Agrippa: The Philosophy of Natural Magic, Chapter LXI — Of the Forming of Man, of the External Senses, also those Inward, and the Mind; and of the Three-Fold Appetite of the Soul, and Passions of the Will · 1 of 3 · tr. Henry Morley; L. W. de Laurence ed.
Chapter LXI, Section 1a
CHAPTER LXI.
Of the Forming of Man, of the External Senses, also those Inward, and the Mind; and of the Three-Fold Appetite of the Soul, and Passions of the Will .
It is the opinion of some divines that God did not immediately create the body of man, but by the assistance of the heavenly spirits compounded and framed him; which opinion Alcinous and Plato favor, thinking that God is the chief creator of the whole world, and of spirits, both good and bad, and therefore, immortalized them; but that all kinds of mortal animals were made only at the command of God; for, if he should have created them, they must have been immortal.
The spirits, therefore, mixing Earth, Fire, Air, and Water together, made of them all, put together, one body, which they subjected to the service of the soul, assigning in it several provinces to each power thereof; to the meaner of them, mean and low places: as to anger, the midriff; to desire, the womb; but to the more noble senses, the head—as the tower of the whole body—and then the manifold organs of speech.
They divide the senses into the external and internal.
The external are divided into five, known to every one, to which there are allotted five organs, or subjects, as it were foundations; being so ordered that they which are placed in the more eminent part of the body, have a greater degree of purity.
For the eyes, placed in the uppermost place, are the most pure, and have an affinity with the nature of Fire and Light; then the ears have the second order of place and purity, and are compared to the Air; the nostrils have the third order, and have a middle nature betwixt the Air and the Water.
Then the organ of tasting, which is grosser, and most like to the nature of Water.
Last of all the touching is diffused through the whole body, and is compared to the grossness of Earth.
The more pure senses are those which perceive their objects farthest off, as seeing and hearing; then the smelling, then the taste, which doth not perceive but that which is nigh.
But the touch perceives both ways, for it perceives bodies nigh; and as sight discerns by the medium of the Air, so the touch perceives, by the medium of a stick or pole, bodies hard, soft and moist.
Now the touch only is common to all animals.
And it is most certain that man hath this sense, and, in this and taste, he excels all other animals; but in the other three, he is excelled by some animals, as by a dog, who hears, sees and smells more acutely than man; and the lynx and eagles see more acutely than all other animals and man.
Now the interior senses are, according to Averrois, divided into four, whereof the first is called common sense, because it doth first collect and perfect all the representations which are drawn in by the outward senses.
The second is the imaginative power, whose office is, seeing it represents nothing, to retain those representations which are received by the former senses, and to present them to the third faculty of inward sense, which is the phantasy, or power of judging, whose work is also to perceive and judge by the representations received, what, or what kind of thing that is of which the representations are; and to commit those things which are thus discerned and adjudged, to the memory to be kept.
For the virtues thereof in general, are discourse, dispositions, persecutions, and fights, and stirrings up to action, but in particular, the understanding of intellectuals, virtues, the manner of discipline, counsel, and election.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The entire passage is structured around the systematic mapping of the five external senses to the four elements by position and purity (eyes→Fire, ears→Air, nostrils→between Air and Water, taste→Water, touch→Earth), making the body a legible map of the elemental cosmos.
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
The passage describes a clear creative cascade: God as chief creator commands the heavenly spirits, who in turn compound the mortal body from the four elements, with mortal beings positioned below immortal spirits in a graded hierarchy of being.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
The human body is presented as a small-scale image of the cosmos: elements are arranged in the body according to their cosmic hierarchy, the head is 'the tower of the whole body,' and the soul's faculties are assigned to anatomical locations mirroring the elemental order.
Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).
The passage explicitly outlines the division of the human being into external senses, internal senses (common sense, imagination, phantasy), and the mind as distinct faculties of the soul.