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The Heroic Enthusiasts, Part II (Gli Eroici Furori) · 48 of 49 · tr. L. Williams

Fifth Dialogued

The fourth with the viola sang : And pierced anon with such a light as this; Blindness worth more than every other sight, Pains sweeter far than other pleasures are, For to the fairest light Thou art thyself a guide, Show to the soul all lower things are null. The fifth with the Spanish drum sang : Showing the soul all lower things are null, Seasoning with hope the high thought of the mind, Was one who pushed us to the only path, And so did show us plain, The fairest work of God, Thus does a fate benign present itself.[AI] [AI] The lonely sore-footed pilgrims on their way back to their home are never sure to the last moment of not losing their way in this limitless desert of illusion and matter called Earth-life.—("The Secret Doctrine.") The sixth with a lute sang : Thus does a fate benign present itself, Who wills not that to good, good should succeed, Or pain forerunner be of pain, But turning round, the wheel, Now rising, now depressed, As day and night succeed alternately. The seventh with the Irish harp : As day and night succeed alternately; While the great mantle of the lights of night, Blanches the chariot of diurnal flames, As He who governs all, With everlasting laws, Puts down the high and raises up the low. The eighth with the violin : Puts down the high and raises up the low, He who the infinite machine sustains, With swiftness, with the medium or with slow, Apportioning the turning Of this gigantic mass, The hidden is unveiled and open stands. The ninth with the rebeck : The hidden is unveiled and open stands, Therefore deny not, but admit the triumph, Incomparable end of all the pains Of field and mount, Of pools and streams and seas, Of cliffs and deeps, of thorns and snags and stones. After each one in this way, singly, playing his instrument, had sung his sistine, they danced altogether in a circle and sang together in praise of the one Nymph with the softest accents a song which I am not sure whether I can call to memory. Giu. I pray you, my sister, do not fail to let me hear so much of it as you can remember! Lao. 74. Song of the Illuminati : "I envy not, oh Jove, the firmament," Said Father Ocean, with the haughty brow: "For that I am content With that which my own empire gives to me." Then answered Jove, "What arrogance is thine. What to thy riches have been added now, Oh god of the mad waves, To make thy foolish boasting rise so high?" "Thou hast," said the sea-god, "in thy command, The flaming sky, where is the burning zone, In which the heavenly host Of stars and planets stand within thy sight.[AJ] "Of these, the world looks most upon the sun, Which, let me tell you, shineth not so bright, As she who makes of me, The god most glorious of the mighty whole. "And I contain within my bosom vast, With other lands, that, where the happy Thames Goes gliding gaily on, Which has of graceful nymphs a lovely throng. "There will be found 'mongst those where all are fair, Will make thee lover more of sea than sky, Oh Jove, High Thunderer! Whose sun shines pale beside the starry night." Then answered Jove, "God of the billowy sea! That one should ere be found more blest than I Fate nevermore permits, My treasures with thine own run parallel.
Themes
Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text implies a hierarchy where lower things are null compared to the higher light and divine governance.

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Divine Sparkscosmology

Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.

[auto] The soul is guided by light and seeks to unveil the hidden, implying an inner divine element seeking liberation.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The theme of the 'hidden is unveiled' and 'blindness worth more than sight' suggests knowledge through direct experience rather than ordinary senses.

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Heroic Furorpraxis

Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.

[auto] The passage is from Bruno's Gli Eroici Furori and describes the passionate spiritual ardor driving the soul toward divine wisdom.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The speaker mentions a song they are not sure they can remember, suggesting esoteric or elusive knowledge.

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Infinite Cosmoscosmology

The doctrine of the universe as boundless and without center or circumference, populated by innumerable worlds — Bruno's rejection of the closed Aristotelian sphere; the divine and the cosmos as ontologically infinite.

[auto] The passage explicitly mentions the 'infinite machine' and a 'limitless desert,' central to Bruno's cosmology.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] References to 'everlasting laws' and the 'infinite machine' sustaining the universe point to a divine ordering principle.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

[auto] The text refers to 'He who governs all' and sustains the infinite machine as a singular source.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The soul is shown that lower things are null and admits the triumph of the divine end.

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Pneumatic Electsoteriology

A spiritual elite who possess the divine spark and are predestined for salvation, contrasted with psychic (faithful) and hylic (material) persons.

[auto] The 'Song of the Illuminati' implies a select group possessing higher spiritual insight.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The 'pilgrims on their way back to their home' metaphor indicates a journey returning to the divine origin.

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Related passages · 7 parallels
finnic|The Kalevala|Rune XLd
Louhi, hostess of the Northland, Took the harp-strings in her fingers; All the youth of Sariola, Youth of every tribe and station, Vainly touched the harp of fish-bone; Could not find the notes of joyance, Dissonance their only pleasure; Sh…”
Both passages explore themes of divine guidance, the limitations of human perception, and the interplay between suffering and enlightenment. They also share a mystical tone and use musical imagery to convey spiritual insights.
finnic|The Kalevala|Rune XLVIIa
STEALS SUN, MOON, AND FIRE. Wainamoinen, ancient minstrel, Touched again his magic harp-strings, Sang in miracles of concord, Filled the north with joy and gladness. Melodies arose to heaven, Songs arose to Luna's chambers, Echoed through…”
Both passages explore themes of divine order, the interplay of light and darkness, and the cyclical nature of existence. They also feature dialogues between divine or mythical figures discussing the nature of their realms and the cosmic balance.
gnosticism|Pistis Sophia|Document SECONDq
He brought my soul up from the pit of the misery with the mire of the filth, he set my feet upon a rock, and he directed my footsteps. He cast unto my mouth a new song, a blessing for our God. There are many (who) will see and they (will)…”
Both passages explore themes of divine guidance, the triumph of the soul or spirit over worldly illusions, and the ultimate revelation of hidden truths. They share a mystical perspective on the relationship between the divine and the material world, though they come from different religious traditions.
greek_mystery|Orphic Hymns|Hymn XXXIII. APOLLO (part 1)
XXXIII. TO APOLLO. The FUMIGATION from MANNA. BLEST Pæan, come, propitious to my pray'r, Illustrious pow'r, whom Memphian tribes revere, Slayer of Tityus, and the God of health, Lycorian Phœbus, fruitful source of wealth . Spermatic, go…”
Both passages explore themes of divine power, natural order, and the interplay between the divine and the natural world. They also emphasize the cyclical nature of existence and the role of divine entities in governing these cycles.
greek_mystery|Orphic Hymns|Hymn LIV. VENUS
LIV. TO VENUS. A HYMN. HEAV'NLY, illustrious, laughter-loving queen, Sea-born, night-loving, of an awful mien; p. 186 Crafty, from whom necessity first came, Producing, nightly, all-connecting dame: 'Tis thine the world with harmony to join…”
Both passages explore the theme of divine power and its influence on the world, highlighting the interconnectedness of all things and the role of a higher power in governing natural and spiritual realms. They share a mystical reverence for the divine, though expressed through different cultural and religious frameworks.
neoplatonism|Select Works of Plotinus|Select Works, Section 66 (part 1)
Section 5 5. These Lovers, then, lovers of the beauty outside of sense, must be made to declare themselves. What do you feel in presence of the grace you discern in actions, in manners, in sound morality, in all the works and fruits of vi…”
Both passages explore the theme of transcendent beauty and the soul's journey towards higher truths. They emphasize the limitations of the physical world and the superior insights gained through spiritual or mystical experiences.
neoplatonism|Select Works of Plotinus|Select Works, Section 713 (part 1)
Section 9 9. In this choiring, the soul looks upon the wellspring of Life, wellspring also of Intellect, beginning of Being, fount of Good, root of Soul. It is not that these are poured out from the Supreme lessening it as if it were a th…”
Both passages explore the theme of the soul's relationship with the divine and the transient nature of earthly existence. They emphasize the superiority of divine connection over worldly attachments, though they do so within different cultural and religious frameworks.