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Pistis Sophia · 55 of 160 · tr. George Horner

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It happened therefore, the angels having gone down unto the Chaos, they with the effluence of Light, and also all the emanations of the Self-willed [127 ] with the emanation of the Adamas, they saw the effluence of Light enlightening greatly greatly, there being not measure unto the light which becometh from it, they feared and they let go of the Pistis Sophia: and the great effluence of Light surrounded the Pistis Sophia on every side of her on left of her and on right of her, and on every side of her, and it became a crown of light unto her head. It happened therefore, the effluence of Light having surrounded the Pistis Sophia, she was confident of heart greatly greatly, and it ceased not surrounding her on every side of her; and she feared not the emanations of the Self-willed, these which become in the Chaos, nor also she feared the other new [128 ] power of the Self-willed, this which he cast down unto the Chaos as an arrow flying; nor also she trembled at the demonic power of the Adamas, this which came out of the Aeons. And also by my command, I, the First Mystery who looked outward, enlightened greatly greatly my effluence of Light, this which surrounded the Pistis Sophia on every side of her. And the Pistis Sophia remained in the midst of the light, there being a great light on left of her and on right of her and on every side of her, and being also a crown unto her head: and all the emanations of the Self-willed changed not also their face, nor were they able to support the rush of the great [128 ] light of the effluence, this which became a crown unto her head. And all the emanations of the Self-willed, a multitude among them fell on right of her, because that she is enlightening greatly 70 greatly; and other multitudes fell on left of her, and they were not able to approach unto the Pistis Sophia at all, from the great light. Nevertheless they fell all upon one another (or they came all who are close to one another). And they were not able to do anything of evil to the Pistis Sophia, because that she was trusting unto the light. And through the command of my Father the First Mystery, who looked inward, I also, I came down unto the Chaos enlightening greatly greatly. [129 ] I came up to the power of face of lion, this (power) which was enlightening greatly, and I took away all its light which (is) in it, and I held down all the emanations of the Self-willed for them not to go unto their Place from this hour, which (is) the thirteenth Aeon. And I took away the power from all the emanations of the Self-willed: and they fell all in the Chaos being powerless. And I brought out the Pistis Sophia, being on (the) right of Gabriel with Mikhael. And the great effluence of Light, it went also in unto them; and filled her sight with her enemies the Pistis Sophia, because I took away their power of light from them, and I brought the Pistis Sophia out of the Chaos, she having trampled [129 ] upon the emanation of the Self-willed the face of serpent, and also she was trampling upon the emanation of face of basilisk having seven heads. And she is trampling upon the power of face of lion, with the face of dragon. I caused the Pistis Sophia to remain standing upon the emanation of the Self-willed, this which became of face of basilisk of serpent having seven heads, but it was being strong(er) than all of them in its evils.
Themes
Aeonscosmology

Divine archetypal beings or eternal attributes dwelling within the Pleroma, often arranged in male-female syzygies.

The text explicitly mentions Aeons and their emanations as sources of demonic power.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

Divine beings are described with human-like attributes such as faces (lion, serpent, basilisk), hands, and the ability to fall.

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Archonscosmology

Malevolent planetary rulers or demiurgic powers that govern the material world and obstruct the soul's ascent.

The text describes demonic powers and emanations that obstruct the Pistis Sophia and are overcome by divine light.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The Chaos is depicted as a realm of darkness and deficiency contrasting with the light.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The passage establishes a fundamental opposition between the enlightening Light and the demonic powers of the Chaos.

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Cosmogonycosmology

Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.

The narrative describes the descent of angels into Chaos and the subsequent illumination that brings order to the fallen powers.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Light is the central motif, described as an effluence that surrounds the Pistis Sophia and overcomes demonic powers.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text references emanations of the Self-willed and Adamas flowing from a higher source into the Chaos.

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Fall Of Sophiacosmology

The Gnostic myth of Wisdom's prolapse from the Pleroma — her unilateral desire or error producing the Demiurge and the entrapment of divine sparks in matter.

The Pistis Sophia is depicted as having been cast down into the Chaos by the Self-willed before being rescued by divine light.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text reveals a secret knowledge of the Pistis Sophia's liberation from the Chaos.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

The Pistis Sophia is described as being surrounded by light on every side and remaining in the midst of it.

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Kingdom Withinanthropology

The claim that the divine realm is present inside the individual, accessible without external mediation.

The Pistis Sophia remains in the midst of the light, suggesting the divine realm is accessible internally.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The Father and Son are depicted as active agents who command and descend into the Chaos to intervene directly.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

References to the 'First Mystery' imply a singular first principle from which emanations flow.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The Pistis Sophia is described as being surrounded by light and remaining in the midst of it, indicating a state of union with the divine.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The Pistis Sophia is described as being trampled by evil powers yet remaining unharmed.

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Pneumatic Electsoteriology

A spiritual elite who possess the divine spark and are predestined for salvation, contrasted with psychic (faithful) and hylic (material) persons.

The Pistis Sophia is distinguished from the fallen emanations and is rescued by divine command.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The Pistis Sophia is brought out of the Chaos and returned to the light through divine command.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The Pistis Sophia is described as being cleansed by the light and free from demonic fear.

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Separation From Sourcesoteriology

The felt condition of exile from one's divine origin — Rumi's reed flute torn from its bed, Plotinus's 'we have forgotten,' the Gnostic forgetfulness; the affective wound that complements return_to_source and gives the return its motive.

The Pistis Sophia is initially cast down into the Chaos and feared the emanations of the Self-willed.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The narrative depicts a movement from the fallen state in the Chaos back to the light through divine intervention.

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Related passages · 6 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 5 (part 3)
105 "From all eternity the light of God was lovely, sweet, and clear; but when God moved to create, the matrix (the foundation), with its fiery, dark, acrid and bitter qualities, became manifest; for the angels have been created out of that…”
Both passages describe a mystical battle between light and darkness, involving divine beings and their interactions with chaotic forces. They share themes of divine intervention, the power of light, and the triumph over evil, though they come from different religious traditions.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 5)
But when this took place the love in the light of God broke through that heaven of division and ignited the heat." ( Aurora , xxv. 68.) "God, the eternal light and the eternal will, shines within the darkness, and the darkness has captured…”
Both passages describe a divine light overcoming darkness and evil forces, with a central figure (Pistis Sophia in Passage A and divine Wisdom in Passage B) being protected and empowered by this light. They share themes of divine intervention, the triumph of light over darkness, and the transformation of evil forces.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXVI
LXVI. The Angels of the Waters bidden to hold them in Check . CHAPTER LXVI. 1. And after that he showed me the angels of punishment who are prepared to come and let loose all the powers of the waters which are beneath in the earth in order…”
Both passages describe a divine intervention involving angels or emanations of light to control or restrain chaotic forces. They share the theme of divine power subduing disorder, though they come from different mystical traditions.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXVII
p. 87 LXVII. God's Promise to Noah: Places of Punishment of the Angels and of the Kings . CHAPTER LXVII. 1. And in those days the word of God came unto me, and He said unto me: 'Noah, thy lot has come up before Me, a lot without blame, a lo…”
Both passages describe a divine intervention to rescue a figure (Pistis Sophia in Passage A and Noah in Passage B) from a chaotic or punitive situation, involving divine light and the subjugation of malevolent forces.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXIX (part 1)
LXIX. The Names and Functions of the ( fallen Angels and ) Satans: the secret Oath . CHAPTER LXIX. 1 And after this judgement they shall terrify and make them to tremble because they have shown this to those who dwell on the earth. 2 An…”
Both passages describe a conflict between divine and malevolent forces, with divine figures intervening to protect or rescue a figure (Pistis Sophia in Passage A and humanity in Passage B) from the influence of fallen angels or emanations of the Self-willed. The themes of light versus darkness and divine intervention are central to both texts.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXI
LXXI. Two earlier visions of Enoch . CHAPTER LXXI. 1. And it came to pass after this that my spirit was translated And it ascended into the heavens: And I saw the holy sons of God . They were stepping on flames of fire: Their garments were…”
Both passages describe a mystical vision involving divine light, angelic beings, and a central figure (Pistis Sophia in Passage A and Enoch in Passage B) who is protected and elevated by divine forces. They share themes of divine intervention, cosmic order, and the triumph of light over darkness.