She went on to the stage and stood beside the small table which had been placed there for the convenience of the examiner, and commenced to recite the piece on which she was to have her lesson.
She herself had no occasion for nervousness; as had already been noted, she was an experienced speaker and teacher; moreover, nothing of importance hung upon this lesson, it was merely one of a series.
Nor was she usually nervous or self-conscious.
But as soon as she tried to start, she experienced a complete “dry-up,” and stood paralysed, unable to utter a word.
A little prompting soon started her off, however, but she had experienced a nasty attack of stage fright, and it shook her nerve.
From the psychic point of view, the explanation was not far to seek.
She was standing in the mental atmosphere created by a series of girls who had gone on to that platform for an examination upon which a good deal depended for them, and who had all been correspondingly nervous.
She herself, being sensitive, had been affected by this atmosphere, which induced in her a similar mental state by means of which is called “sympathetic induction,” a phenomenon well known in electricity and in acoustics, but equally valid in psychology.
No doubt the unfortunate examinees themselves were infecting each other.
It may well be that the “microphone panic,” so well known to broadcasters, is caused by the thought-atmosphere generated by a succession of nervous people who have stood upon the same spot.
An experience of my own may be of interest in this connection.
I took a bed-sitting-room in a hostel, and as soon as I came there, I found myself afflicted with the most intense depression.
I am not usually subject to the blues, being normally a cheerful soul, but as soon as I entered this room, which was a sunny and pleasant one, the cloud descended upon me, but lifted again as soon as I went out of it, whether into the dining-room of the hostel, or out of doors.
I soon recognised that here was something that needed to be dealt with, and enquired as to the history of the room.
I was told that it had previously been the bed room of the last owner of the house, who had been addicted to drink and had gone bankrupt.
It is a curious fact that drunkards and drug addicts make very evil psychic atmospheres, whereas a person who is a common criminal, however bad, is not nearly so noxious and his atmosphere fades rapidly.
In these two cases there was no question of an entity, discarnate or incarnate, being concerned in the matter; there was merely an unpleasant mental atmosphere generated by some powerful and painful emotion that had been experienced over a considerable period at that spot.
Such a concentration, if very strong, will linger almost indefinitely.
The structures that saw the concentration may have been pulled down and new ones built, nevertheless the forces remain, like a previous exposure on a photographic plate, and sensitive people are affected by them.
The insensitive may escape comparatively scatheless.
It is not altogether an easy matter to determine whether the disturbance is due to atmosphere alone, or whether an earth-bound entity complicates the situation.
Where an entity is present, it will usually be seen sooner or later.
Moreover, it will usually be heard as well as felt.
This latter sign, however, does not invariably indicate the presence of an organised entity, for I know of a case wherein a room that had been used as a lodge of ritual initiation was subsequently partitioned into an office and two bedrooms after the lodge was moved elsewhere, and the bedrooms were practically uninhabitable owing to the din of cracks, bangs and thumpings that went on at night.
In such a case there was no reason to suspect the presence of any entity, for the rituals had not been of an evocative type, nor was the influence evil.
The universal fluid or medium of occult philosophy — Lévi's Great Magical Agent — that transmits will, thought, and magical influence between minds and matter, and preserves the impress of all forms and actions as a book of consciences; cognate with akasha and the anima mundi. Distinct from cosmic_sympathy (a doctrine of hidden affinity) in being a substantival medium that can be charged, directed, and abused.
The text describes a 'mental atmosphere' that preserves emotional impressions and affects sensitive people, functioning similarly to the occult concept of the Astral Light as a recording medium.
The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.
The passage explains 'sympathetic induction' where emotions resonate between people and places, aligning with the doctrine of hidden affinities binding parts of the cosmos.
The interference of a discarnate human soul, or the lingering condition of a particular place, with the living — Dion Fortune's distinction between a soul in distress that clings out of ignorance and ties itself to a person or locality, versus deliberate malice. Distinct from animism (indwelling nature-spirits inherent to a place by nature, not a specific dead individual's soul) and from psychopomp_journey and ancestor_veneration (guiding the dead onward, or the living's ongoing ritual obligation to the honoured dead) in naming the pathological case: a soul that has NOT been guided onward and instead interferes, whether with a person or a place.
The passage explicitly defines and distinguishes between hauntings caused by lingering mental atmospheres versus those involving discarnate entities, making it the central theme.
The Hermetic doctrine that nothing rests — matter, energy, mind, and spirit are a single continuum differing only in rate of vibration, from the grossest matter to the least material spirit. Distinct from cosmic_sympathy (affinity resonating BETWEEN separate things) in being a claim about what constitutes any one thing in the first place, and from magical_equilibrium (Lévi's operational balancing technique, which presupposes some vibration doctrine rather than stating this general principle).
The reference to 'sympathetic induction' being well known in electricity and acoustics implies a vibrational mechanism for psychic phenomena.