← Home
The Egyptian Book of the Dead (Papyrus of Ani) · 316 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 77)

The reader has now before him the main points of the evidence concerning the Egyptians' notions about God, and the cosmic powers and their phases, and the anthropomorphic creations with which they peopled the other world, all of which have been derived from the native literature of ancient Egypt. The different interpretations which different Egyptologists have placed upon the facts demonstrate the difficulty of the subject. Speaking generally, the interpreters may be divided into two classes: those who credit the Egyptians with a number of abstract ideas about God and the creation of the world and the future life, which are held to be essentially the product of modern Christian nations; and those who consider the mind of the Egyptian as that of a half-savage being to whom occasional glimmerings of spiritual light were vouchsafed from time to time. All eastern nations have experienced difficulty in separating spiritual from corporeal conceptions, and the Egyptian is no exception to the rule; but if he preserved the gross idea of a primeval existence with the sublime idea of God which he manifests in writings of a later date, it seems that this is due more to his reverence for hereditary tradition than to ignorance. Without attempting to decide questions which have presented difficulties to the greatest thinkers among Egyptologists, it may safely be said that the Egyptian whose mind conceived the existence of an unknown, inscrutable, eternal and infinite God, who was One-whatever the word One may mean here and who himself believed in a future life to be spent in a glorified body in heaven, was not a being whose spiritual needs would be satisfied by a belief in gods who could eat, and drink, love and hate, and fight and grow old and die. He was unable to describe the infinite God, himself being finite, and it is not surprising that he should, in some respects, have made Him in his own image. [1. The variant version has, "I brought into my own mouth my name as a word of power, and I straightway came into being." 2 The papyrus from which these extracts are taken is in the British Museum, No. 10188. A hieroglyphic transcript and translation will be found in Archæologia , vol. lii., pp. 440-443. For the passages quoted see Col. 26, l. 22; Col. 27, l. 5; and Col. 28, l. 20; Col. 29, l. 6.] {p. ci} THE ABODE OF THE BLESSED. The Egyptian heaven. The gods of the Egyptians dwelt in a heaven with their ka's , and khu's , and shadows, and there they received the blessed dead to dwell with them. This heaven was situated in the sky, which the Egyptians believed to be like an iron ceiling, either flat or vaulted, and to correspond in extent and shape with the earth beneath it. This ceiling was rectangular, and was supported at each corner by a pillar; in this idea, we have, as M. Maspero has observed, a survival of the roof-tree of very primitive nations. At a very early date the four pillars were identified with "the four ancient khu's who dwell in the hair of Horus,"[1] who are also said to be "the four gods who stand by the pillar-sceptres of heaven."[2] These four gods are "children of Horus,"[3] and their names are Amset, Hapi, Tuamautef, and Qebhsennuf.[4] They were supposed to preside over the four quarters of the world, and subsequently were acknowledged to be the gods of the cardinal points. The Egyptians named the sky or heaven pet . A less primitive view made the heavens in the form of the goddess Nut who was represented as a woman with bowed body whose hands and feet rest on the earth. In this case the two arms and the two [1. ###.
Themes
Aeonscosmology

Divine archetypal beings or eternal attributes dwelling within the Pleroma, often arranged in male-female syzygies.

[auto] The Eight are presented as primeval divine archetypal beings arranged in male-female syzygies dwelling in the primordial realm.

All passages →
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The deities are explicitly described as appearing in human forms as well as animal forms like apes, frogs, and serpents.

All passages →
Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The passage details the birth of light from the waters and the sun giving birth to itself as a primary creative act.

All passages →
Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

[auto] The text outlines a cosmogonic chain flowing from primeval waters and Thoth down to Ra and the Ennead through distinct stages.

All passages →
Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] Thoth is described as divine intelligence whose word commands reality into existence, functioning as the ordering principle of creation.

All passages →
Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

[auto] The cosmology is structured around the number eight and four pairs of deities representing fundamental elements.

All passages →
Related passages · 8 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 4)
Then in the spirit of external nature there originated a male and a female kind—namely, in the fiery Mercury the male, and in the watery the female one." ( Clavis , 86.) "On the third day the fiery and the watery Mercury have again entered…”
Both passages describe a creation process involving the interaction of primordial elements, with a focus on the emergence of light and life from chaotic, watery origins. They share themes of divine intervention and the generation of life through a sequence of events involving male and female principles.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 6)
"The configuration of Sem descended upon Abraham and Isaac, for there the Word of the covenant was manifested and contained within the sound; but Japhet's configuration went through the wisdom of nature in the realm of nature, and from that…”
Both passages discuss the concept of divine creation and the descent of different races or beings from primordial elements. They explore the idea of a divine order and the manifestation of divine will through various entities, showing a conceptual parallel in their mystical interpretations of creation and lineage.
jewish_mysticism|The Book of Concealed Mystery (Siphra Dtzenioutha)|1g
The four wheels are their correlatives under the second Sephira, on their four sides--namely, the four elements of the air, fire, water, and earth, which are the abodes of the spirits of the elements, the sylphs, salamanders, undines, and g…”
Both passages describe a creation myth involving divine beings and elements. They share themes of primordial elements, divine intelligence, and the emergence of order from chaos, but they are rooted in different mystical traditions (Egyptian and Kabbalistic).
jewish_mysticism|Sefer Yetzirah (The Book of Formation)|Section 1d
Resh, predominant in peace, crowned, combined, and formed Saturn in the Universe, the sixth day of the week, and the left nostril in man. Tau, predominant in beauty, crowned, combined and formed Jupiter in the Universe, the seventh day in…”
Both passages describe the creation of the world and its elements through divine actions and the use of fundamental components. They share a common theme of divine creation and the organization of the cosmos through specific entities or letters.
neoplatonism|Iamblichus: On the Mysteries|Chapter IV
These things, therefore, having been accurately discussed, the solution of the doubts which you have met with in certain books will be manifest. For the books which are circulated under the name of Hermes contain Hermaic opinions, though th…”
Both passages discuss the mystical and theological concepts of ancient Egyptian traditions, particularly focusing on the nature of the divine, the structure of the cosmos, and the afterlife. They both explore the idea of a higher, abstract God alongside more anthropomorphic deities and the challenges in interpreting these concepts.
platonism|Plato: Timaeus|Section 1o
To know or tell the origin of the other divinities is beyond us, and we must accept the traditions of the men of old time who affirm themselves to be the offspring of the gods-that is what they say-and they must surely have known their own…”
Both passages discuss the cosmological and theological beliefs of ancient civilizations, specifically the Egyptians and the Greeks. They explore the concepts of divine creation, the nature of gods, and the structure of the universe, showing a genuine conceptual parallel in their mystical traditions.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|10. The Key Of Occultismb
The sphinxes of Ezekiel are identical with those of the sanctuary and the ark, being a fourfold reproduction of the Egyptian Tetrad; the wheels revolving in one another are the harmonious spheres of Pythagoras; the new temple, the plan of w…”
Both passages discuss the universal nature of religious symbolism and the underlying unity of different religious traditions. They explore the idea that diverse religious symbols and doctrines ultimately point to a single, universal truth, reflecting a shared insight across different mystical traditions.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|17. The Writing Of The Starsb
It was included in the work of Montfaucon on the religions and superstitions of the world, and also in the treatise upon Magic published by the mystic Eckartshausen. Scholars, moreover, are not agreed upon the configuration of the letters…”
Both passages explore the interpretation of celestial phenomena through mystical and symbolic lenses, highlighting how different cultures attribute meaning to the stars and heavens. They share a conceptual parallel in the idea that celestial bodies are a mirror of human thought and cultural symbolism.