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Select Works of Plotinus · 704 of 752 · tr. Thomas Taylor

Select Works, Section 672

Section 33 33. When therefore we name beauty, all such shape must be dismissed; nothing visible is to be conceived, or at once we descend from beauty to what but bears the name in virtue of some faint participation. This formless Form is beautiful as Form, beautiful in proportion as we strip away all shape even that given in thought to mark difference, as for instance the difference between Justice and Sophrosyne, beautiful in their difference. The Intellectual-Principle is the less for seeing things as distinct even in its act of grasping in unity the multiple content of its Intellectual realm; in its knowing of the particular it possesses itself of one Intellectual shape; but, even thus, in this dealing with variety as unity, it leaves us still with the question how we are to envisage that which stands beyond this all-lovely, beyond this principle at once multiple and above multiplicity, the Supreme for which the soul hungers though unable to tell why such a being should stir its longing-reason, however, urging that This at last is the Authentic Term because the Nature best and most to be loved may be found there only where there is no least touch of Form. Bring something under Form and present it so before the mind; immediately we ask what Beyond imposed that shape; reason answers that while there exists the giver having shape to give- a giver that is shape, idea, an entirely measured thing- yet this is not alone, is not adequate in itself, is not beautiful in its own right but is a mingled thing. Shape and idea and measure will always be beautiful, but the Authentic Beauty and the Beyond-Beauty cannot be under measure and therefore cannot have admitted shape or be Idea: the primal existent, The First, must be without Form; the beauty in it must be, simply, the Nature of the Intellectual Good. Take an example from love: so long as the attention is upon the visible form, love has not entered: when from that outward form the lover elaborates within himself, in his own partless soul, an immaterial image, then it is that love is born, then the lover longs for the sight of the beloved to make that fading image live again. If he could but learn to look elsewhere, to the more nearly formless, his longing would be for that: his first experience was loving a great luminary by way of some thin gleam from it. Shape is an impress from the unshaped; it is the unshaped that produces shape, not shape the unshaped; and Matter is needed for the producing; Matter, in the nature of things, is the furthest away, since of itself it has not even the lowest degree of shape. Thus lovableness does not belong to Matter but to that which draws upon Form: the Form upon Matter comes by way of soul; soul is more nearly Form and therefore more lovable; Intellectual-Principle, nearer still, is even more to be loved: by these steps we are led to know that the First Principle, principle of Beauty, must be formless.
Themes
Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] Evil is presented as standing full contrary to the Good with no linking intermediate between them.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The passage mentions that the Good sheds its light upon the Intellectual-Principle.

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Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

[auto] The Good is described as utterly without need of any other and having no linking intermediate with evil.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

[auto] The passage describes the Good as the source from which all things came and which sheds light upon the Intellectual-Principle.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

[auto] The Good is identified as the wholly self-sufficing first principle from which all existence flows.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The text explicitly states the power of the Good to draw souls back from wandering to rest before it.

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Related passages · 6 parallels
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 1, Section 1l
The formless essence (ἀμορφία) of a thing is simple and imageless—a Platonic idea—perceived by the mind; things which have bodily form are, as it were, types and symbols perceived by the senses. 54 Or “indeterminate.” 55 Thus the three gra…”
Both passages discuss the concept of formlessness as the ultimate reality or principle of beauty, emphasizing that true beauty transcends physical and even intellectual forms. They both explore the idea of moving beyond the visible and the formed to reach a higher, formless essence.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 13 (part 11)
27.) No Christian should contemplate his own holiness, or fancy himself to be better than others; but he should rather realise his own unworthiness, and regret the perverted state of himself and of humanity as a whole. "No one should want…”
Both passages discuss the concept of a higher, divine good that is the source of all creation and the ultimate goal of spiritual aspiration. Passage A focuses on the Good as the principle that precedes and sustains all existence, while Passage B emphasizes the humility and spiritual growth that come from recognizing one's unworthiness and relying on divine grace.
hermeticism|Corpus Hermeticum 10: The Sermon on the Mount|Section 1c
For that the soul who hath no knowledge of the things that are, or knowledge of their nature, or of Good, is blinded by the body's passions and tossed about. This wretched soul, not knowing what she is, becomes the slave of bodies of stran…”
Both passages discuss the concept of The Good and its relationship to the soul and the cosmos. They explore the idea of a supreme principle that is the source of all goodness and life, and the soul's quest for this principle. The passages also touch on the nature of evil and its opposition to The Good.
platonism|Plato: Phaedrus|Section 1q
Thus far I have been speaking of the fourth and last kind of madness, which is imputed to him who, when he sees the beauty of earth, is transported with the recollection of the true beauty; he would like to fly away, but he cannot; he is li…”
Both passages discuss the nature of beauty and the soul's longing for a formless, transcendent reality beyond physical forms. They share the idea that true beauty is not found in material shapes but in an intellectual or spiritual realm.
platonism|Plato: Symposium|Section 1{
"These are the lesser mysteries of love, into which even you, Socrates, may enter; to the greater and more hidden ones which are the crown of these, and to which, if you pursue them in a right spirit, they will lead, I know not whether you…”
Both passages explore the concept of beauty as a formless, transcendent ideal that is beyond physical appearances and particular forms. They both describe a journey or process of ascending from the appreciation of physical beauty to the understanding of a higher, more abstract beauty.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialoguem
In conclusion, whatever love it may be, it is ever afflicted and tormented in such a way that it cannot fail to supply material for the forge of Vulcan; because the soul, being a divine thing, and by nature, not a servant but the mistress o…”
Both passages explore the concept of beauty and its relationship to form and the divine. They both argue for a formless, transcendent beauty that is the source of all particular beautiful forms, though they use different metaphors and philosophical frameworks.