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The Egyptian Book of the Dead (Papyrus of Ani) · 103 of 357 · tr. E.A. Wallis Budge

Chapter 10 (part 18)

The charms against serpents in the pyramid texts of the Vth and VIth dynasties have their equivalents in the XXXIst and XXXIIIrd Chapters of the Book of the Dead, which are found on coffins of the XIth and XIIth dynasties;[2] and in the XVIIIth dynasty we find vignettes in which the deceased is depicted in the act of spearing a crocodile[3] and of slaughtering serpents.[4] In the Theban and Saïte versions are several small chapters[5] the recital of which drove away reptiles; and of these the most important is the XXXIXth Chapter, which preserved the deceased from the attack of the great serpent Apef or Apep, who is depicted with knives stuck in his folds.[7] In the period of the later dynasties a service was performed daily in th temple of Amen-Ra at Thebes to deliver the Sun-god from the assault of this fiend and on each occasion it was accompanied by a ceremony in which a waxen figure of Apep was burnt in the fire; as the wax melted, so the power of Apep was destroyed. Another name of Apep was Nak, who was pierced by the lance of th eye of Horus and made to vomit what he had swallowed.[9] The Devourer of the Dead The judgment scene in the Theban edition of the Book of the Dead reveal the belief in the existence of a tri-formed monster, part crocodile, part lion, and [1. Maspero, Recueil de Travaux , t. iii., p. 220. 2. Goodwin, Aeg. Zeitschrift , 1866, p. 54; see also Lepsius, Aelteste Texte , Bl. 35, l. 1 ff. 3. Naville, Todtenbuch , Bd. I., Bl. 44. 4. Ibid. , Bd. I., Bl. 46. 5. I.e. , chapp. 32, 34, 35, 36, 37, 38, etc. 6. For the text see Naville, Todtenbuch , Bd. I., Bl. 53; and Lepsius, Todtenbuch , Bl. 18. 7. See Lanzone, Dizionario , p. 121. 8. The service for the Overthrowing of Apepi is printed in Archæologia , vol. lii., pp. 393-608. 9. ###. Grébaut, Hymne, p. 10.] {p. cxxx} part hippopotamus, whom the Egyptians called Am-mit, i.e. , "the eater of the Dead," and who lived in Amenta; her place is by the side of the scales wherein the heart is weighed, and it is clear that such hearts as failed to balance the feather of Maat were devoured by her. In one papyrus she is depicted crouching by the side of a lake.[1] Other types of evil were the insect Apshai, [2]confounded in later times with the tortoise[3], which dies as Ra lives;[4] the crocodile Sebak, who afterwards became identified with Ra; the hippopotamus, the ass, etc . The devils of the underworld.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

Deities and monsters are depicted with human or animal forms, such as the tri-formed monster Am-mit (crocodile, lion, hippopotamus).

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text outlines a clear opposition between the Sun-god Ra (order) and the serpent Apep (chaos/evil).

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

The efficacy of the wax figure ritual ('as the wax melted, so the power of Apep was destroyed') relies on sympathetic magic principles.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The text mentions the recital of chapters and daily services performed in the temple to drive away reptiles.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

The passage details the deceased's journey through the underworld, facing monsters and judgment scenes.

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Ritual Firepraxis

Fire as medium of divine presence.

Fire is used as a medium in the ceremony where a waxen figure of Apep is burnt to destroy his power.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage notes that Apep had another name (Nak) used in the context of charms and piercing.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

Rituals such as burning a wax figure of Apep to destroy his power exemplify engaging divine powers through material symbols.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The text focuses on the Book of the Dead and rituals guiding the deceased through dangers like serpents and judgment in the afterlife.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

[auto] The passage explicitly describes the weighing of the heart against the feather of Maat as a central element of the judgment scene.

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Related passages · 3 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 4)
Therefore the Word and the bruiser of the head of the serpent did not enter into form within their souls; but it stood within the mind to oppose the devils and the kingdom of hell with those that were willing to surrender themselves to it."…”
Both passages discuss the concept of a serpent or serpent-like entity representing evil or negative forces. The Egyptian Book of the Dead describes the serpent Apep and other evil creatures, while the second passage refers to the 'bruiser of the head of the serpent' and the 'monster-serpent of false desire,' indicating a parallel in the symbolic use of serpents to represent evil and the struggle against it.
neoplatonism|Iamblichus: On the Mysteries|Chapter VIIIŽ
But the Egyptians honoured the asp, the weasel, and the beetle, in consequence of observing in them certain dark resemblances of the power of the Gods, like that of the sun in drops of water. For at present, many believe and assert that th…”
Both passages discuss the symbolic significance of animals in Egyptian religion, particularly serpents and other creatures. They explore the mystical and divine associations attributed to these animals, reflecting a shared theme of animal symbolism in religious contexts.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|Introductione
Here is the common translation of the sacred text: “Now, the serpent was more subtle than any beast of the field which the Lord God had made.” But this is what Moses says: This signifies, according to the version of Fabre d'Olivet: “Now, or…”
Both passages discuss the role of serpents or serpent-like creatures as symbols of evil or chaos within their respective religious traditions. The Egyptian passage describes Apep, a serpent-like monster, and other evil creatures in the underworld, while the second passage discusses the serpent as a symbol of original attraction and the universal agent of natural forces. Both texts explore the concept of combat with chaotic forces, aligning with the mytheme of theomachy.