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Plato: Phaedo · 21 of 44 · tr. Benjamin Jowett

Section 1u

For when I consider the matter either alone or with Cebes, the argument does certainly appear to me, Socrates, to be not sufficient. Socrates answered: I dare say, my friend, that you may be right, but I should like to know in what respect the argument is not sufficient. In this respect, replied Simmias: Might not a person use the same argument about harmony and the lyre-might he not say that harmony is a thing invisible, incorporeal, fair, divine, abiding in the lyre which is harmonized, but that the lyre and the strings are matter and material, composite, earthy, and akin to mortality? And when someone breaks the lyre, or cuts and rends the strings, then he who takes this view would argue as you do, and on the same analogy, that the harmony survives and has not perished; for you cannot imagine, as we would say, that the lyre without the strings, and the broken strings themselves, remain, and yet that the harmony, which is of heavenly and immortal nature and kindred, has perished-and perished too before the mortal. The harmony, he would say, certainly exists somewhere, and the wood and strings will decay before that decays. For I suspect, Socrates, that the notion of the soul which we are all of us inclined to entertain, would also be yours, and that you too would conceive the body to be strung up, and held together, by the elements of hot and cold, wet and dry, and the like, and that the soul is the harmony or due proportionate admixture of them. And, if this is true, the inference clearly is that when the strings of the body are unduly loosened or overstrained through disorder or other injury, then the soul, though most divine, like other harmonies of music or of the works of art, of course perishes at once, although the material remains of the body may last for a considerable time, until they are either decayed or burnt. Now if anyone maintained that the soul, being the harmony of the elements of the body, first perishes in that which is called death, how shall we answer him? Socrates looked round at us as his manner was, and said, with a smile: Simmias has reason on his side; and why does not some one of you who is abler than myself answer him? for there is force in his attack upon me. But perhaps, before we answer him, we had better also hear what Cebes has to say against the argument-this will give us time for reflection, and when both of them have spoken, we may either assent to them if their words appear to be in consonance with the truth, or if not, we may take up the other side, and argue with them. Please to tell me then, Cebes, he said, what was the difficulty which troubled you? Cebes said: I will tell you. My feeling is that the argument is still in the same position, and open to the same objections which were urged before; for I am ready to admit that the existence of the soul before entering into the bodily form has been very ingeniously, and, as I may be allowed to say, quite sufficiently proven; but the existence of the soul after death is still, in my judgment, unproven. Now my objection is not the same as that of Simmias; for I am not disposed to deny that the soul is stronger and more lasting than the body, being of opinion that in all such respects the soul very far excels the body. Well, then, says the argument to me, why do you remain unconvinced? When you see that the weaker is still in existence after the man is dead, will you not admit that the more lasting must also survive during the same period of time?
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The body is described as composite, earthy, and akin to mortality that can decay while the soul survives.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The analogy between the lyre's harmony and the soul's relationship to the body suggests a structural parallel.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The text emphasizes that the soul is invisible, incorporeal, and divine, residing beyond material perception.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The argument uses the analogy of a broken lyre to illustrate how the harmony survives the destruction of its material components.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The discussion implies that the soul's survival after death represents a return to its divine nature.

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Soul Migrationcosmology

The transmigration of the soul across lives.

The passage centrally debates whether the soul survives death and continues to exist independently of the body.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

The analogy of the lyre implies that the harmony (soul) is a unified whole inseparable from its components.

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Related passages · 2 parallels
neoplatonism|Iamblichus: On the Mysteries|Chapter IX
What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or a certain modulated sound, such as those who are Corybantically inspired, those who are po…”
Both passages explore the relationship between the soul and harmony, using musical analogies to discuss the nature of the soul. Plato's passage uses the analogy of the lyre and strings to question the immortality of the soul, while the second passage discusses how musical sounds and melodies are connected to divine harmony and the soul's inspiration.
neoplatonism|Select Works of Plotinus|Select Works, Section 285 (part 1)
Section 1 1. In our attempt to elucidate the Essence of the soul, we show it to be neither a material fabric nor, among immaterial things, a harmony. The theory that it is some final development, some entelechy, we pass by, holding this t…”
Both passages explore the nature of the soul and its relationship to the body, with a focus on whether the soul is material or immaterial. Plato's passage uses the analogy of harmony and the lyre to question the immortality of the soul, while Plotinus' passage explicitly denies that the soul is a material fabric or a harmony, asserting its divine and intellectual nature.