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The Egyptian Heaven and Hell · 57 of 96 · tr. E.A. Wallis Budge

Chapter 12 (part 3)

The dwellers in the LAKE OF BOILING WATER entreat AFU-RA to come to them, saying, "Send forth thy light upon us, O thou great god who hast fire in thine eye" (vol. ii., p. 113). In answer, the god decrees that their food shall consist of loaves of bread and green, herbs, and that their beer shall be made from the kemtet plant. This plant has not as yet been accurately identified, but it is tolerably certain that it belonged to a species which was characteristic of the neighbourhood of the Lake. The beings who stand on the left hand of AFU-RA are divided into two groups: the first consists of nine men, and the second of nine gods, and each group is under the command of TEMU. Between TEMU and the first company, who are called TCHATCHA we see (vol. ii., p. 114) coiled the monster serpent APEP which has p. 130 collapsed as a result of the utterance of the word of power by TEMU. This serpent tried to envelop the boat of AFU-RA with its folds, and then to force a way into his boat; but the TCHATCHA, i.e., "Great Chiefs," cut open its head, and slit its body in many places, and its destruction was finished by TEMU. These TCHATCHA live upon the same food as Ra, but they also partake of the offerings made upon earth to KHENTI-AMENTI, the ancient god of the dead of Abydos. The nine gods who follow these are called NEBU-KHERT, and their duty is to repulse the serpents SEBA and AF (vol. ii., p. 115), and to enchant and to render helpless and motionless APEP when he attempts to force the gates of KHENTI-AMENTI. Their food is the same as that of the TCHATCHA, but they possess a power of a remarkable character (which is represented by the words "maat kheru"), for they know how to utter words in such a way, and with such a tone of voice, that the effect which they wish them to have must of necessity take place. Everything which Osiris possessed as god and judge of the dead he owed to the " maat kheru," or "word of maat ." As the god AFU-RA passes out of the THIRD DIVISION both the TCHATCHA and the NEBU-KHERT give themselves up to lamentation, and they return to the entrance, and wait for the re-appearance of his boat on the following night, when they will again attack SEBA, and AF, and APEP, and overcome them. The exact place which was set apart for the souls of human beings is nowhere described in the texts.
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The author explicitly links the underworld Lake of Boiling Water to an earthly geographical feature (Asphaltitis Lacus).

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Ra is explicitly credited with bringing light and revivification to the inhabitants of the shrines.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are described in mummied form and performing human-like actions such as bearing poles or guarding walls.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage describes the specific divisions and gates of the Tuat from the Book of Gates, which serves as a guide for navigating the afterlife.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text details gods taking the Boat in tow and guiding AFU-RA through protected passages of the underworld.

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Ritual Firepraxis

Fire as medium of divine presence.

[auto] Flames of fire proceeding from uraei serve as a protective and purifying medium within the sacred passage.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The passage states that the Gate opened and flames ceased specifically at the word of SA, indicating the ontological power of divine names.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The journey through the Third Division represents a staged progression of the solar deity toward renewal and rebirth.

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Related passages · 3 parallels
finnic|The Kalevala|Rune XVIf
Underneath Manala's fire-rock Are their ever-flaming couches, For their pillows hissing serpents, Vipers green their writhing covers, For their drink the blood of adders, For their food the pangs of hunger, Pain and agony their solace; If t…”
Both passages describe a realm of punishment or trial involving serpents and fiery elements. They share themes of divine intervention, specific foods and drinks, and the struggle against malevolent forces, indicating a conceptual parallel in their depiction of the afterlife.
mesopotamian|Enuma Elish: The Epic of Creation|1h
She recited an incantation, she pronounced her spell, And the gods of the battle cried out for their weapons. Then advanced Tiamat and Marduk, the counselor of the gods; To the fight they came on, to the battle they drew nigh. The lord sp…”
Both passages describe a divine battle against a serpentine or chaotic entity (Apep in Passage A and Tiamat in Passage B), involving the defeat and dismemberment of the creature by a deity (Af-Ra in Passage A and Marduk in Passage B). The themes of divine triumph over chaos and the establishment of order are central to both narratives.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe divine beings with powers over life, death, and the afterlife, and involve the use of incantations or words of power to achieve specific effects. They also share themes of divine judgment and the maintenance of cosmic order.