← Home
Select Works of Plotinus · 315 of 752 · tr. Thomas Taylor

Select Works, Section 301

Section 14 14. Thus it comes about that this kosmos, lit with many lights, gleaming in its souls, receives still further graces, gifts from here and from there, from the gods of the Supreme, and from those other Intellectual-Principles whose nature it is to ensoul. This is probably the secret of the myth in which, after Prometheus had moulded woman, the other gods heaped gifts upon her, Hephaistos "blending the clay with moisture and bestowing the human voice and the form of a goddess"; Aphrodite bringing her gifts, and the Graces theirs, and other gods other gifts, and finally calling her by the name [Pandora] which tells of gift and of all giving- for all have added something to this formation brought to being by a Promethean, a fore-thinking power. As for the rejection of Prometheus' gift by after-thought, Epimetheus, what can this signify but that the wiser choice is to remain in the Intellectual realm? Pandora's creator is fettered, to signify that he is in some sense held by his own creation; such a fettering is external and the release by Hercules tells that there is power in Prometheus, so that he need not remain in bonds. Take the myth as we may, it is certainly such an account of the bestowal of gifts upon the kosmos as harmonizes with our explanation of the universal system.
Related passages · 5 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 4 (part 1)
p. 89 CHAPTER IV. CREATION. Everything we see in nature is manifested truth; only we are not able to recognise it as such, unless the truth is manifest within ourselves. God is the supreme, fundamental, universal, self-existent eternal…”
Both passages discuss the relationship between the divine and the created world, emphasizing the role of intermediaries (such as the Soul in Plotinus and the divine powers in Boehme) that link the supreme being with the material realm. They also explore the concept of divine emanation and the distinction between the divine and the created.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 7)
It is not shown that Esau became subject to Jacob, but the story represents to us a spiritual symbol, showing how the kingdom of nature in man was to become subjected and to be made to submit in humility to the kingdom p. 214 of grace; how…”
Both passages use mythological narratives to explain the relationship between the divine and the material world. Passage A uses the myth of Prometheus and Pandora to illustrate the bestowal of gifts upon the cosmos, while Passage B uses the story of Jacob and Esau to symbolize the subjugation of human nature to divine grace. Both texts employ allegorical interpretation to convey mystical insights about the interplay between the spiritual and the material realms.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 95)
see also Maspero, Hymne au Nil, publié et traduit d'après les deux textes A Musée Britannique , Paris, 1868. 4to. 2 Pyramid of Unas, l. 219; Pyramid of Teta, ll. 60, 286; Pyramid of Pepi I., ll. 444, 593, etc. 3. Pyramid of Pepi I.,…”
Both passages discuss the concept of divine beings and their representation. Passage A describes the Egyptian belief in the Nile god Hapi and its attributes, while Passage B discusses the ancient sages' insight into securing the presence of divine beings through shrines and statues. Both texts explore the idea of divine presence and representation in the material world.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 107)
Thou art stablished among the gods thy brethren, thy head is purified for thee with natron, thy bones are washed clean with water, and thou thyself art made perfect with all that belongeth unto thee. O Osiris, I have given unto thee the Ey…”
Both passages describe the bestowal of gifts or blessings upon a recipient, with Passage A focusing on the cosmos receiving gifts from various deities and Passage B detailing the offerings and blessings bestowed upon Osiris Unas. The concept of divine gifts and their transformative power is central to both texts.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a divine figure (Prometheus in Passage A and Marduk in Passage B) who is responsible for creating or bestowing gifts upon the world or humanity. They share the theme of divine creation and the bestowal of blessings, though they come from different mystical traditions.