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Tertium Organum (P.D. Ouspensky) · 27 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Chapter III (part 2)

In analogy with all this, the solid, in order to leave as the tracing of its movement, the four-dimensional figure (hypersolid) shall move in a direction not confined in it; or in other words it shall come out of itself, set off from itself , move in a direction which is not present in it. Later on it will be shown in what manner we shall understand this. p. 36 But for the present we can say that the direction of the movement in the fourth dimension lies out of all those directions which are possible in a three-dimensional figure . We consider the line as an infinite number of points; the surface as an infinite number of lines; the solid as an infinite number of surfaces. In analogy with this it is possible to consider that it is necessary to regard a four-dimensional body as an infinite number of three-dimensional bodies, and four-dimensional space as an infinite number of three-dimensional spaces. Moreover, we know that the line is limited by points, that the surface is limited by lines, that the solid is limited by surfaces. It is possible that a four-dimensional body is limited by three-dimensional bodies . Or it is possible to say that the line is the distance between two points; the surface the distance between two lines; the solid—between two surfaces. Or again, that the line separates two points or several points from one another (for a straight line is the shortest distance between two points); that the surface separates two or several lines from each other; that the solid separates several surfaces one from another; as the cube separates six flat surfaces one from another—its faces. The line binds several separate points into a certain whole (the straight,, the curved, the broken line); the surface binds several lines into a certain whole (the quadrilateral, the triangle); the solid binds several surfaces into a certain whole (the cube, the pyramid). It is possible that four-dimensional space is the distance between a group of solids, separating these solids, yet at the same time binding them into some to us inconceivable whole, even though they seem to be separate from one another . Moreover, we regard the point as a section of a line; the line as a section of a surface; the surface as a section of a solid. By analogy, it is possible to regard the solid (the cube, sphere, pyramid) as a section of a four-dimensional body, and our entire three-dimensional space as a section of a four-dimensional space. If every three-dimensional body is the section of a four-dimensional one, then every point of a three-dimensional body is the p. 37 section of a four-dimensional line. It is possible to regard an "atom" of a physical body, not as something material , but as an intersection of a four-dimensional line by the plane of our consciousness. The view of a three-dimensional body as the section of a four-dimensional one leads to the thought that many (for us) separate bodies may be the sections of parts of one four-dimensional body. A simple example will clarify this thought. If we imagine a horizontal plane, intersecting the top of a tree, and parallel to the surface of the earth, then upon this plane the sections of branches will seem separate, and not bound to one another. Yet in our space, from our standpoint, these are sections of branches of one tree, comprising together one top, nourished from one root, casting one shadow. Or here is another interesting example expressing the same idea, given by Mr. Leadbeater, the theosophical writer, in one of his books. If we touch the surface of a table with our finger tips, then upon the surface will be just five circles, and from this plane presentment it is impossible to construe any idea of the hand, and of the man to whom this hand belongs. Upon the table's surface will be five separate circles.
Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

The text instructs the reader to imagine and visualize geometric intersections (e.g., tree branches, finger tips) to grasp higher dimensional concepts.

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

The text acknowledges limits of human conception regarding the fourth dimension, describing it as an 'inconceivable whole'.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The passage relies heavily on analogy between dimensions (points/lines/surfaces/solids) to explain higher reality, reflecting the structure of the cosmos at different scales.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The four-dimensional reality is described as hidden from three-dimensional perception and consciousness.

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Mechanical Humanityanthropology

Gurdjieff and Ouspensky's claim that ordinary human beings live in a state of waking sleep, reacting mechanically without unified will or consciousness, and that the spiritual path begins with recognising this condition.

It references the 'plane of our consciousness' as a limiting factor that prevents perceiving the true nature of atoms and bodies.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

It uses paradoxical descriptions such as moving in a direction not present in the figure or objects being separate yet bound into one whole.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

[auto] The text relies on geometric dimensions and mathematical progressions (points, lines, surfaces) to explain the underlying structure of reality.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] The passage centrally argues that seemingly separate three-dimensional bodies are actually sections of one unified four-dimensional body.

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Related passages · 2 parallels
neoplatonism|Select Works of Plotinus|Select Works, Section 542
Section 4 4. If we had to ascertain the nature of body and the place it holds in the universe, surely we should take some sample of body, say stone, and examine into what constituents it may be divided. There would be what we think of as th…”
Both passages explore the concept of higher-dimensional realities and their relationship to lower-dimensional perceptions. Passage A discusses the four-dimensional nature of reality and how three-dimensional objects are sections of four-dimensional bodies, while Passage B examines the nature of Intellectual Substance and its unity and plurality, drawing parallels to the physical body. Both texts delve into the complexity of understanding higher dimensions and the limitations of human perception.
neoplatonism|Select Works of Plotinus|Select Works, Section 549 (part 1)
Section 11 11. We are bound however to enquire under what mode unity is contained in Being. How is what is termed the "dividing" effected- especially the dividing of the genera Being and unity? Is it the same division, or is it different…”
Both passages explore the concept of higher-dimensional realities and their relationship to lower-dimensional perceptions. Passage A discusses the four-dimensional nature of reality and its implications for three-dimensional objects, while Passage B examines the Intellectual Substance and its unity and plurality, drawing parallels to the nature of body and its characteristics.