaternity.
" (Reuchlin, Cabala, p.
689).
The "superficies" has thus to remain a meaningless surface, if left by itself.
U NITY only "illuminating" quaternity; the famous lower four has to build for itself also a wall from trinity, if it would be manifested.
Moreover, the tetragrammaton, or Microprosopus, is "Jehovah" arrogating to himself very improperly the "Was, Is, Will be," now translated into the " I am that I am, " and interpreted as referring to the highest abstract Deity, while esoterically and in plain truth, it means only periodically chaotic, turbulent, and eternal MATTER with all its potentialities.
For the Tetragrammaton is one with Nature or Isis, and is the exoteric series of androgyne gods such as Osiris-Isis, Jove-Juno, Brahma-Vach, or the Kabalistic Jah-hovah; all male-females.
Every anthropomorphic god, in old nations, as Marcelinus Vicinus well observed, [[Vol.
2, Page]] 602 THE SECRET DOCTRINE.
has his name written with four letters.
Thus with the Egyptians, he was Teut; the Arabs, Alla ; the Persians, Sire ; the Magi, Orsi; the Mohammedans, Abdi ; the Greeks, Theos; the ancient Turks, Esar; the Latins, Deus; to which J.
Lorenzo Anania adds the German Gott; the Sarmatian, Bouh , etc., etc.
The Monad being one, and an odd number, the ancients therefore called the odd, the only perfect numbers; and -- selfishly, perhaps, yet as a fact -- considered them all as masculine and perfect, being applicable to the celestial gods, while even numbers, such as two, four, six, and especially eight, as being female, were regarded as imperfect, and given only to the terrestrial and infernal deities.
In his eighth eclogue, Virgil records the fact by saying, " Numero deus impare gaudet, " "Unequal numbers please the gods." But number seven, or the heptagon, the Pythagoreans considered to be a religious and perfect number.
It was called " Telesphoros, " because by it all in the Universe and mankind is led to its end, i.e., its culmination ( Philo.
de Mund.
opif.
) .
Being under the rule of seven sacred planets,* the doctrine of the Spheres shows, from Lemuria to Pythagoras, the seven powers of terrestrial and sublunary nature, as well as the seven great Forces of the Universe, proceeding and evolving in seven tones, which are the seven notes of the musical scale.
The heptad (our Septenary) was regarded " as the number of a virgin, because it is unborn " (like the Logos or the "Aja" of the Vedantins); "without a father or a mother, but proceeding directly from the Monad, which is the origin and crown of all things." ( Pythag.
Triangle, p.
174.) And if the heptad is made to proceed from the Monad directly, then it is, as taught in the Secret Doctrine of the oldest schools, the perfect and sacred number of this Maha-Manvantara of ours.
The septenary, or heptad, was sacred indeed to several gods and goddesses; to Mars, with his seven attendants, to Osiris, whose body was divided into seven and twice seven parts; to Apollo (the Sun), between his seven planets, and playing the hymn to the seven-rayed on his seven-stringed harp; to Minerva, the fatherless and the motherless, and others.
Cis-Himalayan Occultism with its sevening, and because of such sevening, must be regarded as the most ancient, the original of all.
It is opposed by some fragments left by Neo-Platonists; and the admirers of the latter, who hardly understand what they defend, say to us: "See, your forerunners believed only in triple man, composed of [[Footnote(s)]] ------------------------------------------------- * The seven planets are not limited to this number because the ancients knew of no others, but simply because they were the primitive or primordial houses of the seven Logoi.
There may be nine and ninety-nine other planets discovered -- this does not alter the fact of these seven alone being sacred.
[[Vol.
2, Page]] 603 THE SEPTENARY DEMONSTRATED.
Spirit, Soul, and body.
Behold, the Taraka Raja Yoga of India limits that division to 3, we, to 4, and the Vedantins to 5 (koshas)." To this, we of the Archaic school, ask: -- Why then does the Greek poet say that " it is not four but SEVEN who sing the praise of the Spiritual Sun," [[ HEPTA ME ]]?
He says-- "Seven sounding letters sing the praise of me, The immortal God, the Almighty deity." .
.
.
Why again is the triune I AO (the Mystery God) called the "fourfold," and yet the triad and tetradic symbols come under one unified name with the Christians -- the Jehovah of the seven letters?
Why again in the Hebrew Sheba is the Oath (the Pythagorean Tetraktis ) identical with number 7; or, as Mr.
G.
Massey has it, "taking an oath was synonymous with 'to seven,' and the 10 expressed by the letter Yod, was the full number of I AO- S ABAOTH, the ten-lettered God"?
In Lucian's Auction, Pythagoras asks, "How do you reckon?" The reply is, "One, Two, Three, Four." "Then, do you see," says Pythagoras, "in what you conceive F OUR there are Ten; then, a perfect triangle and our Oath (tetraktis, four!
) , " or Seven.
Why does Proclus say in Timaeus, c .
iii.
The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.
The passage describes 'essential light, not burning but illuminating' produced by 'the radiant light of the divine unity,' and Olympus as 'entirely light' — divine illumination as a cosmogonic and revelatory force.
The Hermetic doctrine that a masculine-feminine generative principle operates on every plane of being, not only the biological — present at all times as a structural feature of creation itself. Distinct from divine_marriage (a specific reunification event or symbol) and aeons (paired divine beings arranged in syzygies, not a universal structural claim).
The passage explicitly states the androgyne gods (Osiris-Isis, Jove-Juno, Brahma-Vach, Jah-hovah) are 'all male-females,' classifies odd numbers as masculine and even as female, and presents the masculine-feminine principle as a structural feature operating across all planes of being — from the celestial to the terrestrial and infernal.
Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.
The passage explicitly contrasts the exoteric interpretation ('I am that I am' referring to the highest abstract Deity) with the esoteric meaning ('periodically chaotic, turbulent, and eternal MATTER'), and the 'Archaic school' claims knowledge that Neo-Platonists and their admirers 'hardly understand.'
The twenty-two Hebrew letters as the building blocks through which God creates and sustains all existence.
The passage is centrally occupied with divine names composed of four letters across all cultures, the Tetragrammaton as the four-lettered name, the 'seven sounding letters' singing praise, the '10 expressed by the letter Yod' as the full number of IAO-SABAOTH, and the Pythagorean Tetraktis as an Oath identical with number 7 — letters are the building blocks of divine identity and cosmic structure throughout.
The absolutely simple, undivided first principle from which all multiplicity and existence flows.
The Monad is explicitly named as 'the first unit, productrix of all things,' 'one, and an odd number,' and 'the origin and crown of all things' from which the heptad proceeds directly — it is the central first principle of the entire passage's cosmology.
Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.
The entire passage is structured around the mystical significance of numbers: the Tetraktis (1+2+3+4=10), the Monad, the heptad as 'the number of a virgin, because it is unborn,' odd/even gender classification, the seven planets, the four-letter names, and the identity of the Tetraktis with number 7 — numbers are the fundamental architecture of divine reality.
The rule of the stars and planetary powers over mortal destiny — the astrological governors whose spheres bind souls to birth, error, and death; in Sethian gnosis the 'error of the stars' that the savior exposes, and from which the incorruptible generation alone is free. Distinct from cosmic_sympathy (a doctrine of universal affinity) in being a bondage-to-powers claim, and from archons (the rulers as personal beings) in concerning the astral machinery itself.
The seven planets are described as 'the primitive or primordial houses of the seven Logoi' and as the 'seven powers of terrestrial and sublunary nature,' implying planetary governance over the material world.
The doctrine that the one Godhead or first principle subsists as three co-equal aspects or persons rather than a bare unity — the Christian Father/Son/Holy Ghost invoked in the recurring liturgical formula 'In the Name of the Father, and of the Son, and of the Holy Ghost,' but structurally the same pattern as the Egyptian Amen/Ptah/Osiris, the Hindu Brahma/Vishnu/Siva, and the Kabbalistic Chochmah/Binah/Kether triads that esoteric writers explicitly map onto it as instances of one universal law. Distinct from unity_of_being (the general claim that all existence is one substance, agnostic about internal plurality) and divine_simplicity (God as having no parts or divisions at all) in asserting a definite three-aspected differentiation within a single divine essence.
The structure of Olympus explicitly states 'its top is UNITY, its wall trinity, and its superficies quaternity,' and the 'triune IAO (the Mystery God)' is named, mapping the triad as a structural level within the divine architecture.