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Myths of the Cherokee · 36 of 220

Myth 19

HOW THE WILDCAT CAUGHT THE GOBBLER The Wildcat once caught the Rabbit and was about to kill him, when the Rabbit begged for his life, saying: “I’m so small I would make only a mouthful for you, but if you let me go I’ll show you where you can get a whole drove of Turkeys.” So the Wildcat let him up and went with him to where the Turkeys were. When they came near the place the Rabbit said to the Wildcat, “Now, you must do just as I say. Lie down as if you were dead and don’t move, even if I kick you, but when I give the word jump up and catch the largest one there.” The Wildcat agreed and stretched out as if dead, while the Rabbit gathered some rotten wood and crumbled it over his eyes and nose to make them look flyblown, so that the Turkeys would think he had been dead some time. Then the Rabbit went over to the Turkeys and said, in a sociable way, “Here, I’ve found our old enemy, the Wildcat, lying dead in the trail. Let’s have a dance over him.” The Turkeys were very doubtful, but finally went with him to where the Wildcat was lying in the road as if dead. Now, the Rabbit had a good voice and was a great dance leader, so he said, “I’ll lead the song and you dance around him.” The Turkeys thought that fine, so the Rabbit took a stick to beat time and began to sing: “ Gălăgi′na hasuyak′, Gălăgi′na hasuyak′ (pick out the Gobbler, pick out the Gobbler).” “Why do you say that?” said the old Turkey. “O, that’s all right,” said the Rabbit, “that’s just the way he does, and we sing about it.” He started the song again and the Turkeys began to dance around the Wildcat. When they had gone around several times the Rabbit said, “Now go up and hit him, as we do in the war dance.” So the Turkeys, thinking the Wildcat surely dead, crowded in close around him and the old gobbler kicked him. Then the Rabbit drummed hard and sang his loudest, “Pick out the Gobbler, pick out the Gobbler,” and the Wildcat jumped up and caught the Gobbler.
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting animals (Wildcat, Rabbit, Turkeys) as fully sentient, speaking agents with complex social interactions and personalities within the natural world.

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