← Home
The Egyptian Book of the Dead (Papyrus of Ani) · 334 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 95)

see also Maspero, Hymne au Nil, publié et traduit d'après les deux textes A Musée Britannique , Paris, 1868. 4to. 2 Pyramid of Unas, l. 219; Pyramid of Teta, ll. 60, 286; Pyramid of Pepi I., ll. 444, 593, etc. 3. Pyramid of Pepi I., l. 593. 4. Recueil de Travaux , t. iii., p. 905 (l. 219 f.). 5. Ibid. , t. vii., p. 150 (ll. 261-63). 6 Ibid. , t. v., p. 10 (ll. 59 ff.). 7. ###. Ibid. , t. viii., p. 91 (l. 593). 8. Ibid. , t. vii., p. 167 (l. 444). 9. Ibid. , t. vii., p. 150 (l. 261).] {p. cxxv} body separately, and they placed them in four jars, each of which was devoted to the protection of one of the children of Horus, i.e. , to the care of one of the gods of the four cardinal points. The god of the north protected the small visceræ, the god of the east the heart and lungs, the god of the south the stomach and large intestines, and the god of the west the liver and gall-bladder. With these four gods four goddesses were associated, viz., Nephthys, Neith, Isis, and Selk or Serq. Connected with the god Horus are a number of mythological beings called Heru shesu [1] (or shemsu , as some read it), who appear already in the pyramid of Unas in connection with Horus and Set in the ceremony of purifying and "opening the mouth"; and in the pyramid of Pepi I. it is they who wash the king and who recite for him the "Chapter of those who come forth," and the "[Chapter of] those who ascend."[2] In the judgment scene in the Book of the Dead, grouped round the pan of the balance which contains the heart of the deceased (see Plate III.), are three beings in human form, who bear the names Shai , Renenet , and Meskhenet . Shai is the personification of destiny, and Renenet fortune; these names are usually found coupled. Shai and Renenet are said to be in the hands of Thoth, the divine intelligence of the gods; and Rameses II. boasts that he himself is "lord of Shai and creator of Renenet."[3] Shai was originally the deity who "decreed" what should happen to a man, and Renenet, as may be seen from the pyramid texts,[4] was the goddess of plenty, good fortune, and the like; subsequently no distinction was made between these deities and the abstract ideas which they represented. In the papyrus of Ani, Shai stands by himself near the pillar of the Balance, and Renenet is accompanied by Meskhenet , who appears to be the personification of all the conceptions underlying Shai and Renenet and something else besides. In the story of the children of Ra, as related in the Westcar papyrus, we find the goddess Meskhenet mentioned with Isis, Nephthys, Heqet, and the god Khnemu as assisting at the birth of children. [1. Recueil de Travaux , t. iii., p. 182 (l. 17). 2. ###, etc. Ibid. , t. vii., p. 170 (l. 463). 3. See Maspero, Romans et Poésies du Papyrus Harris , No.
Themes
Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

The text describes Hapi via negation, stating he cannot be sculptured, made manifest in images, or known in his mystery.

All passages →
Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

Hapi is characterized as the 'great and unknown God' whose place cannot be known and who remains within mystery.

All passages →
Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

The deceased's body parts (arms and legs) are identified with specific gods who represent the quarters of the world and cardinal points.

All passages →
Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The text emphasizes the number four regarding the Children of Horus and their association with the four quarters of the world.

All passages →
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

[auto] Egyptians are described as living in imagination on the banks of the heavenly Nile and depicting heaven to themselves through mental imagery.

All passages →
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage explicitly describes the Nile god Hapi as a man with female breasts, attributing human form and characteristics to the divine.

All passages →
Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage discusses the approach to the material heaven via the Nile stream within the context of the Egyptian Book of the Dead.

All passages →
Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The Four Children of Horus are described as accompanying the deceased as guides into the other world, protecting him and removing hunger and thirst.

All passages →
Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] The text states that Hapi was identified with all the gods of Egypt in turn, suggesting a unified divine reality encompassing multiple deities.

All passages →
Related passages · 1 parallel
neoplatonism|Select Works of Plotinus|Select Works, Section 301
Section 14 14. Thus it comes about that this kosmos, lit with many lights, gleaming in its souls, receives still further graces, gifts from here and from there, from the gods of the Supreme, and from those other Intellectual-Principles whos…”
Both passages discuss the concept of divine beings and their representation. Passage A describes the Egyptian belief in the Nile god Hapi and its attributes, while Passage B discusses the ancient sages' insight into securing the presence of divine beings through shrines and statues. Both texts explore the idea of divine presence and representation in the material world.