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The Egyptian Heaven and Hell · 74 of 96 · tr. E.A. Wallis Budge

Chapter 21 (part 1)

p. 158 CHAPTER XI. SIXTH DIVISION OF THE TUAT. II. KINGDOM OF OSIRIS ACCORDING TO THE BOOK OF GATES. THE Boat of AFU-RA, having passed through the first five DIVISIONS of the Tuat, now, according to the BOOK OF GATES, arrives near the southern part of the Delta, and near the kingdom of Osiris, lord of Mendes and Busiris. Before, however, the god can enter it, he must pass through the Gate of the SIXTH DIVISION, which is called NEBT-AHA, and which is guarded by the monster serpent SET-EM-MAAT-F. In the Gate or close to it, is the JUDGMENT HALL of OSIRIS, and it is tolerably certain that no soul entered his kingdom without being weighed in the balance of the god. The scene in which the Hall is depicted is of great interest, for it is different in many important particulars from the representations of the Judgment which we find on papyri, even in those which belong to the period of the XVIIIth and XIXth Dynasties. All the texts which describe it are written in hieroglyphics, but in many of them the hieroglyphics have, as Champollion pointed p. 159 Click to view Nebseni being weighed against his heart . out, special and very unusual values, and the title "enigmatic writing" given to them by Goodwin is appropriate. In the ordinary Judgment Scenes we find that the heart of the deceased is weighed in the balance against the feather symbolic of Maat or righteousness, that the operation of weighing is carried out by Thoth and Anubis in the presence of the great gods, the owner of the heart himself sometimes looking on, that the gods accept and ratify the verdict of Thoth, and that the deceased is then led into the presence of Osiris by Horus. Sometimes the heart of the deceased is weighed against his whole body, as in the Papyrus of Nebseni, and at other times the pans of the scales only contain weights. In the scene before us the arrangement is quite different. Osiris is seated on a chair of state, and wears the crowns of the South and North united; in Nebseni being weighed against his heart. Click to view The Scales of Osiris, with weights . p. 160 his hands are the symbols of "life," and "rule," . His chair stands on a raised platform, on the nine steps of which stand the nine gods who form his company; beneath the feet of the god, perhaps under his platform, are the dead, i.e., the damned, or his enemies. The top of the Hall is protected with a row of spear beads, and from the ceiling hang four heads of gazelle, or oryges; according to a legend certain enemies of Osiris transformed themselves into these animals, and were slain by the god. On the platform, immediately in front of the god, stands THOTH, in the form of a mummy, and be serves as the standard of the balance; the object in the pan is being weighed against the symbol of "evil," , which it seems to counterbalance exactly. This being so, it seems that the wickedness of the deceased did not go beyond a recognized limit. ANUBIS, in the upper corner of the scene, addresses some words to THOTH, who bears the Balance on his shoulders. In the small boat near the Balance is a pig being beaten by an ape; 1 the name of the pig is AM-A, but neither his functions, nor those of the ape are clearly known.
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The text draws a parallel between the field-labourers in the Tuat and peasants in Egypt who carry similar sticks.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The passage references the 'secret path of AMENTET,' implying esoteric knowledge required for navigation.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The passage emphasizes maintaining order through proper rites and the duty of gods to avenge Osiris and overthrow his enemies.

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Ritual Firepraxis

Fire as medium of divine presence.

Fire is used by the uraei as a medium to illuminate the path and counteract darkness within the divine realm.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are described with human or animal forms, including mummies, rams, and goddesses like Isis.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly describes the journey of the Boat of Ra through specific divisions of the Tuat as outlined in the Book of Am-Tuat.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Deities are depicted as active agents who tow boats, slaughter enemies, and manifest physically within the narrative.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

[auto] The cosmology is structured around specific numbers such as Four Forms, nine Followers, and Four Rams representing divine entities.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text details a guided passage through afterlife realms via a boat towed by a company of gods and servants of Osiris.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] Specific divine names are assigned to the Division, Gate, and Hour-goddess, indicating their ontological significance in the cosmology.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The boat enters one of the most holy places in the Kingdom of Osiris, indicating a staged journey through underworld realms.

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Related passages · 2 parallels
greek_mystery|Orphic Hymns|Hymn XXVIII. PROSERPINE (part 2)
371, informs us, that, according to the Eleusinian mysteries, Proserpine together with Pluto, governs terrestrial concerns, and the recesses of the earth: that she supplies life to the extreme p. 155 parts of the universe, and imparts soul…”
Both passages describe mystical realms associated with the afterlife and deities who govern these realms. Passage A discusses the Egyptian underworld and the god Osiris, while Passage B describes the Roman goddess Proserpine and her role in the underworld. Both texts emphasize the divine control over life and death, and the sacred rituals associated with these deities.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|22. The Book Of Hermesf
חBalance, attraction and repulsion, life, terror, promise and threat. Hieroglyph, JUSTICE with sword and balance. ט Good, horror of evil, morality, wisdom. Hieroglyph, a sage leaning on his staff, holding a lamp in front of him and envel…”
Both passages describe a judgment scene involving a balance and divine figures. Passage A details the Egyptian judgment hall of Osiris where the heart of the deceased is weighed against the feather of Maat, while Passage B includes a description of the hieroglyph for JUSTICE with a sword and balance, symbolizing moral judgment. The shared theme of divine judgment and the use of a balance as a symbolic tool for determining righteousness or wickedness makes these passages genuine parallels.