Agrippa: The Philosophy of Natural Magic, Chapter XXXIII — Of the Seals and Characters of Natural Things
§ About this work
Agrippa opens by positing a three-fold World—Elementary, Celestial, Intellectual—ascended toward the First cause (I), then defines Magic as the chief Science comprehending Natural, Mathematical, and Theological Philosophy (II). He treats the four Elements, their qualities, orders, and the properties of Fire and Earth, Water and Air, their compounded bodies, and their presence in all things up to God (III–VIII). He distinguishes elementary, secondary, and occult virtues, tracing the latter to Ideas, the Soul of the World, and celestial situation (IX–XIV), then how virtues move to their like, infuse likeness, form friendships and enmities, and reside in species, individuals, whole substances, parts, and life or death (XV–XXI). He assigns things to Sun, Moon, Saturn, Jupiter, Mars, Venus, Mercury, planetary governments, kingdoms, Signs, stars, and Characters (XXII–XXXIII), then shows how virtues are drawn down through conformable things, mixtions, prepared matter, correspondence of Worlds, and animated Images (XXXIV–XXXVIII). Turning operative, he treats raising spirits (XXXIX), bindings, sorceries, catamenia, suffumigations and their recipes, collyries and unguents, alligations, rings, and virtues of places (XL–XLVIII). He describes light, fascination, wonder-working acts, and gestures and bodily figures (XLIX–LII), then divinations—Auguria and Auspicia, birds and beasts, lightnings and prodigies, and the four elemental divinations (LIII–LVII)—and reviving of bodies (LVIII). He treats dreams and prophetic madness (LIX–LX), then man's body, senses, mind, and passions, how the phantasy alters one's own and another's body, and how passions gain power through Heaven, faith, and the stars' minds (LXI–LXVIII). He closes with the power of words, proper names, sentences, enchantments, writing, and the Hebrew letters ordered to Signs, Planets, and Elements, ending the first book (LXIX–LXXIV).
The chapter explains that all Stars impress Seals and Characters through their rays upon inferior things—elements, stones, plants, animals—each thing receiving a character from its governing star, containing peculiar Virtue. These Characters retain their Stars' natures and stir their influences. Ancient Wise Men recorded such Images; bay-tree, lote-tree, and marigold are Solary, and shoulder-blades yield spatulary divining. Limiting to man's nature as Image of the Universe, it notes Planetary Seals known to chiromancers, which Julian calls Sacred Letters, then lists Characters of Saturn, Jupiter, Mars, Sun, Venus, Mercury, and Moon.
Chapter XXXIII, Section 1aChapter XXXIII, Section 1b