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The Egyptian Book of the Dead (Papyrus of Ani) · 180 of 357 · tr. E.A. Wallis Budge

Chapter 23 (part 2)

9. Var., ###. 10. Var., "Them may the gods resist, and all the company of my gods, and all the company of their gods." 11. Many papyri omit Tmu. 12. Birch, "on the lap of his mother"; Pierret, "en haut de la cuisse de sa mère." 13. I.e. , the sky.] hyenas.[1] Behold, I gather together the charm from every place where it is and from every man with whom it is,[2]' swifter than greyhounds and fleeter than light. (4) Hail thou who towest along the makhent boat of Ra, the stays of thy sails and of thy rudder are taut in the wind as thou sailest over the Lake of Fire in Neter-khert. Behold, thou gatherest together the charm (5) from every place where it is and from every man with whom it is, swifter than greyhounds and fleeter than light, [the charm] which createth the forms of existence from the (6) mother's thigh (?) and createth the gods from (or in) silence, and which giveth the heat of life unto the gods.[3] Behold, the charm is given unto me from wheresoever it is [and from him with whom it is], swifter than greyhounds and fleeter than light," or, (as others say), " fleeter than a shadow." Appendix: The following chapter, which generally appears in other early copies of the Book of the Dead, is closely connected with the preceding chapter. It is here taken from the Papyrus of Nebseni. (1) [CHAPTER XXV.] THE CHAPTER OF CAUSING THE DECEASED TO REMEMBER HIS (2) NAME IN NETER-KHERT. [He saith]: "May my name be given unto me in the great Double House, and may I remember my name in the House of Fire on the (3) night of counting the years and of telling the number of the months. I am with the Holy One, and I sit on the eastern side of heaven. If any god advanceth unto me, (4) forthwith I proclaim his name." Vignette: The scribe Ani, clothed in white, and with his heart in his right hand, addressing the god Anubis.[4] Between them is a necklace of several rows of [1. Var. behiu , an animal which is identified with the hyaena croenta by Hartmann (see Aeg. Zeit., 1864, p. 12, Col. 2). 2. Reading with the Nebseni papyrus ###. 3. Here the text is different from any given by Naville. The chief variants are ###, "which createth the gods from (or in) silence, and which maketh them powerless"; and ### "which maketh the gods to speak [from being] silent, and which maketh them speechless." 4. In the vignettes of this chapter published by M. Naville ( Todtenbuch , Bd. I., Bl. 38) the deceased is represented: (1) seated, and addressing his heart, which stands on a support; (2) standing, holding in his hands a heart, which he offers to three deities. Another vignette represents a priest tying a heart on to a statue of the deceased; and in the late recension of the Book of the Dead published by Lepsius (Bl.
Themes
Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

Gathering charms from every place and man implies accessing esoteric knowledge reserved for the initiated.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] References to creation from the 'mother's thigh' and gods having physical forms attribute human characteristics to the divine.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] This passage is from the Book of the Dead, explicitly providing spells and instructions for navigating the afterlife.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Ra is shown actively towing a boat, and the gods are described as receiving the heat of life.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text describes sailing on Ra's boat over the Lake of Fire, indicating a guided passage through cosmic realms.

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Ritual Firepraxis

Fire as medium of divine presence.

[auto] The journey takes place over the 'Lake of Fire,' presenting fire as a significant element of the divine landscape.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The 'charm' is depicted as a formula with ontological power that creates existence and gives life to gods.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] Sailing on Ra's boat implies a progression through heavenly or dangerous realms toward safety and life.

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