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The Golden Verses of Pythagoras · 45 of 122 · tr. Florence M. Firth

Section 13 (part 12)

Ταῦτά μοι ἔσπετε Μοῦσαι, Ὀλύμπια δώματ᾽ ἔχουσαι [ἐξ ἀρχῆς, καὶ εἴπαθ᾽, ὅ τι πρῶτον γένετ᾽ αὐτῶν.] 115 Ἦ τοι μὲν πρώτιστα Χάος γένετ᾽, αὐτὰρ ἔπειτα Γαῖ᾽ εὐρύστερνος, πάντων ἕδος ἀσφαλὲς αἰεὶ [ἀθανάτων, οἳ ἔχουσι κάρη νιφόεντος Ὀλύμπου, Τάρταρά τ᾽ ἠερόεντα μυχῷ χθονὸς εὐρυοδείης,] ἠδ᾽ Ἔρος, ὃς κάλλιστος ἐν ἀθανάτοισι θεοῖσι, 120 λυσιμελής, πάντων δὲ θεῶν πάντων τ᾽ ἀνθρώπων δάμναται ἐν στήθεσσι νόον καὶ ἐπίφρονα βουλήν. Ἐκ Χάεος δ᾽ Ἔρεβός τε μέλαινά τε Νὺξ ἐγένοντο· Νυκτὸς δ᾽ αὖτ᾽ Αἰθήρ τε καὶ Ἡμέρη ἐξεγένοντο, οὓς τέκε κυσαμένη Ἐρέβει φιλότητι μιγεῖσα.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The Muses are depicted with human physical characteristics and actions, such as dancing on soft feet and washing their bodies.

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Infinite Cosmoscosmology

The doctrine of the universe as boundless and without center or circumference, populated by innumerable worlds — Bruno's rejection of the closed Aristotelian sphere; the divine and the cosmos as ontologically infinite.

The passage explicitly describes the sea as 'boundless' and the heaven as 'wide', reflecting a concept of vast or boundless cosmic dimensions.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

[auto] The passage explicitly describes the Muses washing in the springs of Permessus or Hippocrene before dancing around the altar of Cronus.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The invocation of the Muses by their specific origin (Heliconian) functions as a formulaic call to divine authority for the poem.

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Related passages · 8 parallels
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The primal idea of Pythagoras, which Bruno worked out to a more distinct development is this: numbers are the beginning of things; in other words numbers are the cause of the existence of material things; they are not final, but are always…”
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Bruno also wrote a book upon the Sphere, which was lost. He expounded the system of Copernicus, and talked to his pupils with enthusiasm about the movement of the earth and of the plurality of worlds. As in that same Liguria Columbus firs…”
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The Rubric had, in fact, so far back as B.C. 2600, become a traditional magical formula of a most powerful character, and it must have been composed at the time when the abode of the blessed was supposed to resemble the "great field" in wh…”
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Enough must be hinted, however, to reveal what, under certain circumstances, may be experienced. I do not think it in the least likely, however, that the Qlippotic demons will be encountered save through the use of ceremonial magic. They…”
Shared concept: Sacred Names — Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice. (derived)
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For just as, supposing we were in thought to represent the soul itself in bodily shape, and represent this indivisible substance as surrounded by bodily parts, we should, in such a case, give the surrounding parts a different meaning suited…”
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The second, symbolized by Eye, is the origin of feminine Grace, of Authority. We have seen that Power and Authority find their equilibrium in Love. Each man, a reflected molecule of humanity made in its image, contains in himself an Adam,…”
Shared concept: Anthropomorphism — Attributing human characteristics, emotions, or form to the divine; embodied divine imagery. (derived)
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