Conclusionc

In its place rises an empire of stone, steel, smoke, and hate-a world in which millions of creatures potentially human scurry to and fro in the desperate effort to exist and at the same time maintain the vast institution which they have erected and which, like some mighty, juggernaut, is rumbling inevitably towards an unknown end. In this physical empire, which man erects in the vain belief that he can outshine the kingdom of the celestials, everything is changed to stone, Fascinated by the glitter of gain, man gazes at the Medusa-like face of greed and stands petrified. JOHN AND THE VISION OF THE APOCALYPSE. From an engraving by Jean Duvet. Jean Duvet of Langres (who was born in 1485 and presumably died sometime after 1561, the year in which his illustrations to the Apocalypse were printed in book form) was the oldest and greatest of French Renaissance engravers. Little is known concerning Duvet beyond the fact that he was the goldsmith to the King of France. His engravings for the Book of Revelation, executed after he had passed his seventieth year, were his masterpiece. (For further information regarding this obscure master, consult article by William M. Ivins, Jr., in The Arts, May, 1926.) The face of John is an actual portrait of Duvet. This plate, like many others cut by Duvet, is rich in philosophical symbolism. *** In this commercial age science is concerned solely with the classification of physical knowledge and investigation of the temporal and illusionary parts of Nature. Its so-called practical discoveries bind man but more tightly with the bonds of physical limitation, Religion, too, has become materialistic: the beauty and dignity of faith is measured by huge piles of masonry, by tracts of real estate, or by the balance sheet. Philosophy which connects heaven and earth like a mighty ladder, up the rungs of which the illumined of all ages have climbed into the living presence of Reality--even philosophy has become a prosaic and heterogeneous mass of conflicting notions. Its beauty, its dignity, its transcendency are no more. Like other branches of human thought, it has been made materialistic--"practical"--and its activities so directionalized that they may also contribute their part to the erection of this modern world of stone and steel. In the ranks of the so-called learned there is rising up a new order of thinkers, which may best be termed the School of the Worldly Wise Men . After arriving at the astounding conclusion that they are the intellectual salt of the earth, these gentlemen of letters have appointed themselves the final judges of all knowledge, both human and divine. This group affirms that all mystics must have been epileptic and most of the saints neurotic! It declares God to be a fabrication of primitive superstition; the universe to be intended for no particular purpose; immortality to be a figment of the imagination; and an outstanding individuality to be but a fortuitous combination of cells! Pythagoras is asserted to have suffered from a "bean complex"; Socrates was a notorious inebriate; St. Paul was subject to fits; Paracelsus was an infamous quack, the Comte di Cagliostro a mountebank, and the Comte de St.-Germain the outstanding crook of history! What do the lofty concepts of the world's illumined saviors and sages have in common with these stunted, distorted products of the "realism" of this century? All over the world men and women ground down by the soulless cultural systems of today are crying out for the return of the banished age of beauty and enlightenment--for something practical in the highest sense of the word.