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Plato: Timaeus · 39 of 50 · tr. Benjamin Jowett

Section 1am

The fleshy nature was not therefore wholly dried up, but a large sort of peel was parted off and remained over, which is now called the skin. This met and grew by the help of the cerebral moisture, and became the circular envelopment of the head. And the moisture, rising up under the sutures, watered and closed in the skin upon the crown, forming a sort of knot. The diversity of the sutures was caused by the power of the courses of the soul and of the food, and the more these struggled against one another the more numerous they became, and fewer if the struggle were less violent. This skin the divine power pierced all round with fire, and out of the punctures which were thus made the moisture issued forth, and the liquid and heat which was pure came away, and a mixed part which was composed of the same material as the skin, and had a fineness equal to the punctures, was borne up by its own impulse and extended far outside the head, but being too slow to escape, was thrust back by the external air, and rolled up underneath the skin, where it took root. Thus the hair sprang up in the skin, being akin to it because it is like threads of leather, but rendered harder and closer through the pressure of the cold, by which each hair, while in process of separation from the skin, is compressed and cooled. Wherefore the creator formed the head hairy, making use of the causes which I have mentioned, and reflecting also that instead of flesh the brain needed the hair to be a light covering or guard, which would give shade in summer and shelter in winter, and at the same time would not impede our quickness of perception. From the combination of sinew, skin, and bone, in the structure of the finger, there arises a triple compound, which, when dried up, takes the form of one hard skin partaking of all three natures, and was fabricated by these second causes, but designed by mind which is the principal cause with an eye to the future. For our creators well knew that women and other animals would some day be framed out of men, and they further knew that many animals would require the use of nails for many purposes; wherefore they fashioned in men at their first creation the rudiments of nails. For this purpose and for these reasons they caused skin, hair, and nails to grow at the extremities of the limbs. And now that all the parts and members of the mortal animal had come together, since its life of necessity consisted of fire and breath, and it therefore wasted away by dissolution and depletion, the gods contrived the following remedy: They mingled a nature akin to that of man with other forms and perceptions, and thus created another kind of animal. These are the trees and plants and seeds which have been improved by cultivation and are now domesticated among us; anciently there were only the will kinds, which are older than the cultivated. For everything that partakes of life may be truly called a living being, and the animal of which we are now speaking partakes of the third kind of soul, which is said to be seated between the midriff and the navel, having no part in opinion or reason or mind, but only in feelings of pleasure and pain and the desires which accompany them. For this nature is always in a passive state, revolving in and about itself, repelling the motion from without and using its own, and accordingly is not endowed by nature with the power of observing or reflecting on its own concerns. Wherefore it lives and does not differ from a living being, but is fixed and rooted in the same spot, having no power of self-motion. Now after the superior powers had created all these natures to be food for us who are of the inferior nature, they cut various channels through the body as through a garden, that it might be watered as from a running stream.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The creator is described as 'divine power' that 'pierced' and 'mingled' natures like a gardener.

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Demiurgecosmology

A secondary creator deity—often ignorant or malevolent—responsible for fashioning the material world, distinct from the supreme transcendent God.

The text describes a secondary creator who fashioned men and animals from the inferior nature to serve as food for those of the superior nature.

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Evil As Privationtheology

Augustinian and Plotinian doctrine that evil has no positive being of its own but is a lack, distortion, or absence of the good — denying ontological dualism while preserving moral seriousness.

The text contrasts the 'inferior nature' with a superior one, implying evil or deficiency is a lack of higher being rather than positive substance.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The creator is depicted as an active agent who fashioned and ordered the universe dynamically.

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Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

The structure of the finger is described as a triple compound reflecting the divine ordering principle.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The text references 'three natures' and 'three parts' in the structure of the finger as fundamental building blocks.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

The passage explicitly describes three levels of soul: superior (mind), intermediate (between midriff and navel), and inferior (passive feelings).

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