← Home
The Mabinogion · 13 of 192 · tr. Lady Charlotte Guest

Tale THE LADY OF THE FOUNTAINh

And following the train, he beheld a lady with yellow hair falling over her shoulders, and stained with blood; and about her a dress of yellow satin, which was torn. Upon her feet were shoes of variegated leather. And it was a marvel that the ends of her fingers were not bruised, from the violence with which she smote her hands together. Truly she would have been the fairest lady Owain ever saw, had she been in her usual guise. And her cry was louder than the shout of the men, or the clamour of the trumpets. No sooner had he beheld the lady, than he became inflamed with her love, so that it took entire possession of him. Then he inquired of the maiden who the lady was. “Heaven knows,” replied the maiden, “she may be said to be the fairest, and the most chaste, and the most liberal, and the wisest, and the most noble of women. And she is my mistress; and she is called the Countess of the Fountain, the wife of him whom thou didst slay yesterday.” “Verily,” said Owain, “she is the woman that I love best.” “Verily,” said the maiden, “she shall also love thee not a little.” And with that the maid arose, and kindled a fire, and filled a pot with water, and placed it to warm; and she brought a towel of white linen, and placed it around Owain’s neck; and she took a goblet of ivory, and a silver basin, and filled them with warm water, wherewith she washed Owain’s head. Then she opened a wooden casket, and drew forth a razor, whose haft was of ivory, and upon which were two rivets of gold. And she shaved his beard, and she dried his head, and his throat, with the towel. Then she rose up from before Owain, and brought him to eat. And truly Owain had never so good a meal, nor was he ever so well served. When he had finished his repast, the maiden arranged his couch. “Come here,” said she, “and sleep, and I will go and woo for thee.” And Owain went to sleep, and the maiden shut the door of the chamber after her, and went towards the Castle. When she came there, she found nothing but mourning, and sorrow; and the Countess in her chamber could not bear the sight of any one through grief. Luned came and saluted her, but the Countess answered her not. And the maiden bent down towards her, and said, “What aileth thee, that thou answerest no one to-day?” “Luned,” said the Countess, “what change hath befallen thee, that thou hast not come to visit me in my grief? It was wrong in thee, and I having made thee rich; it was wrong in thee that thou didst not come to see me in my distress. That was wrong in thee.” “Truly,” said Luned, “I thought thy good sense was greater than I find it to be. Is it well for thee to mourn after that good man, or for anything else, that thou canst not have?” “I declare to heaven,” said the Countess, “that in the whole world there is not a man equal to him.” “Not so,” said Luned, “for an ugly man would be as good as, or better than he.” “I declare to heaven,” said the Countess, “that were it not repugnant to me to cause to be put to death one whom I have brought up, I would have thee executed, for making such a comparison to me.
Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The Countess of the Fountain and her servant Luned reflect the Celtic tradition of spirits inhabiting landscape features like wells and castles, embodying the localized divine.

All passages →
Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

Owain undergoes washing and shaving before meeting the supernatural Countess, mirroring purification rites required for sacred or otherworldly encounters.

All passages →