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The Egyptian Heaven and Hell · 92 of 96 · tr. E.A. Wallis Budge

Chapter 29 (part 1)

p. 192 CHAPTER XIV. TWELFTH DIVISION OF THE TUAT. II. EASTERN VESTIBULE OF THE TUAT, OR THE ANTECHAMBER OF THE WORLD OF LIGHT ACCORDING TO THE BOOK AM-TUAT. THE TWELFTH DIVISION, or HOUR, Or CITY, is called KHEPER-KEKIU-KHAU-MESTU, the name of its Gate is THEN-NETERU, and the Hour-goddess is MAA-NEFERT-RA; it is the "uttermost limit of thick darkness," i.e., it is not a part of the Tuat proper, and it contains the great celestial watery abyss Nu, and the goddess NUT. who is here the personification of the "womb of the morning." So soon as the Sun-god passes from the thighs of Nut he will enter the Matet Boat, and begin his course in the world of light. We see AFU-RA in his Boat as before, and in the front of it is the Beetle of Khepera, under whose form the god is to be re-born. The space in front of the Boat is filled by the body of a huge serpent called ANKH-NETERU, which lives upon the rumblings of the earth, and from the mouth of which amakhiu , or loyal servants, go forth daily. Twelve amakhiu of RA now take hold of the tow-line, and entering in at p. 193 the tail of the serpent ANKH-NETERU draw AFU-RA and his Boat through its body, and bring him out at its mouth (vol. i., p. 263). During his passage through the serpent, the god transforms himself into Khepera and the twelve amakhiu who have been with him throughout his journey in the Tuat are, after they have passed out of the serpent's body, re-born on the earth each day. They enter the tail of the serpent as loyal servants, but, like their master, are transformed during their passage through its body, and they emerge from its mouth as "rejuvenated forms of RA" each day. They live on the earth during the day, but at sunset they rejoin their lord, and re-enter the Tuat; whilst they are upon earth to utter the name of the god is forbidden to them. The transformation of the dead Sun-god into the living Khepera having been effected, twelve goddesses step forward when he emerges from the serpent, and tow the great god into the sky, and lead him along the ways of the upper sky. "They bring with them the soft winds and breezes which accompany the dawn, and guide the god to SHU," who is the personification of the atmosphere and of whatever is in the vault of heaven. Of this god are seen (vol. i., p. 277) only the head and arms, and when the Beetle of Khepera comes to him, he receives him, and places the newly-born Sun-god in the opening in the centre of the semi-circular wall which ends this p. 194 vestibule of the world of light, where he is seen by the people on earth in the form of a disk. This disk either represents a transformation of the Sun-god effected by Shu, or the celestial ball containing the germs of life, of which the type on earth is the ball of eggs which the sacred beetle is seen rolling along the ground.
Themes
Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

References to the 'world of light,' the 'Disk of the god,' and the Sun-god Ra emphasize luminosity as a divine attribute.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The gods are portrayed as active agents who tow boats, attack monsters, and perform duties rather than abstract principles.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The passage depicts the maintenance of cosmic structure through gods who stablish domains and drive away chaos like Set and Apep.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The cosmology is structured by specific numbers of divisions, gods, and apes (e.g., Eleventh Division, four gods, twelve gods).

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

Deities and apes are described singing praises and shouting hymns of praise to the god.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The god passes out of the division to be received into the arms of Nu, the Sky-god, suggesting a return to a higher realm.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text mentions gods who give names to Ra and identifies the specific name of the monster serpent.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Deities are described with human or animal heads, bodies, and physical actions such as holding knives, sceptres, and disks.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] The conflict between the 'great god' and the fettered obstacle 'AFU-RA' represents an opposition between order and chaos.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly references the 'Book of Gates' and divisions of the 'Tuat', which are central texts for guiding souls through the afterlife.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text describes the 'great god' continuing a journey through specific afterlife realms (Tuat divisions), implying a guided passage.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The progression through the 'Eleventh Division' towards peace suggests a staged journey upward or forward through cosmic levels.

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Related passages · 4 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 1)
p. 198 CHAPTER X. THE CHRIST. "The inner element which holds the whole body of this world has become the eternal body of Christ; for the whole of Divinity in the word and heart of God has entered therein in eternity; and the same Divinit…”
Both passages describe a transformative journey of a divine being (the Sun-god in Passage A and Christ in Passage B) that involves rebirth and renewal, leading to a state of enlightenment or salvation. The passages share themes of transformation, divine intervention, and the renewal of life.
greek_mystery|Orphic Hymns|Hymn XLI. MISES (part 1)
XLI. TO MISES. The FUMIGATION from STORAX. Call Thesmophorus * , spermatic God, Of various names, who bears the leafy rod: Mises, ineffable, pure, sacred queen, Two-fold Iacchus, male and female seen: Illustr'ous, whether to rejoice is t…”
Both passages describe a divine transformation and rebirth process within their respective mystical traditions. The Orphic Hymn speaks of Mises as a two-fold deity with multiple aspects, while the Egyptian text describes the transformation of the Sun-god into Khepera. Both emphasize the cyclical nature of divine renewal and the interconnectedness of divine beings.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXII (part 1)
THE BOOK OF THE COURSES OF THE HEAVENLY LUMINARIES (LXXII-LXXXII.) LXXII. The Sun . CHAPTER LXXII. 1. The book of the courses of the luminaries of the heaven, the relations of each, according to their classes, their dominion and their s…”
Both passages describe the journey and transformation of a solar deity. Passage A details the rebirth of the Sun-god Ra through the serpent Ankh-Neteru, while Passage B outlines the courses and transformations of the Sun as it moves through various portals. Both emphasize the cyclical nature of the sun's journey and its renewal.
taoism|The Writings of Chuang Tzu (Inner Chapters)|Book 123 (part 1)
p. 164 THE WRITINGS OF KWANG-DZE. BOOK I. PART I. SECTION I. Hsiâo-yâo Yû, or 'Enjoyment in Untroubled Ease 1 .' 1. In the Northern Ocean there is a fish, the name of which is Khwän 2 ,--I do not know how many lî in size. It changes…”
Both passages describe a transformative journey of a divine being (the Sun-god in Passage A and the bird Pheng in Passage B) through a celestial realm, involving rebirth and renewal. They share themes of transformation, cosmic travel, and the interplay between different realms of existence.