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The Egyptian Book of the Dead (Papyrus of Ani) · 77 of 357 · tr. E.A. Wallis Budge

Chapter 8 (part 7)

The sacred Form, beloved, terrible and mighty in his two risings (?), the lord of space, the mighty one of the form of Khepera, who came into existence through Khepera, the lord of the form of Khepera; when he came into being nothing existed except himself. He shone upon the earth from primeval time [in the form of] the Disk, the prince of light and radiance. He giveth light and radiance. He giveth light unto all peoples. He saileth over heaven and never resteth, and on the morrow his vigour is stablished as before; having become old [to-day], he becometh young again to-morrow. He mastereth the bounds of eternity, he goeth roundabout heaven, and entereth into the Tuat to illumine the two lands which he hath created. When the divine ( or mighty) God,[6] moulded himself, the heavens and the earth were made by his [1. The literature relating to the fragment of the Sallier papyrus recording this fact is given by Wiedemann, Aegyptische Geschichte , p. 299. 2 The hieratic text is published, with a hieroglyphic transcript, by Maspero, Mémoires publiés par les Membres de la Mission Archéologique Française au Caire , t. i., p. 594 ff., and pll. 25-27. 3 A district of Thebes on the east bank of the Nile, the modern Karnak. 4 See within, p: xcvii. 5. ###. 6. ### neter netra . M. Maspero translates "dieu exerçant sa fonction de dieu, dieu en activité de service," or "dieu déisant."] {p. cvi} conception.[1] He is the prince of princes, the mightiest of the mighty, he is greater than the gods, he is the young bull with sharp pointed horns, and he protecteth the world in his great name 'Eternity cometh with its power and bringing therewith the bounds (?) of everlastingness.' He is the firstborn god, the god who existed from the beginning, the governor of the world by reason of his strength, the terrible one of the two lion-gods,[2] the aged one, the form of Khepera which existeth in all the gods, the lion of fearsome glance, the governor terrible by reason of his two eyes,[3] the lord who shooteth forth flame [therefrom] against his enemies. He is the primeval water which floweth forth in its season to make to live all that cometh forth upon his potter's wheel.[4] He is the disk of the Moon, the beauties whereof pervade heaven and earth, the untiring and beneficent king, whose will germinateth from rising to setting, from whose divine eyes men and women come forth, and from whose mouth the gods do come, and [by whom] food and meat and drink are made and provided, and [by whom] the things which exist are created. He is the lord of time and he traverseth eternity; he is the aged one who reneweth his youth he hath multitudes of eyes and myriads of ears; his rays are the guides of millions of men he is the lord of life and giveth unto those who love him the whole earth, and they are under the protection of his face. When he goeth forth he worketh unopposed, and no man can make of none effect that which he hath done.
Themes
Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

The deity is described as the 'governor of the world' who provides food and protection to those who love him.

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Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

The assertion that 'nothing existed except himself' prior to creation implies an undivided, simple divine nature.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text notes that 'from whose mouth the gods do come', implying a flow of divine beings from the supreme source.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

The creative power of speech is hinted at with 'from whose mouth the gods do come'.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

As an Egyptian text, it references the 'bounds of eternity' and the deity as 'governor of the world', reflecting the principle of cosmic order.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The passage is structured as a liturgical hymn addressing and praising the divine.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage invokes specific divine designations such as 'Khepera' and 'lord of space' which carry ontological significance.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The divine is described with human-like attributes such as age ('becometh old'), youth ('becometh young'), and physical action ('moulded himself').

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The passage centrally focuses on the deity as the 'prince of light and radiance' who giveth light to all peoples and illumines the lands.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] As part of the Book of the Dead, this text describes the deity's movement through the Tuat to illumine the afterlife realms.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The deity is depicted as active and dynamic, sailing over heaven, never resting, and renewing his vigour daily.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

[auto] The text describes a singular first principle stating 'when he came into being nothing existed except himself'.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] The passage implies a singular source of existence where 'nothing existed except himself' before creation.

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Related passages · 9 parallels
greek_mystery|Orphic Hymns|Front Matter, p. 4 (part 6)
34 all things, and yet as separate and apart from all; as the source of all multitude, yet himself perfect unity; and as immensly prolific, yet divinely solitary and ineffably good. Thus, according to Porphyry m , explaining the properties…”
Both passages describe a supreme deity as the creator and sustainer of the universe, embodying all things and possessing eternal, youth-renewing qualities. The passages share a mystical reverence for the divine, portraying the deity as the source of light, life, and order.
greek_mystery|Orphic Hymns|Hymn III. HEAVEN
III. TO HEAVEN. The FUMIGATION from FRANKINCENSE. GREAT Heav'n, whose mighty frame no respite knows, Father of all, from whom the world arose: Hear, bounteous parent, source and end of all, Forever whirling round this earthly ball; Abode of…”
Both passages describe a divine being as the source and sustainer of the universe, emphasizing its eternal nature and its role in creation and renewal. The Orphic Hymn to Heaven and the Egyptian text about the solar deity both depict a supreme, all-encompassing force that governs the cosmos and provides light and life.
greek_mystery|Orphic Hymns|Hymn VII. THE SUN
VII. TO THE SUN. The FUMIGATION from FRANKINCENSE and MANNA. HEAR golden Titan, whose eternal eye With broad survey, illumines all the sky. Self-born, unwearied in diffusing light, And to all eyes the mirrour of delight: Lord of the seasons…”
Both passages describe a divine being associated with the sun, emphasizing its role as a source of light, life, and creation. They share themes of eternal existence, renewal, and divine power, reflecting a common mystical reverence for the sun across different traditions.
greek_mystery|Orphic Hymns|Hymn X (part 1)
X. TO PAN * The FUMIGATION from VARIOUS ODORS I Call strong Pan, the substance of the whole, Etherial, marine, earthly, general soul, Immortal fire; for all the world is thine, And all are parts of thee, O pow'r divine. p. 131 Come, bles…”
Both passages describe a divine being as the creator and sustainer of the universe, emphasizing its eternal nature and the provision of light and life. The passages share a mystical reverence for a supreme, all-encompassing deity.
greek_mystery|Orphic Hymns|Hymn X (part 2)
For the World is one, and only-begotten. Opusc. Mythol. p. 203. 131:17 Ver. 17] The sportive nymphs . This is because Pan rejoices in the exhalations produced from humid substances; without which the world cannot subsist. Phurnutus…”
Both passages describe a divine being as the creator and sustainer of the universe, emphasizing its eternal nature and the provision of light and life. The passages share a similar reverence for a deity that encompasses and governs all aspects of existence.
greek_mystery|Orphic Hymns|Hymn XI. HERCULES (part 1)
XI. TO HERCULES. The FUMIGATION from FRANKINCENSE. HEAR, pow'rful, Hercules untam'd and strong, To whom vast hands, and mighty works belong, Almighty Titan, prudent and benign, Of various forms, eternal and divine, Father of Time, the th…”
Both passages describe a divine being as the source of light, life, and creation, emphasizing the deity's eternal nature and role in governing the world. The passages share themes of divinity, creation, and the cyclical nature of existence, reflecting a conceptual parallel in their mystical traditions.
greek_mystery|Orphic Hymns|Hymn XXXVIII. CORYBAS * The FUMIGATION from FRANKINCENSE
XXXVIII. TO CORYBAS * The FUMIGATION from FRANKINCENSE. THE mighty ruler of this earthly ball, For ever flowing, to these rites I call; p. 170 Martial and blest, unseen by mortal sight, Preventing fears, and pleas'd with gloomy night: Hence…”
Both passages describe a divine being associated with creation, transformation, and cosmic order. The Orphic Hymn to Corybas emphasizes the divine's role in allaying fears and transforming the earth, while the Egyptian text describes the divine as a creator and sustainer of the world, renewing youth and providing life. Both texts highlight the divine's power and transformative nature.
greek_mystery|Orphic Hymns|Hymn LXIII. LAW A HYMN
LXIII. TO LAW A HYMN. THE holy king of Gods and men I call, Celestial Law, the righteous seal of all; The seal which stamps whate'er the earth contains, Nature's firm basis, and the liquid plains: Stable, and starry, of harmonious frame, 5…”
Both passages describe a divine principle that governs the universe and provides order and light. The Orphic Hymn emphasizes Law as the righteous seal and basis of nature, while the Egyptian text describes the divine creator as the source of light and order, governing the world with eternal power.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|Second Dialoguef
[P] Number is, as the great writer (Balzac) thought, an Entity, and at the same time, a Breath emanating from what he called God, and what we call the ALL, the breath which alone could organize the physical Kosmos.—("The Secret Doctrine.")…”
Both passages describe a divine entity that is the source of creation, light, and life. They emphasize the eternal and renewing nature of this divine being, which governs the cosmos and is beyond human comprehension.