Myths of the Cherokee · 71 of 220

Myth 47

THE EAGLE’S REVENGE Once a hunter in the mountains heard a noise at night like a rushing wind outside the cabin, and on going out he found that an eagle had just alighted on the drying pole and was tearing at the body of a deer hanging there. Without thinking of the danger, he shot the eagle. In the morning he took the deer and started back to the settlement, where he told what he had done, and the chief sent out some men to bring in the eagle and arrange for an Eagle dance. They brought back the dead eagle, everything was made ready, and that night they started the dance in the townhouse. About midnight there was a whoop outside and a strange warrior came into the circle and began to recite his exploits. No one knew him, but they thought he had come from one of the farther Cherokee towns. He told how he had killed a man, and at the end of the story he gave a hoarse yell, Hi! that startled the whole company, and one of the seven men with the rattles fell over dead. He sang of another deed, and at the end straightened up with another loud yell. A second rattler fell dead, and the people were so full of fear that they could not stir from their places. Still he kept on, and at every pause there came again that terrible scream, until the last of the seven rattlers fell dead, and then the stranger went out into the darkness. Long afterward they learned from the eagle killer that it was the brother of the eagle shot by the hunter.

§ Ask Guru about this passage →

Themes

◆Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting the eagle as a spiritual agent with familial bonds and the capacity for supernatural revenge, illustrating a worldview where nature is populated by sentient, divine agents.

All passages →

◆Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The eagle's brother appears as a 'strange warrior' to exact revenge, implying a transformation from avian form to human guise to interact with the community.

All passages →

◆Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The stranger's 'hoarse yell' and songs possess direct causal power to kill the rattlers, demonstrating a belief in the magical efficacy of spoken sounds.

All passages →

Related passages · 1 parallel

◆finnic|The Kalevala|Rune XIVd

“Then the hunter, Kaukomieli, Stroked his captive's neck in safety, For the moose was well-imprisoned. Thereupon gay Lemminkainen Filled with joyance spake as follows: "Pride of forests, queen of woodlands, Metsola's enchanted hostess, Love…”

Both passages involve a hunter who faces supernatural consequences for their actions. In Passage A, the hunter kills an eagle, leading to the eagle's brother seeking revenge. In Passage B, the hunter Lemminkainen captures a moose and faces a series of supernatural challenges set by Louhi. Both stories involve a hunter encountering supernatural beings and facing the consequences of their actions, reflecting a shared mytheme of the hunter's encounter with the supernatural.